I, the Jury
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Inspired
Inspired Movie Reviews
Blog Posts That Mention Inspired
How a Mother’s Love Transformed a Nation and Inspired a Movement
Epix Schedules Fun Stephen King-Inspired Road Trip in From
B.J. Novak’s The Premise is an Inspired Satire of Modern Issues
Gurinder Chadha, Sarfraz Manzoor, Viveik Kalra and Aaron Phagura on Their Bruce Springsteen-Inspired Film, Blinded by the Light
Inspired by a Legend: John Carroll Lynch on “Lucky”
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
“Gears of War: Reloaded” Writes a New Chapter in the Console Wars
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025 Wrap-up
One Final Look: Terence Stamp (1938-2025)
Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
San Diego Comic-Con 2025: Aliens and Activations
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
All 8 Netflix “Trainwreck” Documentaries of 2025, Ranked
SDCC 2025: Celebrating ALL the Popular Arts
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Everywhere You Go Has Valet: “Clueless” at 30 (Or Whatever)
Our Minds Have Been Colonized: Ari Aster on “Eddington”
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
KVIFF 2025: Broken Voices, Out of Love, Don’t Call Me Mama
Introduction to the 59th Karlovy Vary International Film Festival
A Chicago Star: A Conversation with Michael Madsen
What to Watch on Netflix: July 2025
The Best TV of 2025 (So Far)
Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
The Unloved, Part 138: Rebel Moon
Short Films in Focus: Q&A with “Living Reality” Director Philip Thompson
We’re All In This Together: “Brazil” at 40
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
Happy Heavenly Birthday, Roger Ebert: June 18, 1942 – April 4, 2013
On the Renewed and Continuing Necessity of “Exterminate All the Brutes”
Tribeca Film Festival 2025: The Narrative Features
Tribeca Film Festival 2025: The Documentaries
The 20 Best Films of 2025 So Far
Cannes 2025 Video #9: Wrap Up
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Un Poeta, Teste O Croce?
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Cannes 2025: Exit 8, Eleanor the Great, Fuori
Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
Cannes 2025: The Little Sister, The Wave
Cannes 2025: Dossier 137, A Pale View of Hills, The Great Arch
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
Female Filmmakers in Focus: Dea Kulumbegashvili on April
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Your Guide to Ebertfest 2025: Day 4, April 26th
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”
The Second Season of “Andor” Stands Tall
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Defined In Isolation: Ryan Coogler on “Sinners”
There’s No Catharsis: David Cronenberg on “The Shrouds”
Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities
Chicago Critics Film Festival Announces Full Schedule, Special Guests
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Netflix’s “Devil May Cry” Adapts Hit Video Game Series with Artistic Flair
Female Filmmakers in Focus: The Films of Euzhan Palcy
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
“Side Quest” Expands Virtual Universe of One of Apple’s Best Programs
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
Ambient Comedy: Carson Lund on “Eephus”
SXSW Film Festival 2025: Are We Good?, I’m Carl Lewis!, Strange Journey: The Story of Rocky Horror
SXSW Film Festival 2025: Nirvanna the Band the Show the Movie, Fantasy Life, Brother Verses Brother
“Split Fiction” Has Compelling Gameplay Held Back By Pacing Issues
The Idealist’s Journey
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Writing Her Way: Marya E. Gates on Her New Book
Screwball in Vermont: “Baby Boom”
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
A Preview of the 2025 Rendez-Vous with French Cinema
A Mathematical Explanation of What is Going to Win Best Picture This Year
A Salute to the Movies That Got Overlooked During Oscar Season
Movies to Watch if You Love Bad Bunny
“Suits: LA” Is Dumb, Glossy Nothingness
Hulu’s Bold “A Thousand Blows” Is the Most Riveting Series of the Year
In the Name of Friendship: Matthew Rankin on “Universal Language”
Navigating Sundance as a First Timer
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
