The Plot Against Harry
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Young Movie Reviews
Blog Posts That Mention Young
A Case of Identity Crisis: “Young Sherlock” Suffers From Too Many Ideas
To Love Each Other: Jean-Pierre and Luc Dardenne on “Young Mothers”
Cannes 2025: The Mastermind, Young Mothers
“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
TIFF 2024: Young Werther, Addition, My Fathers’ Daughter
Short Films in Focus: Young People, Old People and Nothing In Between
I’ve Got A Way With Young People: 25 Years of Dick
Young Love Makes for a Powerful Family Portrait
Cannes 2022: Holy Spider, Forever Young, Aftersun
Abe Lincoln No Malice Awards Celebrate Young Filmmakers At Shakespeare Theater
Emerald Fennell on Promising Young Woman, Responses to the Film, and More
NBC’s Young Rock and Kenan Sitcoms are Energetic, Familiar
Abraham Lincoln Presidential Library and the Ebert Foundation Sponsor the No Malice Film Contest for Children and Young Adults Across Illinois to Promote Racial Healing
On the Disempowerment of Promising Young Woman
The Mundane Horror in Being Young: Richard Tanne on Chemical Hearts
Escape with Young Adult Drama Outer Banks on Netflix
A Roller Coaster in the Dark: Carey Mulligan and Bo Burnham on Promising Young Woman
Nicolas Winding Refn Delivers Distinct Vision of Too Old to Die Young
Cannes 2019: Young Ahmed, Portrait of a Lady on Fire, Adam
Cannes 2019: Too Old to Die Young, Zombi Child
The Best Strange: The Young Actors of Mid90s on Starring in Jonah Hill’s Directorial Debut
NYFF 2018: The Slows, In My Room, Sorry Angel, Too Late to Die Young
“Step” to Inspire Young Filmmakers at DePaul on December 16th
I Made it For the Young Women in It: Amanda Lipitz on “Step”
HBO’s “The Young Pope” Offers Unique Television Homily
New Voices: Ebert Young Writers Program for the Arts Covers HIFF 2016
A Family Thing: Omar Epps & DC Young Fly on “Almost Christmas”
Young Debbie Edwards, Found: Lana Wood on “The Searchers”
Venice Film Festival 2016: “The Young Pope”
Young at Heart: Sally Field on “Hello, My Name is Doris”
“The African Americans: Many Rivers to Cross, Part I”: A Review by Messiah Young
“Dear White People”: A Review by Messiah Young
RogerEbert.com Partners with Chicago Urban League and Columbia Links to Mentor Young Critics
Helena Bonham Carter on “The Young and Prodigious T.S. Spivet”
The Young Person’s Guide To Max Von Sydow, Part Two
Netflix Misfires with Young Adult Sci-fi Adventure of “Between”
Acting Their Age: Noah Baumbach on “While We’re Young”
Chaz Ebert Invites Young Critics to Cover Black History Month Film Festival
Tonight is What It Means To Be Young: “Streets of Fire” at 30
TIFF 2014: The Cult of Personality with “Welcome to Me,” “While We’re Young”
Regarding R.W. Fassbinder: Letter to a Young Cinephile
Second Day of Ebertfest Ends with Poignant, Hilarious “Young Adult”
RogerEbert.com partners with Chicago Urban League to mentor young critics during Black History Month
Roger Ebert Scholarship Program for Young Critics Goes to Sundance
Love Yourself — Powerfully: Lessons to My Younger Self
Chan-wook Park’s Stoker: Young girl meets Oldboy
What’s too young for “Hugo?”
The death of a young paparazzo
The directness and clarity of a young generation
Go Inland, young woman!
“They’re young, they’re in love, and they kill people”
The Moth Diaries: Young hearts aflutter
A gigantic owl wins a young filmmaker his visit to Cannes
Fifty Years After the Bicentennial, A Declaration of Independence for American Filmmakers
10 of Roger Ebert’s Favorite Movies About America
Through the Window: 10 Times That Foreign Directors Have Looked at America
Home Entertainment Guide June 2026: Hoppers, Crime 101, The Mastermind, More
Tribeca 2026: The Narratives
Satirizing and Saluting: Mel Brooks’ “Silent Movie” At 50
Golf is a Great Metaphor: Edward Burns and Brian d’Arcy James on “Finnegan’s Foursome”
Out of the Mouths of Cutlery: Tony Hale on “Toy Story 5”
Courtney Grace, “Disclosure Day,” and the One-Scene Wonder
Uncomfortable Truths: “Set It Off,” “Girl 6,” and “Naked Acts” at 30
Robert Daniels & Odie Henderson Talk “Baby Boy” at 25
Radical Whimsy: Exploring the Creative Mind of Boots Riley
When Sci-fi Was Horny: “Logan’s Run” at 50
J. Christopher Hamilton on Culture, Capital, and Creative Leverage
Paramount+’s “The Agency” Expands Its Scope With An Exhilarating Second Season
Through My Lens: The Accidental Archivist of ‘90s Howard University
Can the New Anti-Heroine Heal My Inner Black Girl?
Deborah Nadoolman Landis Pays Tribute to Costume Design Legend Albert Wolsky
The Horror of AI in “Obsession” & “Backrooms”
Bentonville Film Festival 2026 Preview
Roger Ebert’s Best and Worst Alien Movies
The 20 Best Films of 2026 So Far
Overlong Summer Romance “Every Year After” Is More Fizzle Than Sizzle
Words Are Also Filters: Marjane Satrapi (1969-2026)
Historic Franchise Finds New Life in Wildly Entertaining “007 First Light”
60th Karlovy Vary Film Festival Announces Official Selection and Juries
Hulu’s Limp Sitcom “Not Suitable for Work” Is Hardly Suitable for Primetime
Short Films in Focus: Patient (with Director Lori Felker)
Season 2 of Netflix’s ‘“The Four Seasons” Proves that Some Things Do Get Better with Age
