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“Sinners” Sets Record with 16 Oscar Nominations
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“Stranger Things” Hurtles to Its Series Finale with Second Volume of Fifth Season
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Sundance Film Festival Announces 2026 Line-Up
“One Battle After Another,” “Sinners” Lead Chicago Film Critics Association Nominees
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“Call of Duty: Black Ops 7” Signals a Franchise in Stasis
Netflix’s “The Abandons” Leaves Its Capable Stars Behind in a Weak, Weary Western
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Join Chaz Ebert at the Critic’s Cut 2025 Event at FACETS
Palm Springs Film Festival Announces 2026 Lineup
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Starz Returns to Form With Brutal and Brilliant Spin-Off “Spartacus: House of Ashur”
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Actors Superbly Channel Siskel and Ebert Onstage in Chicago
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Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
Felt More than Heard: Nathan Johnson on Composing his Third “Knives Out” Movie, “Wake Up Dead Man”
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Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
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We Live in Time: Joachim Trier on “Sentimental Value”
“Landman” Might Be the Dumbest Fracking Show on TV
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No Other Land: Surviving a Crushing Machine
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Season Two of “Palm Royale” Succeeds by Embracing its Funny Side
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Tokyo Film Festival 2025: “Mother Bhumi,” “Morte Cucina,” “We Are the Fruits of the First,” “Tunnels: Sun in the Dark”
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Vince Gilligan’s Riveting “Pluribus” Is the Television Event of the Year
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NBC Mockumentary Sitcom “Stumble” is a Flipping Good Time
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
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MGM+’s “Robin Hood” Dazzles With Its Craft, Yet Lacks the Allure to Justify Its Creation
The Most Movie Moment: Aiyana-Lee on Getting a Surprise DM from Spike Lee and Filming Her First-Ever Movie Scene with Denzel Washington
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
HBO’s Zennial Comedy “I Love LA” Lets Rachel Sennott Navigate Life, Love, and Influence
“The Witcher” Changes Its Face and Loses Some Of Its Magic in Season 4
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
Apple TV Sends Ruth Wilson and Emma Thompson “Down Cemetery Road” in Stylish Fashion
“Silent Hill f” Sends Gamers to a New Destination in a Terrifying Universe
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
CIFF 2025: “Wind, Talk to Me,” “Brand New Landscape,” “The Girl in the Snow”
HBO’s “IT: Welcome to Derry” Feels too Much Like a Sideshow in the Stephen King Circus
CIFF 2025: The Stranger, Franz, Kontinental ’25
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Chaz Ebert to Participate in Two Upcoming Events in Public Libraries
In Mubi’s “Hal & Harper,” Cooper Raiff Has a Hard Time Growing Up
William Fichtner Transforms AMC’s “Talamasca” Into Something Worthwhile
I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
In the Third Season of “The Diplomat,” It’s All Upsides and Distances, Darling
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