Blog Posts That Mention Young
Cannes 2025: The Mastermind, Young Mothers
Ben Kenigsberg
“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
Rendy Jones
TIFF 2024: Young Werther, Addition, My Fathers’ Daughter
Brian Tallerico
Short Films in Focus: Young People, Old People and Nothing In Between
Collin Souter
I’ve Got A Way With Young People: 25 Years of Dick
Peter Sobczynski
Young Love Makes for a Powerful Family Portrait
Rendy Jones
Cannes 2022: Holy Spider, Forever Young, Aftersun
Ben Kenigsberg
Abe Lincoln No Malice Awards Celebrate Young Filmmakers At Shakespeare Theater
Chaz Ebert
Emerald Fennell on Promising Young Woman, Responses to the Film, and More
Christy Lemire
NBC’s Young Rock and Kenan Sitcoms are Energetic, Familiar
Allison Shoemaker
Abraham Lincoln Presidential Library and the Ebert Foundation Sponsor the No Malice Film Contest for Children and Young Adults Across Illinois to Promote Racial Healing
Chaz Ebert
On the Disempowerment of Promising Young Woman
Mary Beth McAndrews
The Mundane Horror in Being Young: Richard Tanne on Chemical Hearts
Nick Allen
Escape with Young Adult Drama Outer Banks on Netflix
Brian Tallerico
A Roller Coaster in the Dark: Carey Mulligan and Bo Burnham on Promising Young Woman
Monica Castillo
Nicolas Winding Refn Delivers Distinct Vision of Too Old to Die Young
Brian Tallerico
Cannes 2019: Young Ahmed, Portrait of a Lady on Fire, Adam
Barbara Scharres
Cannes 2019: Too Old to Die Young, Zombi Child
Ben Kenigsberg
The Best Strange: The Young Actors of Mid90s on Starring in Jonah Hill’s Directorial Debut
Nick Allen
NYFF 2018: The Slows, In My Room, Sorry Angel, Too Late to Die Young
Scout Tafoya
“Step” to Inspire Young Filmmakers at DePaul on December 16th
Matt Fagerholm
I Made it For the Young Women in It: Amanda Lipitz on “Step”
Nick Allen
HBO’s “The Young Pope” Offers Unique Television Homily
Brian Tallerico
New Voices: Ebert Young Writers Program for the Arts Covers HIFF 2016
Sheila O'Malley
A Family Thing: Omar Epps & DC Young Fly on “Almost Christmas”
Jacob Oller
Young Debbie Edwards, Found: Lana Wood on “The Searchers”
Donald Liebenson
Venice Film Festival 2016: “The Young Pope”
Glenn Kenny
Young at Heart: Sally Field on “Hello, My Name is Doris”
Susan Wloszczyna
“The African Americans: Many Rivers to Cross, Part I”: A Review by Messiah Young
The Editors
“Dear White People”: A Review by Messiah Young
The Editors
RogerEbert.com Partners with Chicago Urban League and Columbia Links to Mentor Young Critics
The Editors
Helena Bonham Carter on “The Young and Prodigious T.S. Spivet”
Peter Sobczynski
The Young Person’s Guide To Max Von Sydow, Part Two
Glenn Kenny
Netflix Misfires with Young Adult Sci-fi Adventure of “Between”
Brian Tallerico
Acting Their Age: Noah Baumbach on “While We’re Young”
Matt Fagerholm
Chaz Ebert Invites Young Critics to Cover Black History Month Film Festival
The Editors
Tonight is What It Means To Be Young: “Streets of Fire” at 30
Odie Henderson
TIFF 2014: The Cult of Personality with “Welcome to Me,” “While We’re Young”
Brian Tallerico
Regarding R.W. Fassbinder: Letter to a Young Cinephile
Godfrey Cheshire
Second Day of Ebertfest Ends with Poignant, Hilarious “Young Adult”
Sam Fragoso
RogerEbert.com partners with Chicago Urban League to mentor young critics during Black History Month
Hank Sartin
Roger Ebert Scholarship Program for Young Critics Goes to Sundance
The Editors
Love Yourself — Powerfully: Lessons to My Younger Self
Joyce Kulhawik
Chan-wook Park’s Stoker: Young girl meets Oldboy
Simon Abrams
What’s too young for “Hugo?”
Roger Ebert
The death of a young paparazzo
Roger Ebert
The directness and clarity of a young generation
Roger Ebert
Go Inland, young woman!
Jim Emerson
“They’re young, they’re in love, and they kill people”
Wael Khairy
The Moth Diaries: Young hearts aflutter
Steven Boone
A gigantic owl wins a young filmmaker his visit to Cannes
Roger Ebert
The Personal Becomes Universal in Moving, Funny “Long Story Short”
Brian Tallerico
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Richard Roeper
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
Robert Daniels
One Final Look: Terence Stamp (1938-2025)
Scout Tafoya
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
Robert Daniels
Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
Robert Daniels
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Cristina Escobar
Meet the Writers: Peyton Robinson
The Editors
FX’s “Alien: Earth” Shatters Already High Expectations
Brian Tallerico
Josh Larsen on the Return of Cinema Interruptus
Matt Zoller Seitz
Netflix Brings “Wednesday” Back to Nevermore for a Spookier, Stranger Season 2
Clint Worthington
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
Marya E. Gates
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
Sherin Nicole
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Zachary Lee
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
Clint Worthington
All 8 Netflix “Trainwreck” Documentaries of 2025, Ranked
Richard Roeper
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Isaac Feldberg
“King of the Hill” Slides Right Back into Confidently Funny Rhythms
Brian Tallerico
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Clint Worthington
Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”
Matt Zoller Seitz
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
Clint Worthington
The Fire in Your Eyes: Ozzy Osbourne (1948-2025)
Ben Apatoff
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
Clint Worthington
One of Us: Malcolm-Jamal Warner (1970-2025)
Brandon David Wilson
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
Sherin Nicole
Everywhere You Go Has Valet: “Clueless” at 30 (Or Whatever)
Matt Zoller Seitz
Meet the Writers: Cortlyn Kelly
Cortlyn Kelly
KVIFF 2025: Awards and Wrap-Up
Isaac Feldberg
Our 10 Most Anticipated Films of the 2025 Fantasia Film Festival
Clint Worthington
MGM+ Adaptation of Stephen King’s “The Institute” Won’t Keep Students Awake
Brian Tallerico
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
Isaac Feldberg
KVIFF 2025: Broken Voices, Out of Love, Don’t Call Me Mama
Isaac Feldberg
I Am a Writer: “Wonder Boys” Turns 25
Paul Risker
The 10 Best Oasis Needle Drops
Robert Daniels
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