
“Only Murders in the Building” Tackles Changing World by Staying the Same
If you’re of the camp that “OMITB” has worn out its welcome, the fifth season won’t dissuade you from that stance.
If you’re of the camp that “OMITB” has worn out its welcome, the fifth season won’t dissuade you from that stance.
A reflection on the writer’s fourth Telluride, and the feeling of community that comes from festival life.
On three dark thrillers from this year’s TIFF, including a couple of early standouts.
On two of the biggest TIFF premieres, including the new Knives Out movie.
Three totally different movies connect a very Reacher-esque action flick and a documentary about Paula Deen.
On three early Gala Presentations from TIFF 2025.
See the movies from TIFF starring David Jonsson and Lesley Manville. Skip the third.
On three films from TIFF, including the latest from Master Park, a trippy fishing drama, and another adaptation of the Bard.
On four Venice films, including the latest from Park Chan-wook and Julian Schnabel.
The director/star and his co-star unpack masculinities, friendship, and the tonal elasticity of the Sundance favorite.
Two critics discuss the latest from Spike Lee, now on Apple TV+.
On five decades of Ramesh Sippy’s silly, earnest, action-packed Bollywood masterpiece.
An interview with the co-writer/star and filmmaker team of the acclaimed dramedy.
A smart, breezy, goodnatured sitcom, and something of a love letter to the noblest aspects of the profession.
On three Venice docs, including an emotional stunner.
On three docs from this year’s Telluride.
Despite Part Two trying a sort of hard reset, “Wednesday” still struggles to feel cohesive.
An interview with the director of the sun-dappled Michigan-set Sundance fave, produced by Joanna Hogg.