A Hidden Life
It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of nearly…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
This month's Bright Wall/Dark Room excerpt on Under the Silver Lake.
An interview with Paweł Pawlikowski, director/co-writer of "Cold War."
A look back at Robert Zemeckis' half-animated classic, Who Framed Roger Rabbit, on its 30-year anniversary.
A trifecta of senior citizens could make Oscar history on Sunday night.
An in-depth preview of the films, including rarities and restorations, playing in the Noir City: Chicago 8 program at the Music Box Theatre.
An op-ed on how the decision to move the Lifetime Achievement Oscar off the telecast hurts us all.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Christy Lemire.
Jana Monji reports live from the Golden Globes.
The writers of RogerEbert.com reflect on the life, career and death of Robin Williams.
Sheila writes: What a sad week this has been already. We lost both Robin Williams and Lauren Bacall, and the tributes have been flooding the Internet. We have included some link round-ups below with tribute pieces and obituaries, including the two beautiful pieces running on Rogerebert.com. The response has been overwhelming. In case you missed it, here is David Simon's remembrance of a day on the set of "Homicide" with Robin Williams. Please share your favorite roles, favorite moments, favorite memories of these two beloved performers.
An obituary for the legendary Lauren Bacall.
Nell Minow responds to our Movie Love Questionnaire.
Strong female characters and "Trinity Syndrome"; Spielberg's next two films; the ugly aftertaste of Louie Season 4; 'Mad Men' and family relations; Roddy McDowall's home movies.
Writer Christy Lemire responds to our Movie Love Questionnaire.
Marie writes: I love illustrators best in all the world. There's something so alive about the scratch and flow of pen & ink, the original medium of cheeky and subversive wit. And so when club member Sandy Kahn submitted links for famed British illustrator Ronald Searle and in the hopes others might find him interesting too, needless to say, I was quick to pounce; for before Ralph Steadman there was Ronald Searle... "The two people who have probably had the greatest influence onmy life are Lewis Carroll and Ronald Searle."-- John LennonVisit Kingly Books' Ronald Searle Gallery to view a sordid collection of wicked covers and view sample pages therein. (click to enlarge image.) And for yet more covers, visit Ronald Searle: From Prisoner of War to Prolific Illustrator at Abe Books.
The Ebert Club Newsletter is 1 year old!
Dear Club Members;When last I heard, the Grand Poobah was dashing out the door to catch a flight to Cannes, France. One can assume the plane landed safely as he's still Tweeting. :-)
I said just about everything I had to say about the Oscars in a dozen or so tweets I filed the evening of the broadcast, in between juggling manual updates for a couple of stories on RogerEbert.com (including Roger's live-tweets of the show) and approving Oscar comments on Roger's blog. I think I got out of my chair two or three times between 3:30pm and 9:30pm PST.
So, yeah, I made a few observations -- like this:
Instead of playing "I Am Woman" after Kathryn Bigelow's win, why didn't they play "Papa Can You Hear Me?" for Babs? #oscars
Elinor Burkett's Oscar performance marks the official arrival of the word "Kanye" (or "Kanyed") as a verb. http://j.mp/9XIwqy #oscars
Has "Based on the Novel Push by Sapphire" become the new "Electric Boogaloo"?
Welcome club members.
This is intended as an oasis in the melee of the web, where we can gather. Who are we? We are you, and the friendships that have formed in the nearly two years I've been doing my blog. You don't need to be told that you are a remarkable group, an astonishment to those who are accustomed to the usual web discussion forums. • • • Speaking of forums, we have opened our Private Club Thread. Needless to say, it will defeat the purpose of the thread if you share the link outside the Club.
Live-tweeted from Los Angeles:
by Roger Ebert
UPDATED 10/16: Here are brief reviews of all the Chicago Film Festival movies we have seen, in alphabetical order, written by Bill Stamets and Roger Ebert. More will be added as we view them. For a full CIFF schedule, go to www.chicagofilmfestival.com or call (312) 332-FILM.
By Bill Stamets and Roger Ebert
TORONTO, Ont. -- “The Walker” is another of Paul Schrader’s “man in a room” films, and his best film since “Affliction” (1997). It’s a fascinating character study with as fine a performance as Woody Harrelson has given, and certainly the most unexpected. Schrader defined the films as centering on the image of a man in a room preparing to go out and do something, and then doing it, while remaining focused by his preparation. That would define Schrader’s “American Gigolo” (1980), with Richard Gere in training for his profession as a professional lover of women. And “Light Sleeper” (1992), with Willem Dafoe as a drug dealer who is also a recovering addict.