Julie and Julia
Screenplay by
Ephron
Ephron
Ephron Movie Reviews
Blog Posts That Mention Ephron
Even More Magical Than We Thought: Kristin Marguerite Doidge on Her New Biography of Nora Ephron
Her Own Story: A Nora Ephron Appreciation
Bringing My Mother Back From the Dead: Jacob Bernstein on Nora Ephron and “Everything is Copy”
Joan Cusack: Best Supporting Energy
The 8 Essential Films of Rob Reiner’s Career
As You Wish: Rob Reiner (1947-2025)
Creating a Meta-Rom-Com: Karen Morey and Terence Chen on “Meet Cute in Manhattan”
Looking Back: Highlighting Some Great Pieces by Our Female Critics
Screwball in Vermont: “Baby Boom”
Streetcorner Symphony: The Music of Mean Streets
Female Filmmakers in Focus: Meg Ryan on What Happens Later
Book Excerpt: You Talkin’ to Me?: The Definitive Guide to Iconic Movie Quotes by Brian Abrams
Black Animation and Me: Where We Came From and Where We’re Going
Sarah Shahi Shines in Netflix’s Repetitively Provocative Sex/Life
A Look Back at Tribeca 2021: The Narrative Features
Book Review: Masha Tupitsyn’s Picture Cycle
Who Tells Our Stories: Gender Progress Behind the Screen is Reflected On It
A Look Back at the 10th Annual TCM Classic Film Festival
Amy Heckerling on “Fast Times at Ridgemont High,” “Clueless” and more
Cannes 2017: “Western” and “Bright Sunshine In”
Women Writers Week 2017 Kicks Off March 27th
Molly Haskell on feminism, censorship, screwball comedy, and life after Andrew Sarris
Nora is Always Right: Emilia Clarke & Jojo Moyes on “Me Before You”
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
No Home Video: On Women-Directed Films
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film (Updated)
Women Writers Week 2016: Table of Contents
Welcome to Women Writers Week
Sundance 2016 Offers a Sneak Peek at Narrative, Documentary and Midnight Selections
Amazon Launches Six New Shows with Very Mixed Results
NYFF 2015: “The Witness,” “Don’t Blink,” “Maggie’s Plan”
“Evil Against Evil”: The Fascinating Incoherence of American Sniper
Sundance 2015 Interview: Alfonso Gomez-Rejon of “Me and Earl and the Dying Girl”
Book Excerpt: “Eat, Drink & Remarry”
Book Excerpt: “Missing Reels” by Farran Smith Nehme
The Lunchbox: Old School Anonymity Softens New World Discontent
Thumbnails 11/15/2013
Thumbnails 11/14/2013
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film
Moi, misérable: Fermer le trou à tarte
Go, Manohla, go!
Inventing David Geffen: The Art of Self-Creation
Sweet roles come easily to Travolta
Interview with Rod McKuen
