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Scott Movie Reviews
Blog Posts That Mention Scott
You Can’t Stay Here: Adam Scott and Damian McCarthy on “Hokum”
Short Films in Focus: 24 Hours After Reading Tuesdays With Morrie (with Scott Tinkham)
Scott Derrickson Dives Deep into “The Gorge”
Netflix’s Scott Pilgrim Takes Off is a Phenomenal Stand-Alone Anime Addition
The Rewards are Endless: Scott Ryan on His New Book, Lost Highway: The Fist of Love
Scott Z. Burns’ Star-Studded Extrapolations is a Harrowing, Hopeful Look into the Future
The Space Left on the Screen is For You to Fill: Scott Ryan on Fire Walk With Me: Your Laura Disappeared
Adam Scott Leads Brilliantly Original Workplace Drama Severance
Scott Pilgrim vs. the World Finally Comes Back for Gamers
SDCC 2020: Guillermo del Toro and Scott Cooper on Antlers and Filmmaking
UPDATE: Life Itself Virtual Q&A Adds Music By Clem Snide, Moderator Scott Mantz Tomorrow, May 27th
Tom Skerritt on the 40th Anniversary of Alien, Collaborating with Ridley Scott and More
The Monster of Florence: Ridley Scott’s Hannibal on 4K Blu-ray
Ebertfest 2019 Reveals Full Line-Up Honoring Scott Wilson, Richard Roeper and Jonathan Demme
Ebertfest 2019 to Celebrate Richard Roeper, Honor Scott Wilson
Scott Wilson: 1942-2018
Ridley Scott’s 2017: A Look at the Filmmaker through “All the Money in the World”
Preserving the Mystery: Michael H. Weber and Scott Neustadter on “The Disaster Artist”
Video Interview: Katherine Waterston, Michael Fassbender and Ridley Scott on “Alien: Covenant”
Book Review: “Tarzan on Film” by Scott Tracy Griffin
Video Interview: Michel Varisco, Clay Tweel & Scott Fujita on “Gleason”
A difficult friend: Ed Copeland, AKA Scott Schuldt, 1969-2015
The Comedy Process: Adam Scott on “The Overnight”
Tishuan Scott and Ashton Sanders on “The Retrieval”
Double Vision: Tony Scott’s spirit possesses Ridley Scott’s “The Counselor”
Gatsby in Scott Fitzgerald’s handwriting
A.O. Scott and Michael Phillips new co-hosts of ‘At the Movies’
Films on fire: Tony Scott and Christopher Nolan
A.O. Scott’s perspective on NYFF
George C. Scott watches the Jack and Jill Trailer
A.O. Scott is on a roll!
A.O. Scott on criticism: “This is not a progressive kindergarten.”
George C. Scott: In Memoriam
Ebert vs. Scott Pilgrim vs. the world?
Roger Ebert’s Best and Worst Alien Movies
The 20 Best Films of 2026 So Far
Cannes 2026 Video #11: The Samurai and the Prisoner, Her Private Hell, Hope
Cannes 2026 Video #10: Reflecting on the Awards
Cannes 2026: Maverick: The Epic Adventures of David Lean, Dernsie: The Amazing Life of Bruce Dern
Cannes 2026 Video #8: Dua, I’ll Be Gone in June, La Gradiva
Cannes 2026 Video #6: Club Kid, Paper Tiger, Clarissa
Cannes 2026 Video #5: Festival Dispatch with Ben Kenigsberg
Cannes 2026 Video #4: Festival Dispatch with Zachary Lee
Notes from the Red Carpet of the 2026 Chicago Critics Film Festival
Home Entertainment Guide April 2026: Send Help, 28 Years Later: The Bone Temple, Highest 2 Lowest, More
Male Directors Can’t Stop Making Movies About Female Pop Stars
Season 2 of Netflix’s “Running Point” Is An Easy Layup
‘The Last Dance’ Ends a Beautiful, Impactful Run for the Long-time Roger Ebert Film Festival
MGM+’s Cult Hit “From” Wanders Through Frustrating Yet Addictive Fourth Season
“It Became a Dark Place”: Chief Geoffrey Standing Bear on “Killers of the Flower Moon”
Lisa Kudrow Makes An Extremely Welcome “Comeback” to HBO
SXSW 2026: Wishful Thinking, The Saviors
12 Films We Can’t Wait to See at the SXSW Film Festival
If We Picked the Winners: The 98th Academy Awards
Across 50 Seasons, “Survivor” Reflects Evolving Views of American Women
An Anatomy of a Fleece: Why “Heated Rivalry” Fans Have Latched Onto its Very Canadian Jacket
“RJ Decker” Successfully Brings Whimsy to Network Procedural
Laughs Come Consistently in NBC’s Clever “The Fall and Rise of Reggie Dinkins”
Chaz Ebert Remembers Reverend Jesse Jackson: Oct 8, 1941 – February 17, 2026
Netflix’s “Strip Law” Should Stay in the Animated Desert
Celebrating Black Cinema: Shawn Edwards on the Black Movie Hall of Fame
Keep on Dreaming: Reverend Jesse Jackson (1941-2026)
We Give It Absolutely Everything: James Van Der Beek (1977-2026)
Book Excerpt: STEVE JOBS MONOGRAPH, Edited by B.C. Wallin
Female Filmmakers in Focus: Amanda Kramer on “By Design”
Home Entertainment Guide January 2026: “One Battle After Another,” “Tron: Ares,” “Wicked: For Good,” More
2026 Oscar Nominations Predictions in the Major Categories
The Many Reasons Women Are Watching “Heated Rivalry”
“Sinners,” “Bel-Air” Lead NAACP Image Award Nominees
40 Shows We Can’t Wait to Watch in 2026
“The Pitt” Hasn’t Lost a Step in Confident Second Season
40 Movies We Can’t Wait to See in 2026
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
It’s Stephen King’s World: How the Writer Became the King of Hollywood Again in 2025
Ecstasy and Agony: Mona Fastvold on “The Testament of Ann Lee”
How Come They Don’t Fly Away?: James Ransone (1979-2025)
The Great Craft of 2025
The Great Performances of 2025
The 25 Best TV Shows of 2025
A Multifaceted Conversation About Faith: Rian Johnson on “Wake Up Dead Man”
Palm Springs Film Festival Announces 2026 Lineup
My Dinner with Gene & Roger
In Mubi’s “Hal & Harper,” Cooper Raiff Has a Hard Time Growing Up
A Tale of Two Machines: On the First Season of “Alien Earth”
“Slow Horses” Continues to Entertain, Even in a Lesser Season
Fantastic Fest 2025: Night Patrol, Dolly, Dinner to Die For
Sterlin Harjo Aims High, Does Not Miss with FX’s “The Lowdown”
TIFF 2025: Eternal Return, Nuremberg, Carolina Caroline
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Motor City, I Swear, Canceled: The Paula Deen Story
