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Sophomore Season of Prime Video’s “Fallout” Gets a Bit Lost in the Desert
As You Wish: Rob Reiner (1947-2025)
Two Thumbs Up! The Individual Top Tens of 2025
Sundance Film Festival Announces 2026 Line-Up
“One Battle After Another,” “Sinners” Lead Chicago Film Critics Association Nominees
Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”
“Call of Duty: Black Ops 7” Signals a Franchise in Stasis
Netflix’s “The Abandons” Leaves Its Capable Stars Behind in a Weak, Weary Western
Female Filmmakers in Focus: Tamara Kotevska on “The Tale of Silyan”
Join Chaz Ebert at the Critic’s Cut 2025 Event at FACETS
Palm Springs Film Festival Announces 2026 Lineup
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Short Films in Focus: Off the Face of the Earth (with Michael Pantozzi)
Starz Returns to Form With Brutal and Brilliant Spin-Off “Spartacus: House of Ashur”
“Stranger Things” Sets Up Its Endgame with Quartet of New Episodes
Reflections on the 2025 Tailinn Black Nights Film Festival
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
Actors Superbly Channel Siskel and Ebert Onstage in Chicago
My Dinner with Gene & Roger
Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
Felt More than Heard: Nathan Johnson on Composing his Third “Knives Out” Movie, “Wake Up Dead Man”
A Wall of Laughter: Edie Baskin on Photographing the First 25 Years of Saturday Night Live
Making Dreams Feel Real: A Memory of Siskel & Ebert
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
We Live in Time: Joachim Trier on “Sentimental Value”
“Landman” Might Be the Dumbest Fracking Show on TV
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
No Other Land: Surviving a Crushing Machine
“My Undesirable Friends: Part I – Last Air in Moscow” Announced as Winner of the 2025 Indie Film Site Network Advocate Award
Season Two of “Palm Royale” Succeeds by Embracing its Funny Side
ROG Xbox Ally X Takes High-Powered Gaming on the Go
Tokyo Film Festival 2025: “Mother Bhumi,” “Morte Cucina,” “We Are the Fruits of the First,” “Tunnels: Sun in the Dark”
Hard Places: Max Walker-Silverman on “Rebuilding”
Tokyo Film Festival 2025: Journey into Sato Tadao
Vince Gilligan’s Riveting “Pluribus” Is the Television Event of the Year
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
NBC Mockumentary Sitcom “Stumble” is a Flipping Good Time
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
Flying with Her Angels: Diane Ladd (1935-2025)
Short Films in Focus: 24 Hours After Reading Tuesdays With Morrie (with Scott Tinkham)
MGM+’s “Robin Hood” Dazzles With Its Craft, Yet Lacks the Allure to Justify Its Creation
The Most Movie Moment: Aiyana-Lee on Getting a Surprise DM from Spike Lee and Filming Her First-Ever Movie Scene with Denzel Washington
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
HBO’s Zennial Comedy “I Love LA” Lets Rachel Sennott Navigate Life, Love, and Influence
“The Witcher” Changes Its Face and Loses Some Of Its Magic in Season 4
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
Apple TV Sends Ruth Wilson and Emma Thompson “Down Cemetery Road” in Stylish Fashion
“Silent Hill f” Sends Gamers to a New Destination in a Terrifying Universe
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
CIFF 2025: “Wind, Talk to Me,” “Brand New Landscape,” “The Girl in the Snow”
HBO’s “IT: Welcome to Derry” Feels too Much Like a Sideshow in the Stephen King Circus
CIFF 2025: The Stranger, Franz, Kontinental ’25
How to Define Freedom: Nia DaCosta on “Hedda”
Chaz Ebert to Participate in Two Upcoming Events in Public Libraries
In Mubi’s “Hal & Harper,” Cooper Raiff Has a Hard Time Growing Up
William Fichtner Transforms AMC’s “Talamasca” Into Something Worthwhile
I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
In the Third Season of “The Diplomat,” It’s All Upsides and Distances, Darling
“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
“Battlefield 6” Seeks to Reclaim the Front Line of Multiplayer Shooters
Chaz Ebert Launches National Awards to Honor Acts of Forgiveness, Empathy, Compassion, and Kindness as Siskel & Ebert Approaches 50th Anniversary
NYFF 25: The Currents, Gavagai, Is This Thing On?
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You”
Apple TV+ Thriller “The Last Frontier” Gets Snowed Under In Pulpy Action and Cheap Melodrama
Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”
Netflix’s “Boots” is a Trite Coming-of-Age Tale with a Hollow Corps
“The Ghost of Yōtei” is One of the Most Cinematic Games of the Year
Short Films in Focus: “Stooper” (with Bennett Watanabe)
Apple TV+’s “The Sisters Grimm” is a Fractured, Frustrating Animated Fairy Tale
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
The Most Beautiful Italian Girl in Tunisia: Claudia Cardinale (1938-2025)
“Borderlands 4” Invites Gamers to Spend Months in Its Chaotic World
A Tale of Two Machines: On the First Season of “Alien Earth”
Marvel Animation’s “Marvel Zombies” Doesn’t Have Enough Flesh On Its Shambling Bones
“Slow Horses” Continues to Entertain, Even in a Lesser Season
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
Fantastic Fest 2025: Night Patrol, Dolly, Dinner to Die For
Sterlin Harjo Aims High, Does Not Miss with FX’s “The Lowdown”
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
Season 3 of “Tulsa King” Features Boomers, Bullets, and Bourbon, Oh My
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
Apple TV+’s “The Morning Show” Piles On More Oscar Winners As The Show Loses Steam
Lauren Melinda Receives the Inaugural Chaz Ebert Phenomenal Person in Film Award
TIFF 2025: Hamnet, Driver’s Ed, EPiC: Elvis Presley in Concert
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Eternal Return, Nuremberg, Carolina Caroline
Chloe Zhao’s “Hamnet” Wins the TIFF People’s Choice Award
TIFF 2025: Scarlet, Arco, Little Amélie or the Character of Rain
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
