“Understated” isn’t a word you’d ordinarily use to describe a Jerry Bruckheimer production, but that’s surprisingly what 12 Strong ends up being.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A piece on the experience gained from seeing bad movies.
A TV review of two new film-inspired series from FOX, "Minority Report" and "Scream Queens."
The role of the working mother on TV has been redefined in 2015 with ABC hits Black-ish and Fresh Off the Boat.
TV comedy has never been more about its female comedians and two of the best return next week in Amy Schumer and Mindy Kaling.
Marie writes: The Ebert Club Newsletter is now three years old! And the occasion calls for some cake - but not just any old cake, as it's also now officially Spring! And that means flowers, butterflies and ladybugs too. Smile.
Marie writes: If I have a favorite festival, it's SXSW and which is actually a convergence of film, music and emerging technologies. However it's the festival's penchant for screening "quirky" Indie movies which really sets my heart pounding and in anticipation of seeing the next Wes Anderson or Charlie Kaufman. So from now until March, I'll be tracking down the best with the zeal of a Jack Russell terrier! Especially since learning that Joss Whedon's modern B/W take on Shakespeare's "Much Ado About Nothing" is set to screen at SXSW 2013 in advance of its June 21st US release date; they'll cut an official trailer soon, rubbing hands together!
Marie writes: Behold a living jewel; a dragonfly covered in dew as seen through the macro-lens of French photographer David Chambon. And who has shot a stunning series of photos featuring insects covered in tiny water droplets. To view others in addition to these, visit here.
(click images to enlarge)
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
(Click image to enlarge.)
Marie writes: kudos to club member Sandy Kahn for finding this - as I'd never heard of the Bregenz Festival before, despite the spectacular staging of Puccini's opera Tosca and which appeared briefly in the Bond film Quantum of Solace; but then I slept through most of it. I'm not surprised I've no memory of an Opera floating on a lake. Lake Constance to be exact, which borders Germany, Switzerland and Austria near the Alps...
Tosca by Puccini | 2007-2008 - Photograph by BENNO HAGLEITNER(click to enlarge)
This is a free edited sample of the Christmas Newsletter.
For Roger's invitation to the Club, go here.
From the Grand Poobah and Mrs. Poobah:
Seasons Greetings Everyone!
From the Poobah: Chaz and Roger Ebert wish you Peace in the New Year!
Marie writes: the following moment of happiness is brought to you by the glorious Tilda Swinton, who recently sent the Grand Poobah a photo of herself taken on her farm in Scotland, holding a batch of English Springer puppies!
Marie writes: Doug Foster is a filmmaker and artist who produces large scale digital film installations that often play with ideas of symmetry and optical illusion. His piece The Heretics' Gate is currently on view at "Daydreaming with... St. Michael's" - an exhibition taking place at St. Michael's church in Camden, London. Note: Foster's piece first appeared at the Hell's Half Acre exhibition at the Old Vic Tunnels in London in 2010."The Heretics' Gate" draws inspiration from Dante's Inferno, the first part of his epic poem The Divine Comedy. A twenty foot high, arched screen and a thirty foot long reflecting pool, are cleverly combined to deliver a mesmerizing and strangely ethereal vision of hell at the central focus point of the church's imposing gothic architecture. To learn more, visit: Liquid Hell: A Q&A With Doug Foster.NOTE: The exhibition is the latest installment in renowned British music producer James Lavelle's curatorial and collaborative art venture, "DAYDREAMING WITH..." - a unique and visceral new exhibition experience, inspired by the desire to marry music and visual art. The goal is to bring together some of the most acclaimed creative names working in music, art, film, fashion and design.
"If you thought Abu Ghraib was a laugh riot then you might love 'Observe and Report,' a potentially brilliant conceptual comedy that fizzles because its writer and director, Jody Hill, doesn't have the guts to go with his spleen. [...]
"What follows next should have been the shock of the movie: a cut to Ronnie [Seth Rogen] having vigorous sex with Brandi [Anna Faris] who, from her closed eyes, slack body and the vomit trailing from her mouth to her pillow, appears to have passed out. But before the words 'date rape' can form in your head, she rouses herself long enough to command Ronnie to keep going." -- Manohla Dargis, New York Times
"Because we laugh and gasp at what follows, does that mean we approve? Having seen Ronnie's actions in a movie, do we now believe that date rape should not be prosecuted -- that it is just harmless fun?
"Although I have never had such a dilemma in life, usually being the first to pass out, I hope I'd have the decency to walk away from a semi-conscious woman. I hope I also wouldn't harass a Muslim co-worker, use a Taser on a man who parks next to a loading dock, break into a mall and assault policemen, or triumphantly shoot an unarmed criminal. Although I adore 'Lolita,' I hope I am never tempted to lay a finger on a prepubescent girl....
"All this might seem crashingly obvious, but at least in this culture it can't be restated too often that comedy is not safe." -- David Edelstein, The Projectionist
Last weekend I witnessed a sort-of argument over whether "Observer and Report" was funny or not. Or maybe it was really about whether the movie was even supposed to be funny. I don't know for sure because I haven't seen it yet. So to me the discussion sounded mostly like: "It's not funny!" / "Yes it is! I laughed!" / "No it's not! I didn't!" / "Yes it is!" / "It's only funny to people I hated in high school!" / "Humor is hard to analyze because it's personal!" / "No it's not!" / "Yes it is!"...