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Ready or Not

The film is charismatic and thrilling enough to bypass its shortcomings.

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Good Boys

There’s an honest heart beneath the racy laughs.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#231 August 13, 2014

Sheila writes: What a sad week this has been already. We lost both Robin Williams and Lauren Bacall, and the tributes have been flooding the Internet. We have included some link round-ups below with tribute pieces and obituaries, including the two beautiful pieces running on Rogerebert.com. The response has been overwhelming. In case you missed it, here is David Simon's remembrance of a day on the set of "Homicide" with Robin Williams. Please share your favorite roles, favorite moments, favorite memories of these two beloved performers.

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#74 August 3, 2011

Marie writes: I love illustrators best in all the world. There's something so alive about the scratch and flow of pen & ink, the original medium of cheeky and subversive wit. And so when club member Sandy Kahn submitted links for famed British illustrator Ronald Searle and in the hopes others might find him interesting too, needless to say, I was quick to pounce; for before Ralph Steadman there was Ronald Searle... "The two people who have probably had the greatest influence onmy life are Lewis Carroll and Ronald Searle."-- John LennonVisit Kingly Books' Ronald Searle Gallery to view a sordid collection of wicked covers and view sample pages therein. (click to enlarge image.) And for yet more covers, visit Ronald Searle: From Prisoner of War to Prolific Illustrator at Abe Books.

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#10 May 12, 2010

Dear Club Members;When last I heard, the Grand Poobah was dashing out the door to catch a flight to Cannes, France.  One can assume the plane landed safely as he's still Tweeting. :-)

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Babs, Henry and Long Duk Dong:Cleaning up after the Oscars

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I said just about everything I had to say about the Oscars in a dozen or so tweets I filed the evening of the broadcast, in between juggling manual updates for a couple of stories on RogerEbert.com (including Roger's live-tweets of the show) and approving Oscar comments on Roger's blog. I think I got out of my chair two or three times between 3:30pm and 9:30pm PST.

So, yeah, I made a few observations -- like this:

Instead of playing "I Am Woman" after Kathryn Bigelow's win, why didn't they play "Papa Can You Hear Me?" for Babs? #oscars

And this:

Elinor Burkett's Oscar performance marks the official arrival of the word "Kanye" (or "Kanyed") as a verb. http://j.mp/9XIwqy #oscars

And this:

Has "Based on the Novel Push by Sapphire" become the new "Electric Boogaloo"?

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March 13, 2010

May Contain Spoilers

Welcome club members.

This is intended as an oasis in the melee of the web, where we can gather. Who are we? We are you, and the friendships that have formed in the nearly two years I've been doing my blog. You don't need to be told that you are a remarkable group, an astonishment to those who are accustomed to the usual web discussion forums. • • • Speaking of forums, we have opened our Private Club Thread. Needless to say, it will defeat the purpose of the thread if you share the link outside the Club.

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CIFF: All our capsule reviews

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UPDATED 10/16: Here are brief reviews of all the Chicago Film Festival movies we have seen, in alphabetical order, written by Bill Stamets and Roger Ebert. More will be added as we view them. For a full CIFF schedule, go to www.chicagofilmfestival.com or call (312) 332-FILM.

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Toronto #9: Everybody must get cloned

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TORONTO, Ont. -- “The Walker” is another of Paul Schrader’s “man in a room” films, and his best film since “Affliction” (1997). It’s a fascinating character study with as fine a performance as Woody Harrelson has given, and certainly the most unexpected. Schrader defined the films as centering on the image of a man in a room preparing to go out and do something, and then doing it, while remaining focused by his preparation. That would define Schrader’s “American Gigolo” (1980), with Richard Gere in training for his profession as a professional lover of women. And “Light Sleeper” (1992), with Willem Dafoe as a drug dealer who is also a recovering addict.

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