
Female Film Critics Are More Important Than Ever: A Special Event
A preview of an event this evening co-hosted by Cinema Femme and CherryPicks.
A preview of an event this evening co-hosted by Cinema Femme and CherryPicks.
A feature on watching films only directed by women and how that has been easier in the streaming era.
A feature on some of the best representations of female friendship in movie history.
A feature on the use of the wonderful song Smoke Gets in Your Eyes across multiple films.
An excerpt from a new book about the Alien movies from a different perspective.
In praise of the work of Bo Burnham in Promising Young Woman.
A table of contents featuring all the content from Women Writers Week 2021.
A feature on the emergence of a new canon of films about vengeance after rape, including the upcoming Rose Plays Julie and Violation.
A feature on the work of Jeremy Saulnier.
A feature on two French films recently made available through MOMA.
A look at the work of composer Emile Mosseri, the man behind the scores for The Last Black Man in San Francisco, Homecoming, Kajillionaire, and Minari.
An excerpt from Tim Grierson’s upcoming book about moviemaking.
A feature on three recent Mexican films that feel like the start of a new form of representation for that country.
A review of Mike Nichols: A Life and links to Roger Ebert’s writing on the director.
A look at the staying power of Alan J. Pakula’s The Parallax View and the age of conspiracies.
Greta Gerwig is as much a great chronicler of the friend romance as she is of the friend breakup.
Lynch’s 1999 film reminds us that everyone’s beliefs come from somewhere, and it’s worth trying to find out what that somewhere is.
An essay about Gene Kelly, as excerpted from the latest edition of Bright Wall/Dark Room.