Amazing Grace is two days of Baptist church condensed to 90 minutes and injected directly into your soul.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
On new films by Xavier Dolan and Brady Corbet, both starring Natalie Portman.
The 20 films world premiering at the Toronto Film Festival that you can expect to find covered here over the next week, among many others.
The first five Mission: Impossible movies released on 4K Blu-ray.
If all blockbuster-sized entertainments were even half as ambitious and ingenious as these films have been, moviegoers would be infinitely better off.
A look back at how we've rated the "Mission: Impossible" films throughout the years.
What our TV critic would nominate for Emmys for the 2017-18 season.
The latest on Blu-ray and DVD, including Annihilation, Gringo, Thoroughbreds, and Unsane.
A review of the second season of HBO's great Westworld.
The best of the 2016-17 TV season in Emmy ballot form.
The staff pays tribute to Jonathan Demme.
Our TV critic picks the best shows of 2016.
David Paterson on "The Great Gilly Hopkins"; Rise of magical realism on TV; Missing found-footage masterpiece; The rom-com is dead; Sarah Paulson and Mark Duplass.
A review of NBC's "The Slap."
Marie writes: As the dog days of summer slowly creep towards September and Toronto starts getting ready for TIFF 2013, bringing with it the promise of unique and interesting foreign films, it brought to mind an old favorite, namely The Red Balloon; a thirty-four minute short which follows the adventures of a young boy who one day finds a sentient red balloon. Filmed in the Menilmontant neighborhood of Paris and directed by French filmmaker Albert Lamorisse, The Red Balloon went on to win numerous awards and has since become a much-beloved Children's Classic.
This is a free edited sample of the Christmas Newsletter.
For Roger's invitation to the Club, go here.
From the Grand Poobah and Mrs. Poobah:
Seasons Greetings Everyone!
From the Poobah: Chaz and Roger Ebert wish you Peace in the New Year!
Every semester, I ask my students this one simple question. "Can you honestly say that you are happy?" In a class of 40 students, maybe only six will raise their hands. And that is pretty sad.
Are they plagued by those uncertainties of youth? Are they wondering if they will find a career, love, or meaning? Are they terrified by the threats of terrorist attacks, financial collapse, climate change and, well, the Apocalypse? Or, have they decided that the "American Dream" was not Thomas Jefferson's vision, but is instead a sappy Hollywood fantasy? Or, maybe they just hate my class? Sure.
In answering this question, Gabriele Muccino's "The Pursuit of Happyness," takes many usual directions that Hollywood movies take. At first, he seems to answer the question the way we would expect a Hollywood filmmaker to answer:
Marie writes: allow me to introduce you to Travel Photographer, founded by Chris and Karen Coe in 2003 and their annual contest "Travel Photographer of the Year".After years spent working in the travel industry as a professional photographer and finding it was mostly conventional images making it into print, Chris decided to create a way to showcase great travel photography and broaden people's perception of what it can encompass - namely, that it can be much, much more than a pretty postcard image.The contest is open to one and all; amateur and professional photographers compete alongside each other. Entrants are judged solely on the quality of their photographs. There's a special competition to encourage young photographers aged 18 and under; Young Travel Photographer of the Year. The youngest entrant to date was aged just five, the oldest 88. The competition is judged by a panel of photographic experts, including renowned photographers, picture buyers, editor and technical experts.And the 2010 winners have now been announced. Here's a few random photos to wet your appetite - then you can scroll through the amazing winners gallery!
Enal is around 6 years old and knows this shark well - it lives in a penned off area of ocean beneath his stilted house in Wangi, Indonesia. Photo: James Morgan, UK (Portfolio Encounters: Winner 2010) [note: click images to enlarge]
From the Grand Poobah: Netflix is great, but they don't have everything and seem to be weak on silent films. Here's a pay site streaming a large and useful selection of high-quality films, world-wide....
Marie writes: when Roger told me about this place, I signed-up to see if I could watch one their free movies? Yup! I can stream MUBI in Canada; though content will vary depending on where you live (that's also case with Netflix Canada) and so nothing new there. And after looking through their current catalog, I can report that they do indeed have some rare movies - stuff I've never found anywhere else. I even read that Martin Scorcese is a member.
From: Josey Foo, Farmington, NM
I was reading Charles Dickens the other day, and realized in a different way why "Crash" is such a good and useful film. Dickens is the best storyteller in the history of the novel, and although I've read him pretty much from end to end, I got into an argument about the character in "The Squid and the Whale" who tells his son that A Tale of Two Cities is "minor Dickens." I thought this opinion was correct, but I re-read it for the first time since I was a child, and found that it was not minor Dickens after all.
Although I agree with you that Paul Haggis’ film "Crash" has redeeming social value and tackles the still tenuous if not overt racism in this country, I don’t agree it is a great movie. The actors and the interweaving storyline are on point but the constant barrage of clichéd dialogue accompanied by melodramatic music was almost comical. The scene where Matt Dillon’s character is holding Thandie Newton in his arms while a biblical car fire raged against the sweeping soundtrack hit me over the head so hard I had two pop three Advil.
While I respect your optimism in your recent column, "In Defense of the Year’s ‘Worst Movie,’” I feel very strongly that “Crash” is not only misguided but dangerous, and so I can only say the same for your column. The film’s presentation of racism is so superficial, so painfully clichéd, that it threatens to actually close people’s eyes to the ways in which racism most frequently and most dangerously presents itself. Almost immediately your column falls into the trap of which many critics of this film are so wary.
Selections from the RogerEbert.com reader mail inbox regarding “Crash” and Roger Ebert’s defense of his top movie of 2005 against attacks from some critics: