The Plot Against Harry
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Young Movie Reviews
Blog Posts That Mention Young
Cannes 2025: The Mastermind, Young Mothers
“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
TIFF 2024: Young Werther, Addition, My Fathers’ Daughter
Short Films in Focus: Young People, Old People and Nothing In Between
I’ve Got A Way With Young People: 25 Years of Dick
Young Love Makes for a Powerful Family Portrait
Cannes 2022: Holy Spider, Forever Young, Aftersun
Abe Lincoln No Malice Awards Celebrate Young Filmmakers At Shakespeare Theater
Emerald Fennell on Promising Young Woman, Responses to the Film, and More
NBC’s Young Rock and Kenan Sitcoms are Energetic, Familiar
Abraham Lincoln Presidential Library and the Ebert Foundation Sponsor the No Malice Film Contest for Children and Young Adults Across Illinois to Promote Racial Healing
On the Disempowerment of Promising Young Woman
The Mundane Horror in Being Young: Richard Tanne on Chemical Hearts
Escape with Young Adult Drama Outer Banks on Netflix
A Roller Coaster in the Dark: Carey Mulligan and Bo Burnham on Promising Young Woman
Nicolas Winding Refn Delivers Distinct Vision of Too Old to Die Young
Cannes 2019: Young Ahmed, Portrait of a Lady on Fire, Adam
Cannes 2019: Too Old to Die Young, Zombi Child
The Best Strange: The Young Actors of Mid90s on Starring in Jonah Hill’s Directorial Debut
NYFF 2018: The Slows, In My Room, Sorry Angel, Too Late to Die Young
“Step” to Inspire Young Filmmakers at DePaul on December 16th
I Made it For the Young Women in It: Amanda Lipitz on “Step”
HBO’s “The Young Pope” Offers Unique Television Homily
New Voices: Ebert Young Writers Program for the Arts Covers HIFF 2016
A Family Thing: Omar Epps & DC Young Fly on “Almost Christmas”
Young Debbie Edwards, Found: Lana Wood on “The Searchers”
Venice Film Festival 2016: “The Young Pope”
Young at Heart: Sally Field on “Hello, My Name is Doris”
“The African Americans: Many Rivers to Cross, Part I”: A Review by Messiah Young
“Dear White People”: A Review by Messiah Young
RogerEbert.com Partners with Chicago Urban League and Columbia Links to Mentor Young Critics
Helena Bonham Carter on “The Young and Prodigious T.S. Spivet”
The Young Person’s Guide To Max Von Sydow, Part Two
Netflix Misfires with Young Adult Sci-fi Adventure of “Between”
Acting Their Age: Noah Baumbach on “While We’re Young”
Chaz Ebert Invites Young Critics to Cover Black History Month Film Festival
Tonight is What It Means To Be Young: “Streets of Fire” at 30
TIFF 2014: The Cult of Personality with “Welcome to Me,” “While We’re Young”
Regarding R.W. Fassbinder: Letter to a Young Cinephile
Second Day of Ebertfest Ends with Poignant, Hilarious “Young Adult”
RogerEbert.com partners with Chicago Urban League to mentor young critics during Black History Month
Roger Ebert Scholarship Program for Young Critics Goes to Sundance
Love Yourself — Powerfully: Lessons to My Younger Self
Chan-wook Park’s Stoker: Young girl meets Oldboy
What’s too young for “Hugo?”
The death of a young paparazzo
The directness and clarity of a young generation
Go Inland, young woman!
“They’re young, they’re in love, and they kill people”
The Moth Diaries: Young hearts aflutter
A gigantic owl wins a young filmmaker his visit to Cannes
William Fichtner Transforms AMC’s “Talamasca” Into Something Worthwhile
I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
NYFF 2025: The 63rd Edition Comes to a Close
You Play Well: Diane Keaton (1946-2025)
Apple TV+ Thriller “The Last Frontier” Gets Snowed Under In Pulpy Action and Cheap Melodrama
Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”
Netflix’s “Boots” is a Trite Coming-of-Age Tale with a Hollow Corps
NYFF 2025: Late Fame, What Does That Nature Say to You, Barrio Triste
Your Life Matters: Jane Goodall (1934-2025)
Short Films in Focus: “Stooper” (with Bennett Watanabe)
Apple TV+’s “The Sisters Grimm” is a Fractured, Frustrating Animated Fairy Tale
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
Hulu’s “Chad Powers” Wastes Talents of Glen Powell
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
Fantastic Fest 2025: CAMP, Bad Haircut, Theater is Dead
Marvel Animation’s “Marvel Zombies” Doesn’t Have Enough Flesh On Its Shambling Bones
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
The Golden Boy: 11 of Our Favorite Robert Redford Performances
TIFF 2025: Hamnet, Driver’s Ed, EPiC: Elvis Presley in Concert
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
The River Flows: Robert Redford (1936 – 2025)
Chloe Zhao’s “Hamnet” Wins the TIFF People’s Choice Award
TIFF 2025: Blue Heron, Amoeba, Meadowlarks
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Christy, Couture, Steal Away
TIFF 2025: The Voice of Hind Rajab, Unidentified, The Fence
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
TIFF 2025: Obsession, Honey Bunch, Whitetail
