The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
Wu Man
Herself
Herself
Herself Movie Reviews
Blog Posts That Mention Herself
Cinema of Herself: On Four Short Films by Haaniyah Angus
Sundance 2020: The Glorias, Herself, Four Good Days
Figuring Things Out For Herself: Hailee Steinfeld on “The Edge of Seventeen”
TIFF 2014 Interview: Jane Levy Sings Herself to Stardom
Will “Mean Girl” Palin herself appear on SNL?
Answered by Zuzu herself: The color of Zuzu’s petals
Tribeca 2026: The Narratives
Courtney Grace, “Disclosure Day,” and the One-Scene Wonder
Hard Knocks and Rebirth in the Bayou: Alfre Woodard in “Passion Fish”
Radical Whimsy: Exploring the Creative Mind of Boots Riley
I Am Telling You: Dreamgirls at 20
Can the New Anti-Heroine Heal My Inner Black Girl?
From My Block to Wakanda: Movies and Black Travel
Humor Is a Weapon: A Conversation with John Waters
Once More, With Feeling: Anthony Head (1954-2026)
Words Are Also Filters: Marjane Satrapi (1969-2026)
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
Female Filmmakers in Focus: Milagros Mumenthaler on “The Currents”
Short Films in Focus: Patient (with Director Lori Felker)
Ten Great Performances of Cannes 2026
Cannes 2026: Elephants in the Fog, Yesterday, The Eye Didn’t Sleep, A Girl’s Story
Cannes 2026: I See Buildings Fall Like Lightning, Diary of a Chambermaid, La Perra
Cannes 2026: Dua, Flesh and Fuel, Six Months in a Pink and Blue Building
Cannes 2026 Video #7: Festival Dispatch with Jason Gorber
Netflix’s “The Boroughs” Offers a Clever Spin on the “Stranger Things” Formula
Tatiana Maslany Goes Full Throttle In Apple TV’s Propulsive “Maximum Pleasure Guaranteed”
Cannes 2026: Nagi Notes, Ashes
A Fond Farewell to Our Critic Monica Castillo
“Unconditional” Brings Moral Questions to a Mother’s Love
BritBox’s Delightful “The Other Bennet Sister” Is a Romance About Learning to Love Yourself
Prime Video’s Lush, Ambitious “The House of the Spirits” Does Right By Isabel Allende’s Masterpiece
Season 2 of Netflix’s “Running Point” Is An Easy Layup
Netflix’s Animated “Stranger Things: Tales from ’85” is an Insulting Waste of Time
DOC10 Spotlights Some of the Best Documentaries You’ll See This Year
The Best Version of the Thing: Steven Soderbergh on “The Christophers”
HBO’s “Euphoria” Feels as Lost as Its Characters in Riveting, Infuriating Third Season
Hulu’s “The Testaments” Returns to Gilead For Another Timely Tale About Privilege and Complicity
SXSW 2026: Crash Land, The Fox, Love Language
“The Faithful: Women of the Bible” Doesn’t Match the Grandeur of its Premise
Lisa Kudrow Makes An Extremely Welcome “Comeback” to HBO
SXSW 2026: Chili Finger, Kill Me, Family Movie
SXSW 2026: The Sun Never Sets, A Safe Distance, Seahorse
We Broke the Loop: Ian Tuason and Nina Kiri on “undertone”
Even Nicole Kidman Can’t Save Prime’s Mind-Numbing “Scarpetta”
Milestones of 1956: Looking Back at Hollywood 70 Years Ago
Monstrous Women: From Medusa to the Bride and Rumi Too
Whatever You Think of “Wuthering Heights,” We Need More Filmmakers Like Emerald Fennell
I’ve Started Seeing Somebody: The Monstrous-Masculine in Larry Fessenden’s “Habit”
All the Days of My Life: On Elaine May’s “A New Leaf”
How “The Testament of Ann Lee” Subverts Cinema’s Lineage of Cult Leaders
