Luca Guadagnino Movie Reviews
Blog Posts That Mention Luca Guadagnino
Luca Guadagnino Is Love
Tim Grierson
Luca Guadagnino’s Bones and All and the Inescapable Desire to Belong
Kaiya Shunyata
Luca Guadagnino’s HBO Series We Are Who We Are Off to a Glorious Start
Matt Fagerholm
Video Interview: Tilda Swinton, Luca Guadagnino, and Dakota Johnson on Suspiria
Katherine Tulich
Venice Film Festival 2022: A Couple, Bones and All, Master Gardener
Glenn Kenny
Venice Film Festival 2018: Suspiria, Peterloo, The Ballad of Buster Scruggs, Non-Fiction
Glenn Kenny
recent Two Thumbs Up® reviews
Roger Ebert
A Salute to the Movies That Got Overlooked During Oscar Season
Tim Grierson
Sundance 2025: Bunnylovr, Atropia, Love, Brooklyn
Robert Daniels
Oscar Nominations Predictions 2025
Daniel Joyaux
The Great Craft of 2024
The Editors
2025 Sundance Film Festival Announces Ambitious Program
Brian Tallerico
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Godfrey Cheshire
TIFF 2024: Babygirl, All We Imagine as Light, Queer
Brian Tallerico
Venice Film Festival 2024: The Biennale College
Glenn Kenny
Venice Film Festival 2024: Prepping for the Biennale
Glenn Kenny
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
Tim Grierson
The Best Films of 2024 So Far
The Editors
How Will Dakota Johnson Survive Madame Web? The Same Way She Handled Fifty Shades of Grey
Tim Grierson
Meet the Writers of Black Writers Week 2023
Chaz Ebert
An Introduction to Black Writers Week 2023
Chaz Ebert
Black Writers Week 2023: Table of Contents
The Editors
Home Entertainment Guide: January 2023
Brian Tallerico
The Great Performances of 2022
The Editors
Fantastic 4K Box Set Captures Legacy of Sony Pictures Classics
Brian Tallerico
NYFF 2022: Personality Crisis: One Night Only, A Cooler Climate, Is That Black Enough for You?!?
Odie Henderson
Stay Weird: Highlights of the 2022 Fantastic Fest
Katie Rife
Telluride Film Festival 2022 Highlights
Tomris Laffly
Criterion Releases Wonderful Box Set of Eric Rohmer’s Six Moral Tales
Brian Tallerico
Seventh Row Publishes Beyond Empowertainment, a Critical Study of Feminism in Horror
The Editors
Honoring Alain Delon in Cannes Was The Right Thing To Do, Here’s Why
Lisa Nesselson
Tomris Laffly’s Top Ten Films of 2018
Tomris Laffly
Christy Lemire’s Top Ten Films of 2018
Christy Lemire
The Horror and Heroines at Fantastic Fest 2018
Kristy Puchko
Inclusion Rider: Backstage at the 90th Academy Awards
Matt Fagerholm
Get Out, Three Billboards Win Big at 2018 Film Independent Spirit Awards
Sam Fragoso
If We Picked the Winners 2018: Best Adapted Screenplay
Susan Wloszczyna
Congratulations to Steve James on Your Oscar Nomination
Chaz Ebert
L.A. Film Critics Association Awards Ceremony to be Held January 13th
Chaz Ebert
The Ten Best Films of 2017
The Editors
Lady Bird, Call Me By Your Name Win Big For the Chicago Film Critics Association
Peter Sobczynski
“Call Me By Your Name” Leads Chicago Film Critics Nominations
Brian Tallerico
My Favorite Films of 2017
Chaz Ebert
“Get Out,” “Call Me by Your Name” Win Big at 2017 Gotham Awards
Tomris Laffly
“Call Me by Your Name,” “Get Out” and “Good Time” Lead Spirit Award Nominees
Matt Fagerholm
Wise Words: Michael Stuhlbarg on “Call Me by Your Name”
Nick Allen
Deadline’s The Contenders 2017 Kicks Off Oscar Season
Chaz Ebert
“Do You Know Anything About Witches?”: “Suspiria” at 40
Peter Sobczynski
Oscars Could Be Facing Dearth of Diversity Yet Again
Susan Wloszczyna
CIFF 2017 Preview: 45 Films to See
Peter Sobczynski
Cupid’s Arrow Pierced My Tender Heart at the Movies
Chaz Ebert
James Ivory on the Return of “Heat and Dust”
Peter Sobczynski
2017 Fall Movie Preview: 25 Films We’re Excited About
Nick Allen
Sundance 2017: Five Under-the-Radar Movies From This Year’s Fest
Tomris Laffly
Sundance 2017: “Call Me By Your Name”
Brian Tallerico
Sundance 2017 Announces Premieres, Midnight Films and More
Nick Allen
Home Entertainment Consumer Guide: September 22, 2016
Brian Tallerico
The Best Films of 2016 So Far
The Editors
Venice Film Festival 2015: “A Bigger Splash,” “Amarcord”
Glenn Kenny
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