The Plot Against Harry
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Young Movie Reviews
Blog Posts That Mention Young
Cannes 2025: The Mastermind, Young Mothers
“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
TIFF 2024: Young Werther, Addition, My Fathers’ Daughter
Short Films in Focus: Young People, Old People and Nothing In Between
I’ve Got A Way With Young People: 25 Years of Dick
Young Love Makes for a Powerful Family Portrait
Cannes 2022: Holy Spider, Forever Young, Aftersun
Abe Lincoln No Malice Awards Celebrate Young Filmmakers At Shakespeare Theater
Emerald Fennell on Promising Young Woman, Responses to the Film, and More
NBC’s Young Rock and Kenan Sitcoms are Energetic, Familiar
Abraham Lincoln Presidential Library and the Ebert Foundation Sponsor the No Malice Film Contest for Children and Young Adults Across Illinois to Promote Racial Healing
On the Disempowerment of Promising Young Woman
The Mundane Horror in Being Young: Richard Tanne on Chemical Hearts
Escape with Young Adult Drama Outer Banks on Netflix
A Roller Coaster in the Dark: Carey Mulligan and Bo Burnham on Promising Young Woman
Nicolas Winding Refn Delivers Distinct Vision of Too Old to Die Young
Cannes 2019: Young Ahmed, Portrait of a Lady on Fire, Adam
Cannes 2019: Too Old to Die Young, Zombi Child
The Best Strange: The Young Actors of Mid90s on Starring in Jonah Hill’s Directorial Debut
NYFF 2018: The Slows, In My Room, Sorry Angel, Too Late to Die Young
“Step” to Inspire Young Filmmakers at DePaul on December 16th
I Made it For the Young Women in It: Amanda Lipitz on “Step”
HBO’s “The Young Pope” Offers Unique Television Homily
New Voices: Ebert Young Writers Program for the Arts Covers HIFF 2016
A Family Thing: Omar Epps & DC Young Fly on “Almost Christmas”
Young Debbie Edwards, Found: Lana Wood on “The Searchers”
Venice Film Festival 2016: “The Young Pope”
Young at Heart: Sally Field on “Hello, My Name is Doris”
“The African Americans: Many Rivers to Cross, Part I”: A Review by Messiah Young
“Dear White People”: A Review by Messiah Young
RogerEbert.com Partners with Chicago Urban League and Columbia Links to Mentor Young Critics
Helena Bonham Carter on “The Young and Prodigious T.S. Spivet”
The Young Person’s Guide To Max Von Sydow, Part Two
Netflix Misfires with Young Adult Sci-fi Adventure of “Between”
Acting Their Age: Noah Baumbach on “While We’re Young”
Chaz Ebert Invites Young Critics to Cover Black History Month Film Festival
Tonight is What It Means To Be Young: “Streets of Fire” at 30
TIFF 2014: The Cult of Personality with “Welcome to Me,” “While We’re Young”
Regarding R.W. Fassbinder: Letter to a Young Cinephile
Second Day of Ebertfest Ends with Poignant, Hilarious “Young Adult”
RogerEbert.com partners with Chicago Urban League to mentor young critics during Black History Month
Roger Ebert Scholarship Program for Young Critics Goes to Sundance
Love Yourself — Powerfully: Lessons to My Younger Self
Chan-wook Park’s Stoker: Young girl meets Oldboy
What’s too young for “Hugo?”
The death of a young paparazzo
The directness and clarity of a young generation
Go Inland, young woman!
“They’re young, they’re in love, and they kill people”
The Moth Diaries: Young hearts aflutter
A gigantic owl wins a young filmmaker his visit to Cannes
What I Know is What I Am: Jimmy Cliff (1944-2025)
The Unloved, Part 144: River Queen
“Stranger Things” Sets Up Its Endgame with Quartet of New Episodes
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
Swan Song: Udo Kier (1944-2025)
Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
Felt More than Heard: Nathan Johnson on Composing his Third “Knives Out” Movie, “Wake Up Dead Man”
Tokyo Film Festival 2025: “Demon Pond” and Japanese Yokai Culture
Their Show Cracked Open the World: Siskel & Ebert Memories
It’s The Funniest Shit: Hikari on ‘Rental Family’
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
Tokyo Film Festival 2025: Mamoru Oshii on “Angel’s Egg”
We Live in Time: Joachim Trier on “Sentimental Value”
“Landman” Might Be the Dumbest Fracking Show on TV
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
No Other Land: Surviving a Crushing Machine
“My Undesirable Friends: Part I – Last Air in Moscow” Announced as Winner of the 2025 Indie Film Site Network Advocate Award
Hard Places: Max Walker-Silverman on “Rebuilding”
Tokyo Film Festival 2025: Journey into Sato Tadao
HBO’s “The Seduction” Surprises without Sizzle
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
NBC Mockumentary Sitcom “Stumble” is a Flipping Good Time
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
MGM+’s “Robin Hood” Dazzles With Its Craft, Yet Lacks the Allure to Justify Its Creation
The Most Movie Moment: Aiyana-Lee on Getting a Surprise DM from Spike Lee and Filming Her First-Ever Movie Scene with Denzel Washington
“The Witcher” Changes Its Face and Loses Some Of Its Magic in Season 4
“Silent Hill f” Sends Gamers to a New Destination in a Terrifying Universe
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
CIFF 2025: True North, Pasa Faho, Sun Ra: Do the Impossible
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
CIFF 2025: Silent Friend, Calle Malaga, Belén
CIFF 2025: The Stranger, Franz, Kontinental ’25
