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Netflix Brings “Wednesday” Back to Nevermore for a Spookier, Stranger Season 2

Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”

Short Films in Focus: The Vacation

Apple TV+, Seth Rogen Continue Hot Streaks with Second Season of “Platonic”

The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series

Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves

All 8 Netflix “Trainwreck” Documentaries of 2025, Ranked

SDCC 2025: Celebrating ALL the Popular Arts

Dead Man Walking: Taron Egerton on “She Rides Shotgun”

“King of the Hill” Slides Right Back into Confidently Funny Rhythms

Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner

Cinema Femme Short Film Festival 2025: Highlights & Hope for the Future of Film

Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”

Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television

Fantasia 2025: The Serpent’s Skin, The Well, Sweetness

The Fire in Your Eyes: Ozzy Osbourne (1948-2025)

Book Excerpt: That Very Witch: Fear, Feminism, and the American Witch Film by Payton McCarty-Simas

DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More

Once Failed by Hollywood Blockbusters, “Superman” Lets Edi Gathegi Shine

“The Hunting Wives” Takes No Chances

Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure

Destiny Outreach: Danita E. Patterson Is Making a Midwest Hollywood

“Star Trek: Strange New Worlds” Bears the Franchise Flagship Proudly in Season 3

Our Minds Have Been Colonized: Ari Aster on “Eddington”

KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild

Book Excerpt: It Can’t Rain All the Time by Alisha Mughal

30 Minutes On: “Nashville”

KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy

Ari Aster Talks with Chaz Ebert About “Eddington” at Music Box

MGM+ Adaptation of Stephen King’s “The Institute” Won’t Keep Students Awake

KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women

Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing

Introduction to the 59th Karlovy Vary International Film Festival

From “Bosch” to “Ballard”: New Spinoff Tackles LA’s Cold Cases

It’s One Louder: “This is Spinal Tap” Turns 41

Netflix’s “The Sandman” Finally Shoots For The Stars With Volume 1 of Final Season

The Lonely Landscapes of “Materialists” and “The Worst Person in the World”

Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”

Short Films in Focus: Q&A with “Living Reality” Director Philip Thompson

Light the Fuse: Lalo Schifrin (1932-2025)

59th Karlovy Vary International Film Festival to Honor Stellan Skarsgård, Vicky Krieps, Dakota Johnson and Peter Sarsgaard

We’re All In This Together: “Brazil” at 40

AMC’s “Nautilus” Gives Us Indiana-Jones Worthy Adventure with Imperialist Villains

Netflix’s Third Season of “Squid Game” Limps Its Way To Its Bleak, Cynical Finish Line

The Great and Magical Creation of This Reality: Mariana Treviño on “Stick”

FX’s “The Bear” Serves Another Course Of Dreamlike Intensity in Season Four

Cure Your Insomnia with Prime Video’s “Countdown”

Friendship Is Insane: Eva Victor on “Sorry, Baby”

June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More

Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago

Death Stranding 2: On the Beach is a Touching Story about Love and Loss

Intro to Our Juneteenth Edition of Black Writers Week 2025

The Light She Left Behind: Ananda Lewis (1973-2025)

Then They Will Learn: The Truth Behind Juneteenth

Myrin New’s Masterclass in Modern Black Tech Entrepreneurship

On the Renewed and Continuing Necessity of “Exterminate All the Brutes”

Field Notes: Navigating Its First Film Festival

You Do Not Encourage a Dodo to Fly: Harris Yulin (1937-2025)

Explore the World of “Dune: Awakening”

Michael Douglas to Present Newly Restored “One Flew Over the Cuckoo’s Nest” at Karlovy Vary International Film Festival

Syfy’s “Revival” Resurrects the Small-Town Zombie Craze In Suitably Morbid Fashion

Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”

Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”

Dancing With Death: Mike Flanagan on “The Life of Chuck”

How Ving Rhames Became the True Heart of the Mission: Impossible Franchise

Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”

Owen Wilson Brings Clever, Funny “Stick” in Under Par

Humanizing the Sharks: Sean Byrne on “Dangerous Animals”

A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz

Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More

Netflix Unpacks One of Chicago’s Most Infamous Unsolved Mysteries in “Cold Case: The Tylenol Murders”

Renowned Film and Television Critic Richard Roeper Joins RogerEbert.com

How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K

Excellent Cast Struggles to Hold Together Plodding “Dept. Q”

Cannes 2025 Video #8: Award Winners

“Elden Ring Nightreign” is a Fun Multiplayer Game but Only Under the Right Conditions

FX Navigates Familiar Comic Waters with Flair in Clever “Adults”

Cannes 2025: Second Takes on a Few Fest Darlings

Cannes 2025: Splitsville, Love Me Tender, Nino

Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything

Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or

Cannes 2025: The Mastermind, Young Mothers

Cannes 2025 Video #5: Chaz Ebert on “Nouvelle Vague” and “Highest 2 Lowest”; Interviews with Elizabeth Guest and Filmmakers of “Average White Band”; Nicole Kidman on Women in Motion Award

Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies

Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza

Cannes 2025: The Secret Agent, The Love That Remains, Magellan

Lookin’s Free: Joe Don Baker (1936-2025)

“Nine Perfect Strangers’” Second Season is Less Insightful, Still Somewhat Fun

Cannes 2025 Video #3: Robert Daniels on Urchin, Renoir, Die My Love, and More

Cannes 2025: The Chronology of Water, Urchin

Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More

Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum

Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art

Though Uneven, ‘Overcompensating’ Is a Promising New Comedy

Cannes 2025: Sound of Falling, Reedland

Tom Segura’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing

J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”

Remembering Jan Dawson, My Mother-in-Law (Twice)
