“King of the Hill” quickly finds its footing, and a couple of the episodes in the mid-section of this 10-episode season rank among the best half-hour comedy chapters of the year, anywhere.
Three young women seek safety and purpose in the supernatural in three new titles from this year’s fest.
A report on the 2025 Cinema Femme Short Film Festival, which unfolded last weekend at the Music Box in Chicago.
Directors Adam Stein and Zach Lipovsky chat with MZS about the unexpected success of Final Destination Bloodlines.
A review of the second half of season two of “The Sandman,” the end of the hit Netflix show.
On three tales of girls coming of age in genre-specific circumstances at this year’s festival.
On three works of folklore and magical realism out of this year’s fest.
A tribute to the star of “The Cosby Show” and “Malcolm and Eddie.”
The latest and greatest on Blu-ray and streaming includes a few recent blockbusters along with Criterion editions of You Can Count on Me, Barry Lyndon, and The Big Heat.
An appreciation of a great superhero movie performance, and how it’s giving its star his overdue time in the spotlight.
On two horror comedies, and one very good dog, from this year’s festival.
“The Hunting Wives” is the latest mediocre drivel being pushed down the audience’s throat in the name of art.
“Washington Black” is a wonderment, combining the harshness of history and the fuel of steampunk with the many sides of love, into the tale of a lionhearted legend.
On the classic teen comedy, that’s still leaving us totally buggin’ three decades on.
One of our writers answers the Movie Love Questionnaire.
A show that continues to uphold the ideals of its franchise’s point of origin, even as its swings boldly go nowhere all that deep.
Reflecting on this year’s Karlovy Vary, from its celebrations to its bittersweet endings.