The Mysteries of Dorothy Vallens: On Isabella Rossellini in “Blue Velvet”
Skill and Dedication: Nelson Pressley on Fonda on Film: The Political Movies of Jane Fonda
Long Live Bonnie Bennett, the Real Star of “The Vampire Diaries”
“The Bronze” at 10: How a Washed-Up Gymnast Became a Cult Antihero
All’s Well that Ends Well in Part Two of “Bridgerton”’s Fourth Season
Christy Lemire Bids a Fond Farewell to RogerEbert.com
“Monarch: Legacy of Monsters” Maintains Momentum in Confident Second Season
Hulu’s “Paradise” Splits Its Focus And Gets More Frustratingly Unhinged In Season 2
Highlights of Roger Ebert on Black Filmmakers for Black History Month
Remembering the Forgotten Movies of the 2026 Oscar Season
FX’s “Love Story: JFK Jr. and Carolyn Bessette” Is A Stunning Exploration of Public and Private Life
It All Starts With the Meditation App: Bart Layton on “Crime 101”
Season 2 of Prime Video’s “Cross” Fails to Reach New Heights
For You, It’s Always the Past: Kogonada and Benjamin Loeb on “zi”
Female Filmmakers in Focus: Amanda Kramer on “By Design”
Sundance 2026: Knife: The Attempted Murder of Salman Rushdie, To Hold a Mountain, Gail Daughtry and the Celebrity Sex Pass
Sundance 2026: BURN, zi, How to Divorce During the War
The Belle of Absurdity: Catherine O’Hara (1954-2026)
Sundance 2026: The Lake, Nuisance Bear, Seized, Public Access
Sundance 2026: The Oldest Person in the World, Give Me the Ball!, The Last First: Winter K2
Sundance 2026: American Doctor, American Pachuco, Barbara Forever
Sundance 2026: The Weight, The Only Living Pickpocket in New York, See You When I See You
Sundance 2026: Chasing Summer, Frank & Louis, The Friend’s House is Here, Run Amok
Sundance 2026: When a Witness Recants, Time and Water, Antiheroine
Sundance 2026: Extra Geography, Filipiñana, The Huntress
Sundance 2026: The Disciple, Jane Elliott Against the World, Troublemaker
Can “Bridgerton”‘s New Cinderella in Silver Rekindle the Fairytale in Season 4?
Jonathan Glazer’s “Birth” is Resurrected in a Haunting Criterion 4K Release
Sundance 2026: Josephine, Union County, The Musical
The Archaic Mother’s Embrace: How “If I Had Legs I’d Kick You” and “Die My Love” Reframe the Monstrous
Time is Very Precious: Hlynur Pálmason and Julius Krebs Damsbo on “The Love That Remains”
Sundance 2026: Once Upon a Time in Harlem, Wicker, The Gallerist
Sundance 2026: Birds of War, One in a Million, Silenced
Sundance 2026: Carousel, Hot Water
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
The 17 Best Movies About Radio, Ranked
2026 Sundance Preview: 20 Films We Can’t Wait to See
A Great Sophie Turner Carries Prime Video’s “Steal” Over its Cliches
Aim Your Rage at the Right Target: Park Chan-wook and Lee Byung-hun on “No Other Choice”
“Agatha Christie’s Seven Dials” Will Send Your Snooze Button Into Overdrive
Peacock’s “Ponies” Offers Unbridled Spy Intrigue For Its Two Female Leads
School Spinoff “Star Trek: Starfleet Academy” Boldly Goes Through Growing Pains
The Many Reasons Women Are Watching “Heated Rivalry”
Short Films in Focus: “Bug Diner”
40 Shows We Can’t Wait to Watch in 2026
The 9 Best Video Games of 2025
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
Sexual Liberation: Brigitte Bardot (1934-2025)
Ecstasy and Agony: Mona Fastvold on “The Testament of Ann Lee”
