You’ll shed a tear or two—especially if you’re a parent—and they’ll be totally earned.
The best of the 2016-17 TV season in Emmy ballot form.
RogerEbert.com picks the best films of 2016.
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
An interview with writer/director Kenneth Lonergan about "Manchester By the Sea."
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
The first films announced for the 2016 Toronto International Film Festival.
A TV critic's picks for the best TV of 2015-16.
Monica Castillo, Nick Allen and Brian Tallerico pick the best films of Sundance 2016.
A review of Kenneth Lonergan's "Manchester by the Sea."
The writers of RogerEbert.com on some of our favorite performances of 2015.
A look at the latest additions to the now-completed Sundance 2016 lineup.
An interview with director Todd Haynes about "Carol."
A NYFF report on "Carol," "The Assassin" and "Right Now, Wrong Then."
A final Telluride report on documentaries He Named Me Malala and Only the Dead See the End of War, along with two other highly-anticipated films.
What should be nominated for Emmys this year? Let us guide the way.
A review of Netflix's "Bloodline" with Kyle Chandler, Ben Mendelsohn, Sissy Spacek, and Sam Shepard.
Matt Zoller Seitz's Top 10 films of 2013.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
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Marie writes: Intrepid club member Sandy Kahn has found another Hollywood auction and it's packed with stuff! From early publicity stills (some nudes) to famous movie props, costumes, signed scripts, storyboards, posters and memorabilia...
Marie writes: Behold a living jewel; a dragonfly covered in dew as seen through the macro-lens of French photographer David Chambon. And who has shot a stunning series of photos featuring insects covered in tiny water droplets. To view others in addition to these, visit here.
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The story of Ben Affleck's "Argo" concerns the real-life rescue of six fugitive American embassy employees from Ayatollah "Salman Rushdie Fatwa" Khomeini's Iran in 1980. The Canadian ambassador, Ken Taylor, hid them in his home until they were smuggled out of the country 79 days after the takeover of the embassy by Iranian militants. But the movie is more substantially interested in the nature of movies themselves, and how stories get turned into them. Since its premiere at the Toronto International Film Festival last month, "Argo" has been praised as "a crackerjack thriller" (the kind of argot movie reviewers use) and criticized for downplaying the Canadians' considerable efforts and not being, you know, "historically accurate. I'm sore-y, we know it's Based On A True Story and all, but that's not really what this movie is aboot.
Marie writes: the ever intrepid Sandy Khan recently sent me a link to ArtDaily where I discovered "Hollywood Unseen" - a new book of photographs featuring some of Hollywood's biggest stars, to published November 16, 2012."Gathered together for the first time, Hollywood Unseen presents photographs that seemingly show the 'ordinary lives' of tinseltown's biggest stars, including Rita Hayworth, Gary Cooper, Humphrey Bogart and Marilyn Monroe. In reality, these "candid' images were as carefully constructed and prepared as any classic portrait or scene-still. The actors and actresses were portrayed exactly as the studios wanted them to be seen, whether in swim suits or on the golf course, as golden youth or magic stars of Hollywood."You can freely view a large selection of images from the book by visiting Getty Images Gallery: Hollywood Unseen which is exhibiting them online.
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Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
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