Roger Ebert Home

MZS

Reviews

The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

Reviews

Stray Dogs

Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.

Reviews

Memphis

This quasi-documentary account of the life of a Memphis blues musician is lovely to look at, but disjointed and opaque.