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Inspired
Inspired Movie Reviews
Blog Posts That Mention Inspired
How a Mother’s Love Transformed a Nation and Inspired a Movement
Epix Schedules Fun Stephen King-Inspired Road Trip in From
B.J. Novak’s The Premise is an Inspired Satire of Modern Issues
Gurinder Chadha, Sarfraz Manzoor, Viveik Kalra and Aaron Phagura on Their Bruce Springsteen-Inspired Film, Blinded by the Light
Inspired by a Legend: John Carroll Lynch on “Lucky”
“Call of Duty: Black Ops 7” Signals a Franchise in Stasis
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
Female Filmmakers in Focus: Tamara Kotevska on “The Tale of Silyan”
What I Know is What I Am: Jimmy Cliff (1944-2025)
Reflections on the 2025 Tailinn Black Nights Film Festival
Actors Superbly Channel Siskel and Ebert Onstage in Chicago
Felt More than Heard: Nathan Johnson on Composing his Third “Knives Out” Movie, “Wake Up Dead Man”
It’s The Funniest Shit: Hikari on ‘Rental Family’
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
Tokyo Film Festival 2025: Mamoru Oshii on “Angel’s Egg”
Amazon Prime’s “Malice” Will Only Make You Mad
We Live in Time: Joachim Trier on “Sentimental Value”
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
Hard Places: Max Walker-Silverman on “Rebuilding”
Tokyo Film Festival 2025: Journey into Sato Tadao
Siskel & Ebert at the Movies Celebrates its 50th Anniversary
NBC Mockumentary Sitcom “Stumble” is a Flipping Good Time
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
The Real Monsters: How True Crime Has Shaped the Horror TV Genre
HBO’s “IT: Welcome to Derry” Feels too Much Like a Sideshow in the Stephen King Circus
CIFF 2025: The Stranger, Franz, Kontinental ’25
How to Define Freedom: Nia DaCosta on “Hedda”
11 Times That D’Angelo Made a Movie Better with his Music
The 11 Best Body-Swap Movies, Ranked
Chaz Ebert Launches National Awards to Honor Acts of Forgiveness, Empathy, Compassion, and Kindness as Siskel & Ebert Approaches 50th Anniversary
You Play Well: Diane Keaton (1946-2025)
Netflix’s “Boots” is a Trite Coming-of-Age Tale with a Hollow Corps
“The Ghost of Yōtei” is One of the Most Cinematic Games of the Year
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Fantastic Fest 2025: Mārama, Mother of Flies, Bulk
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
Lauren Melinda Receives the Inaugural Chaz Ebert Phenomenal Person in Film Award
TIFF 2025: Dust Bunny, The Furious, Normal
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: Bad Apples, Eternity, Sacrifice
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Venice Film Festival 2025: Remake, Nuestra Tierra, Kim Novak’s Vertigo
Telluride Film Festival 2025: Lost in the Jungle, Ask E. Jean, Everywhere Man: The Lives and Times of Peter Asher
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
“Gears of War: Reloaded” Writes a New Chapter in the Console Wars
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025 Wrap-up
One Final Look: Terence Stamp (1938-2025)
Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
San Diego Comic-Con 2025: Aliens and Activations
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
All 8 Netflix “Trainwreck” Documentaries of 2025, Ranked
SDCC 2025: Celebrating ALL the Popular Arts
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Everywhere You Go Has Valet: “Clueless” at 30 (Or Whatever)
Our Minds Have Been Colonized: Ari Aster on “Eddington”
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
KVIFF 2025: Broken Voices, Out of Love, Don’t Call Me Mama
Introduction to the 59th Karlovy Vary International Film Festival
A Chicago Star: A Conversation with Michael Madsen
What to Watch on Netflix: July 2025
The Best TV of 2025 (So Far)
Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
The Unloved, Part 139: Rebel Moon
Short Films in Focus: Q&A with “Living Reality” Director Philip Thompson
We’re All In This Together: “Brazil” at 40
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
Happy Heavenly Birthday, Roger Ebert: June 18, 1942 – April 4, 2013
On the Renewed and Continuing Necessity of “Exterminate All the Brutes”
Tribeca Film Festival 2025: The Narrative Features
Tribeca Film Festival 2025: The Documentaries
The 20 Best Films of 2025 So Far
Cannes 2025 Video #9: Wrap Up
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Un Poeta, Teste O Croce?
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Cannes 2025: Exit 8, Eleanor the Great, Fuori
Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
Cannes 2025: The Little Sister, The Wave
Cannes 2025: Dossier 137, A Pale View of Hills, The Great Arch
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
