It’s a masterful achievement in filmmaking as an empathy machine, a way for us to spend time in a place, in an era, and with…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look at an e-book of interviews and critical writing on one of the best films of 2018.
An article commemorating Project Involve's 25th anniversary, featuring reflections from Fellow-turned-acclaimed producer Effie T. Brown.
Matt writes: The 20th anniversary of Ebertfest will kick off tomorrow, April 18th, and run through Sunday, April 22nd, at the Virginia Theatre in Champaign, Illinois. Andrew Davis' classic edge-of-your-seat thriller, "The Fugitive," will open the festival, which features other beloved titles including "American Splendor" and "The Big Lebowski," as well as such trailblazing filmmakers as Ava DuVernay, Julie Dash, Amma Asante, Martha Coolidge and many more.
An interview with the director of You Were Never Really Here.
On the best films of the 2018 Sundance Film Festival.
A review of the newest from Lynne Ramsay.
A countdown of our most anticipated films coming this winter.
Matt writes: The 2017 Cannes Film Festival just came to a close on May 28th, and you can find our complete coverage of the highlights, lowlights and everything in between at RogerEbert.com. Our full roundup of written dispatches from Barbara Scharres and Ben Kenigsberg, as well our video reports from Chaz Ebert, can be located on our Cannes 2017 Table of Contents. You will find our thoughts on the latest work of filmmakers such as Noah Baumbach, Sofia Coppola, Michael Haneke, Michel Hazanavicius, Todd Haynes, Bong Joon-ho, Yorgos Lanthimos and Lynne Ramsay, as well as our coverage of the Netflix controversy that engulfed the Croisette.
Swedish director Ruben Ostlund's "The Square" won the Palme d'Or at the 70th Cannes Film Festival.
Ben Kenigsberg makes his predictions for the 2017 Cannes awards.
On the latest from Lynne Ramsay and Fatih Akin.
Matt writes: The 2017 Cannes Film Festival is nearly here! It will run from May 17th through the 28th, and RogerEbert.com will be providing in-depth coverage every step of the way, including our annual video reports from publisher Chaz Ebert. This year's selections include the latest work from such acclaimed filmmakers as Noah Baumbach, Sofia Coppola, Michael Haneke, Michel Hazanavicius, Todd Haynes, Bong Joon Ho, Yorgos Lanthimos and Lynne Ramsay.
A preview of the 2017 Cannes Film Festival.
A reposting of Tina Hassannia's article from Movie Mezzanine, and the response it received from Peter Becker, president of the Criterion Collection.
Susan Wloszczyna wonders if women at the helm might be just the thing to revitalize the foundering, repetitive comic-book movie genre.
A dinosaur that started on four legs and then graduated to two, just like humans; a Chinese poet writes about his experience of torture in prison; why all journalism is "advocacy journalism"; why it matters that 50 Shades of Grey will have a female director; a brief history of the president as action hero; the 50 essential lesbian, gay, bisexual and transgender movies; artist creates portraits of people she's never met via DNA samples from cigarette butts.
Ben Kenigsberg makes his predictions for Sunday night's Cannes awards.
Power is rarely discussed at Cannes, and it’s ostensibly all about art, although careers can hang on critics’ approval, and whether films are sold here, and to how many regions of the world. The annual jury press conference on the opening day is the first and foremost love-fest in which the concept of competition is downplayed and jurors find novel ways to sidestep the question of comparing one film to another in order to award the Palme d’Or in ten days.
Marie writes: Christmas is almost upon us, and with its impending arrival comes the sound of children running free-range through the snow, while grown-ups do battle indoors in the seasonal quest to find the perfect gift...
Marie Haws: Remember the Old Vic Tunnels? I did some more sniffing around and you'll never guess where it led me. That's right - into the sewer system! But not just any old sewer, oh no... it's the home of a famous forgotten river flowing beneath Fleet Street; the former home of English journalism.So grab a flashlight and some rubber boots as we go underground to explore "mile after mile of ornate brickwork" and a labyrinthine of tunnels which reveal the beauty of London's hidden River Fleet. (click images to enlarge.)
A few weeks ago on Facebook -- that sly keeper of family secrets, whose memory seems to have increased incrementally with its new Timeline mumbo-jumbo -- an actor of some repute posted a list of the best Twitter accounts of 2011, as compiled by a wholly forgettable outlet. He had been placed relatively highly, and someone commented that it was a very subjective list. Apart from the fact that taking issue with "a list of the best Twitter accounts of 2011, lol" is by definition absurd, the statement presented a logical fallacy (I am fully aware of the irony of regarding a throwaway Facebook comment in such depth). All lists are subjective: that's why they're lists. Nonetheless, this fairly simple fact gets lost in the year-end frenzy as interested parties start calling for the list-maker's head, like angry villagers wielding pitchforks, if and when their favoured books, albums, films, etc fail to place on a given critic's compilation of the year's best.
Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels. Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour! (click image to enlarge.)
Marie writes: I love photography, especially B/W and for often finding color a distraction. Take away the color and suddenly, there's so much more to see; the subtext able to rise now and sit closer to the surface - or so it seems to me. The following photograph is included in a gallery of nine images (color and B/W) under Photography: Celebrity Portraits at the Guardian."This is one of the last photographs of Orson before he died. He loved my camera - a gigantic Deardorff - and decided he had to direct me and tell me where to put the light. So even in his last days, he was performing his directorial role perfectly, and bossing me around. Which was precious." - Michael O'Neill
Orson Welles, by Michael O'Neill, 1985
• Toronto Entry #3
If more people were like Tilda Swinton, what a better world this would be. She looks people straight in the eye. She levels. She notices and cares about them--not just the big shots, but everyone. She still corresponds with Hilde Back, the 83-year-old Swedish woman who was the heroine of the great documentary "A Small Act" at Ebertfest 2011. She personally helps haul a trailer across the north of Scotland so that movies can be exhibited in towns without cinemas. She is formidably intelligent and forthright. She has a good heart. She freshens my faith in the cinema.
"I realize that most of the turning points in my career were brought about by others. My life has largely happened to me without any conscious plan. I was an indifferent student except at subjects that interested me, and those I followed beyond the classroom, stealing time from others I should have been studying. I was no good at math beyond algebra. I flunked French four times in college. I had no patience for memorization, but I could easily remember words I responded to. In college a chart of my grades resembled a mountain range. My first real newspaper job came when my best friend's father hired me to cover high school sports for the local daily. In college a friend told me I must join him in publishing an alternative weekly and then left it in my hands. That led to the Daily Illini, and that in turn led to the Chicago Sun-Times, where I have worked ever since 1966. I became the movie critic six months later through no premeditation, when the job was offered to me out of a clear blue sky."Visit "I was born inside the movie of my life" to read the opening pages from Roger's forthcoming memoir to be published September 13, 2011.