“Evil Against Evil”: The Fascinating Incoherence of American Sniper
On how Clint Eastwood’s “American Sniper” examines evil.
On how Clint Eastwood’s “American Sniper” examines evil.
Destroyed by the Espionage Act; Temple Grandin transcends labels; Hand of a superhero; The success of Harley Quinn; Invention of the heterosexual.
Brutally honest Oscar ballot; Murphy refused to play Cosby; Is accuracy important?; “54” resurrected as cult gay classic; How America paved the way for ISIS.
The writers at RogerEbert.com discuss films featuring sheep, goats and rams in honor of Chinese New Year.
Video essay about Wes Anderson’s “The Grand Budapest Hotel,” adapted from the new book by Matt Zoller Seitz.
Sam Fragoso interviews Spike Lee; Why Christian movies are so bad; “SNL” anniversary a hollow milestone; Cinephiles need to care about PBS; Diane Rehm and the right-to-die debate.
R.I.P. David Carr; Kanye West: the biggest loser; Popcorn porn: “Fifty Shades” and “Kingsman”; Tilda Swinton’s speech at Rothko Chapel; The film that Goebbels feared.
Gentrification of racial humor; Jimmy Fallon isn’t funny; Creative women dismissed as “quirky”; Suddenly CinemaScope; “Fifty Shades of Grey” fan fiction.
An excerpt from Faith and Spirituality in Masters of World Cinema Vol. 3.
An excerpt from the February 2015 edition of “Bright Wall/Dark Room” on “The Music Man.”
The day Roger Ebert saved my life; Adam Curtis has an eye for the unsettling; Oscar front-runners get silly; A sniper unloads on “Sniper”; Autism is better than measles.
Amy Pascal resigns; The appeal of “Fifty Shades of Grey”; “Inherent Vice” walkouts; The self-inflicted war wounds of Brian Williams; The daring “Symbiopsychotaxiplasm: Take One.”
The dangers of stock photo modeling; Nancy Reagan refused to help Rock Hudson; Bed bugs may be splitting into new species; Hollywood’s white-guy problem; Eugene Levy and Catherine O’Hara.
A reprint of Roger’s Great Movies review of the timeless “Groundhog Day.”
Scout Tafoya’s series on overlooked or under appreciated films continues with screenwriter John Patrick Shanley’s debut feature.
Celebrating “Groundhog Day”; Stop making movies like “Black or White”; The catharsis of “Almost There”; Reflections on sexual abuse; How secular family values stack up.
An excerpt from Adrian’s Martin’s Mise en scène and Film Style: From Classical Hollywood to New Media Art.
The epic uncool of Philip Seymour Hoffman; How “Selma” got smeared; The fantasy fueling “Sniper”‘s popularity; Paradise in Palm Springs; Looking back at “Before Sunrise.”
“The year of women” at Sundance; “Sniper” proves critics matter; Gene Hackman is still in charge; Kurosawa watches “Solaris” with Tarkovsky; Joel Grey comes out.
A look at the fifteen short films nominated by the Academy of Motion Picture Arts and Sciences.