
Mike Nichols: A Life is a Must-Read Memoir
A review of Mike Nichols: A Life and links to Roger Ebert’s writing on the director.
A review of Mike Nichols: A Life and links to Roger Ebert’s writing on the director.
A look at the staying power of Alan J. Pakula’s The Parallax View and the age of conspiracies.
Greta Gerwig is as much a great chronicler of the friend romance as she is of the friend breakup.
Lynch’s 1999 film reminds us that everyone’s beliefs come from somewhere, and it’s worth trying to find out what that somewhere is.
An essay about Gene Kelly, as excerpted from the latest edition of Bright Wall/Dark Room.
An ode to the end of an era, the closing of Family Video stores across the country.
An interview with Bernardo Britto about his two short films, Yearbook and Hudson Geese.
A look at the iconic imagery of Rob Marshall’s Chicago, Josef von Sternberg’s Morocco, and Bob Fosse’s Cabaret.
Emerald Fennell’s revenge film hits two major stumbling blocks in its desire to interrogate justice and create an empowering narrative.
An appreciation of Tom Cruise’s performance in “Eyes Wide Shut.”
Writer Carlos Aguilar’s answers the movie love questionnaire.
An article about START TV’s My Start Story campaign.
How the structure of the 100-year-old The Kid has been reflected in recent hits like The Midnight Sky, The Mandalorian, and News of the World.
An interview with the director of Cake Day, and a presentation of the short film.
A tribute to pioneering filmmaker Joan Micklin Silver, who told distinctive stories that often focused on Jewish Americans and women.
A look back at one of the biggest box office bombs of 30 years ago.
A look at the changes in the horror world in 2020, most notably how the pandemic and rise of streaming services allowed a greater audience for international horror.
An essay by Lainey Wood about Pride & Prejudice and hands, as excerpted from the latest issue of Bright Wall/Dark Room.