Bird
Bird Movie Reviews
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Blog Posts That Mention Bird
TIFF 2024: Dahomey, Bird, Oh Canada
Cannes 2024 Video #3: Megalopolis, Kinds of Kindness, Oh Canada, Bird, Wild Diamond
Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot
Sundance 2024: Sue Bird: In the Clutch, Luther: Never Too Much, Super/Man: The Christopher Reeve Story
Ethan Hawke Soars in Showtime’s The Good Lord Bird
Change How the Game is Played: On the Power of Labor and the Timeliness of High Flying Bird
A Truthful Movie: Václav Marhoul on The Painted Bird
AFI Fest 2018: Bird Box
TIFF 2018: Greta, The Hummingbird Project, The Dig
Three Billboards, Lady Bird Win Big at 75th Golden Globes
Lady Bird, Call Me By Your Name Win Big For the Chicago Film Critics Association
TIFF 2017: “Lady Bird,” “Woman Walks Ahead,” “Marrowbone”
Courage Doesn’t Grow Overnight: Greta Gerwig on “Lady Bird”
30 Minutes on: “I Am Big Bird”
Cannes, Day Six: “Still the Water,” “A Girl at My Door,” “Bird People”
The Birds is coming
It’s a bird! It’s a plane! It’s the superhero genre!
The Magic of Magic and Bird
Tribeca Film Festival 2025: The Narrative Features
Field Notes: Navigating Its First Film Festival
How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
A True Sense of the Eerie, or Why I Love the Hell House Films
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
A Salute to the Movies That Got Overlooked During Oscar Season
NBC’s “The Americas” is a Gorgeous but Shallow Look at the Natural World
Meet the Writers: Zachary Lee
Peter Berg Shows the Ugly Side of American History With the Frustrating “American Primeval”
The Wicked Witch Is Dead: The Double-Bind of the Villainess’s Backstory
The Great Craft of 2024
It’s Time to Give a FECK: Elevating Humanity through Forgiveness, Empathy, Compassion and Kindness (book by Chaz Ebert, with Foreword by Tamron Hall)
My Night at the Critics Choice Celebration of Black Cinema and Television
Two Thumbs Up! The Individual Top Tens of 2024
Female Filmmakers in Focus: Marielle Heller on “Nightbitch”
Miyazaki, Howl, and Matters of the Heart
A Sense of Freedom: Filmmaker and Teacher Bart Weiss Talks About his Book “Smartphone Cinema”
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
London Film Festival 2024 Highlights
André Holland Talks Deleted Scenes from “42”
When You’re Angry, You’re Already Losing: Guy Maddin, Evan Johnson, and Galen Johnson on “Rumours”
Chicago International Film Festival 2024 Preview
London Film Festival 2024 Preview
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
TIFF 2024: Table of Contents
TIFF 2024: Village Keeper, 40 Acres, Flow
The Fairy Tale Shoes: Interview With the Cast and Crew of Cuckoo
SDCC 2024: Activations, Apes and Other Animals
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
DC/DOX — Washington DC’s Documentary Film Festival in its Second Year
The Shield vs. The Wire
Hollywood Continues to Fail Its Black Final Girls
It’s Too Bad That Audience Pictures Like Ultraman: Rising Will Barely Be Seen in Theaters
The Language of Horror: Ishana Night Shyamalan on The Watchers
Cannes 2024: Normal Normal or Cannes Normal?
Living Through Words: Ethan Hawke on His Career, Poetry, and Wildcat
Cannes 2024: Emilia Pérez, Three Kilometers to the End of the World, Caught by the Tides
Cannes 2024: Table of Contents
A Preview of the 2024 Cannes Film Festival
The 10 Most Anticipated Films of Cannes 2024
The Importance of Connections in Ryusuke Hamaguchi Films
