Year of the Horse
Cinematography by
Johnson
Johnson Movie Reviews
Blog Posts That Mention Johnson
When You’re Angry, You’re Already Losing: Guy Maddin, Evan Johnson, and Galen Johnson on “Rumours”
On The Same Level: Paul Raci, Clarence Maclin, and Sean Johnson on Sing Sing
How Will Dakota Johnson Survive Madame Web? The Same Way She Handled Fifty Shades of Grey
How We Got Here: Matt Johnson on BlackBerry
Natasha Lyonne, Rian Johnson Make a Perfect Team for Peacock’s Poker Face
Endings Are My Favorite Thing About Movies: Rian Johnson on Glass Onion: A Knives Out Mystery
Video Interview: Leah Purcell on The Legend of Molly Johnson
Jake Johnson Lives High Off the Hog In HBO Max’s Raunchy, Charming Minx
Sundance 2020: Kajillionaire, Dick Johnson is Dead
Rian Johnson and Michael Shannon on Knives Out, ’70s Rockers, Making a Whodunit with a Good Heart and More
Video Interview: Tilda Swinton, Luca Guadagnino, and Dakota Johnson on Suspiria
Amazon’s “Jean-Claude Van Johnson” Doesn’t Live Up to Great Premise
Chicago Split: Jake Johnson on “Win It All”
Exploring Things: Charlie Kaufman & Duke Johnson on “Anomalisa”
NYFF 2015: Guy Maddin and Evan Johnson on “The Forbidden Room”
The film portion of Orson Welles’s “Too Much Johnson” premieres in New York
“Sir, when a man is tired of London, he is tired of life.” ~ Dr. Johnson
Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries
Your Guide to Ebertfest 2025: Day 3, April 25th
Robert Daniels & Odie Henderson Talk Sinners
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Defined In Isolation: Ryan Coogler on “Sinners”
Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities
Chicago Critics Film Festival Announces Full Schedule, Special Guests
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
“Side Quest” Expands Virtual Universe of One of Apple’s Best Programs
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
Finding a Way Home: André Holland Never Rests
SXSW Film Festival 2025: Nirvanna the Band the Show the Movie, Fantasy Life, Brother Verses Brother
“Daredevil: Born Again” is an Imperfect Interrogation of Our Current Moment
I Think Of Them As The Work: Gene Hackman (1930-2025)
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
Navigating Sundance as a First Timer
10 Great Performances from Sundance 2025
Sundance 2025: Life After, Sugar Babies, Seeds
Sundance 2025: Train Dreams; Sorry, Baby
Sundance 2025: Twinless, Ricky, Jimpa
Morris Chestnut is Wasted on Inferior “Watson”
Roger Ebert (and More) on David Lynch
Dream of Death: Robert Eggers on “Nosferatu”
The Great Craft of 2024
The Great Performances of 2024, Part One
Two Thumbs Up! The Individual Top Tens of 2024
2025 Sundance Film Festival Announces Ambitious Program
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
Peacock’s “Fight Night” Largely Entertains But Pulls A Few Punches
Fight or Flight: Jeremy Saulnier on Rebel Ridge
Albert Brooks Enriches Criterion Collection with “Real Life” and “Mother”
Retrospective: Jean-Pierre Melville and the Cinematic Hitman
X-Men Origins: Wolverine Began Hollywood’s Spin-Off Era
High Noon: Greg Kwedar and Monique Walton On Sing Sing
Flying to the Moon: Ten Films About the Apollo Program
Albany Road Interview: Christine Swanson and Renée Elise Goldsberry
DC/DOX — Washington DC’s Documentary Film Festival in its Second Year
The Shield vs. The Wire
GTA San Andreas and the Legacy of Playing as a Black Guy in Video Games
Jesse Plemons on Being Funny, Stepping Off the Ledge and Making ‘Kinds of Kindness’
How Cold War Thrillers Expressed Presidential Campaign Concerns
Everybody Wants Some!! Told Us Everything We Needed to Know About Glen Powell
At the Movies, It’s Hard Out There for a Hit Man
Cannes 2024: Armand, The Kingdom, September Says
Cannes 2024: My Sunshine, Rumours, The Balconettes
West Side Oratory: Judas and the Black Messiah
Cannes 2024: The Weirdo Films of Cannes
The Red Carpets of the 2024 Chicago Critics Film Festival
The 10 Most Anticipated Films of Cannes 2024
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
Phil Lord and Chris Miller Made the Multiplex Safe for ‘The Fall Guy’
Pioneering Actor-Producer Terry Carter Dies
The Movies That Underwent Major Changes After Their Festival Premiere
Luca Guadagnino Is Love
Introducing Ebertfest 25’s Film Critics and Scholars
Chicago Critics Film Festival Announces Full 2024 Lineup with Sing Sing, Ghostlight, Babes, I Saw the TV Glow, More
11:11 – Eleven Reviews by Roger Ebert from 2011 in Remembrance of His Transition 11 Years Ago
A Poet of an Actor: Louis Gossett, Jr. (1936-2024)
Women Writers Week 2024: Table of Contents
Introduction to Women Writers Week 2024
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
In Memoriam: The 10 Great Movies That Were Forgotten This Oscar Season
I Used to Hate The Phantom Menace, but I Didn’t Know How Good I Had It
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
Artists We Spoke to in 2023: Some of Our Favorite Interviews
The Great Craft of 2023
The Great Performances of 2023
A Report from the Color Purple Special Screening with Oprah Winfrey
Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com
The 25 Best TV Series of 2023
The Individual Top Tens of 2023
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Black Harvest Film Festival 2023: Max Roach: The Drum Also Waltzes, Black Barbie: A Documentary, We Were Meant To, Burnt Milk
Film as Poetry: Raven Jackson on All Dirt Roads Taste of Salt
A Goodbye to Shaft, Hollywood’s First ‘Bad’ Black Man: Richard Roundtree (1942-2023)
CIFF 2023 Interview: Minhal Baig on Chicago Drama We Grown Now
Second Sight Releases Stellar 4K Versions of Crimes of the Future, It Follows
Remembering Pearl Bowser (1931-2023), Godmother of Black Independent Cinema
TIFF 2023: Woman of the Hour, Daddio, The New Boy
TIFF 2023: Hit Man, Knox Goes Away, Next Goal Wins
Judy Garland’s Last Film at MGM: Interview with Author David Fantle
