Star Trek IV: The Voyage Home
Screenplay by
Bennett
Bennett
Bennett Movie Reviews
Blog Posts That Mention Bennett
Long Live Bonnie Bennett, the Real Star of “The Vampire Diaries”
Short Films in Focus: “Stooper” (with Bennett Watanabe)
Finding Mr. Christmas: Jonathan Bennett on Hallmark’s New Reality Competition
The Avengers of Hunks: Jonathan Bennett, Tyler Hynes, and B.J. Britt on Hallmark’s Groomsmen Trilogy
Legacy Forever: Memories of Tony Bennett (1926-2023)
Lonely and Lost: Bennett Miller on “Foxcatcher”
Book Excerpt: “Showrunners: The Art of Running a TV Show” by Tara Bennett
Death Casts New Light on Bennett Miller’s “Capote”
Interview with Hywel Bennett
Tatiana Maslany Goes Full Throttle In Apple TV’s Propulsive “Maximum Pleasure Guaranteed”
Women Writers Week 2026: Table of Contents
Ryan Murphy’s “The Beauty” Gives Excess Sex, Violence, & Half-Baked Ideas
HBO’s “A Knight of the Seven Kingdoms” Is The Best Fantasy Adaptation of the Decade
Apple TV+ Thriller “The Last Frontier” Gets Snowed Under In Pulpy Action and Cheap Melodrama
TIFF 2025: Palestine 36, The Choral, Peak Everything
TIFF 2025: 20 World Premieres We Can’t Wait to See
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
Apple TV+, Seth Rogen Continue Hot Streaks with Second Season of “Platonic”
Tom Hardy Carries Promising Double-Episode Premiere of Paramount+’s “MobLand”
True/False 2025: Seeds, River of Grass, How Deep Is Your Love
Sundance 2025: Lurker; Free Leonard Peltier; Oh, Hi
The 25 Best TV Series of 2024
Eddie Redmayne, Lashana Lynch Bring Gravity to “The Day of the Jackal”
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
A Careful Performer: Maggie Smith (1934-2024)
In the Ring: James Madio and Steve Loff on “The Featherweight”
SDCC 2024: Back Bigger and Better
10 Films to Thrill You at the 2024 Fantasia International Film Festival
11:11 – Eleven Reviews by Roger Ebert from 2011 in Remembrance of His Transition 11 Years Ago
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
HBO’s True Detective: Night Country is a Haunting, Riveting Return to Form
Peacock’s Ted Feels Like a Recycled Toy
The 25 Best TV Series of 2023
A Goodbye to Shaft, Hollywood’s First ‘Bad’ Black Man: Richard Roundtree (1942-2023)
TIFF 2023: Frybread Face and Me, Uproar, Close to You
Hollywood & The March on Washington: When Fame Overcame Fear
Ten Must-See Films at the 2023 Toronto International Film Festival
Short Films in Focus: The Shorts Programs of the 2023 Chicago Critics Film Festival
10th Chicago Critics Film Fest Features Past Lives, Blackberry, Sanctuary, Theater Camp, and Many More
Sundance 2023: Fairyland, Still: A Michael J. Fox Movie, Magazine Dreams
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Ebertfest Film Festival 2023 Passes On Sale December 12th
Newton Minow on the First Telecommunications Satellite
Strength in Softness: Olivia DeJonge on Elvis
Subscribe to the Black Women Directors Newsletter
Book Excerpt: When Women Invented Television by Jennifer Keishin Armstrong
A Song Was Only A Breath Away: Joe Wright on Cyrano
Netflix’s Saturday Morning All-Star Hits is a Gift for Kyle Mooney Fans
TIFF 2021: A Hero, Drive My Car, Sundown
TIFF 2021 Preview: 20 Films We Can’t Wait to See
Truth Through Character: Riz Ahmed and Bassam Tariq on Mogul Mowgli
Telluride Film Festival 2021: Red Rocket, C’mon C’mon, Cyrano
Telluride Film Festival Announces Full 2021 Program Lineup
Thank You Brian Raftery and The Ringer for Your Podcast, Gene and Roger
Roger Ebert and Gene Siskel Would Give Brian Raftery Two Thumbs Up for The Ringer Podcast, Gene and Roger
FX Hit Comedy Dave Builds on Track Laid Down by First Season
Marvel’s M.O.D.O.K. Adds Patton Oswalt’s Voice to the Superhero Universe
Book Review: The Art of the Mitchells vs. the Machines
Joy: My Memories of Ebertfest
SXSW 2021: Kid Candidate, Executive Order, Potato Dreams of America
Home Entertainment Guide: March 2021
AMC’s Gangs of London a Bold Continuation of the Mafia Movie Tradition
30 Minutes on The Manchurian Candidate
Cannes Flashback: Cannes Premieres of Life Itself, Foxcatcher and The Homesman
FX’s What We Do in the Shadows Even Stronger in Second Season
She-Hulk Smashes Boundaries, Conformity, and Other Things Not Suitable for Empowered Femmes
Femininity and OCD in Swallow
Ebertfest Film Festival 2020 Passes On Sale November 1st
Fantastic Fest 2019: Big Names, Big Buzz, A Scream Queen, and a Wolfboy
Venice 2019: The Biennale College
Serious Oscar Contenders Unveiled at 2019 Indy Shorts International Film Festival
Comic-Con 2019: Pennyworth
Tribeca 2019: Something Else, Swallow, Only
Sundance 2019: 20 Films We Can’t Wait to See in Park City
Born This Way: Why 1954’s A Star Is Born Is Still The Best
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
AFI Fest 2018: Breaking the Frame: A Conversation About Craft and Career
TCM and AAFCA to Present The Black Experience on Film
Thumbnails Special Edition: Where Are Our Diverse Voices in Film Criticism
Thumbnails 6/13/18
Your Roger Stories: The Critics
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
Why I Stopped Watching Woody Allen Movies
“Do You Know Anything About Witches?”: “Suspiria” at 40
Ebertfest 2018 Passes On Sale Now
Thinking Outside the Box: Kyle Mooney and Dave McCary on “Brigsby Bear”
The Movie “STEP” Fills Me With Joy
A musical soul: Jonathan Demme, 1944-2017
AFI Fest 2016: “Piccadilly” and a Doomed Diva
Ebertfest 2017 Passes Now On Sale
2016 Fall Movie Preview: 50 Movies That’ll Prove Film Isn’t Dead
Everything’s Manipulated, but to What End?: Robert Greene on “Kate Plays Christine”
The Best Films of 2016 So Far
Adapting Good Material: Whit Stillman on “Love & Friendship”
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Sundance 2016: “The Hollars,” “Love & Friendship,” “Ali & Nino”
Book Review: “Maggie Smith: A Biography” by Michael Coveney
