I, the Jury
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Inspired
Inspired Movie Reviews
Blog Posts That Mention Inspired
How a Mother’s Love Transformed a Nation and Inspired a Movement
Epix Schedules Fun Stephen King-Inspired Road Trip in From
B.J. Novak’s The Premise is an Inspired Satire of Modern Issues
Gurinder Chadha, Sarfraz Manzoor, Viveik Kalra and Aaron Phagura on Their Bruce Springsteen-Inspired Film, Blinded by the Light
Inspired by a Legend: John Carroll Lynch on “Lucky”
The 20 Best Films of 2025 So Far
Cannes 2025 Video #9: Wrap Up
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Un Poeta, Teste O Croce?
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Cannes 2025: Exit 8, Eleanor the Great, Fuori
Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
Cannes 2025: The Little Sister, The Wave
Cannes 2025: Dossier 137, A Pale View of Hills, The Great Arch
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
Female Filmmakers in Focus: Dea Kulumbegashvili on April
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Your Guide to Ebertfest 2025: Day 4, April 26th
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”
The Second Season of “Andor” Stands Tall
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Defined In Isolation: Ryan Coogler on “Sinners”
There’s No Catharsis: David Cronenberg on “The Shrouds”
Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities
Chicago Critics Film Festival Announces Full Schedule, Special Guests
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Netflix’s “Devil May Cry” Adapts Hit Video Game Series with Artistic Flair
Female Filmmakers in Focus: The Films of Euzhan Palcy
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
“Side Quest” Expands Virtual Universe of One of Apple’s Best Programs
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
Ambient Comedy: Carson Lund on “Eephus”
SXSW Film Festival 2025: Are We Good?, I’m Carl Lewis!, Strange Journey: The Story of Rocky Horror
SXSW Film Festival 2025: Nirvanna the Band the Show the Movie, Fantasy Life, Brother Verses Brother
“Split Fiction” Has Compelling Gameplay Held Back By Pacing Issues
The Idealist’s Journey
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Writing Her Way: Marya E. Gates on Her New Book
Screwball in Vermont: “Baby Boom”
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
A Preview of the 2025 Rendez-Vous with French Cinema
A Mathematical Explanation of What is Going to Win Best Picture This Year
A Salute to the Movies That Got Overlooked During Oscar Season
Movies to Watch if You Love Bad Bunny
“Suits: LA” Is Dumb, Glossy Nothingness
Hulu’s Bold “A Thousand Blows” Is the Most Riveting Series of the Year
In the Name of Friendship: Matthew Rankin on “Universal Language”
Navigating Sundance as a First Timer
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
10 Great Performances from Sundance 2025
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance 2025: The Librarians, Middletown, Speak.
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
Sundance 2025: If I Had Legs I’d Kick You, The Thing with Feathers, Rabbit Trap
Sundance 2025: The Ugly Stepsister, By Design
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
The Metaphor Years: Writing Lessons from “The Twilight Zone”
Film Independent President Josh Welsh Dies at 62
Female Filmmakers in Focus: Maura Delpero on “Vermiglio”
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
14 Underrated Movies of 2024
The Wicked Witch Is Dead: The Double-Bind of the Villainess’s Backstory
The Great Craft of 2024
Process the Environment: Rachel Morrison on “The Fire Inside”
The Great Performances of 2024, Part Two
The Great Performances of 2024, Part One
No Box He Won’t Escape From: James Mangold on “A Complete Unknown”
The 25 Best TV Series of 2024
Two Thumbs Up! The Individual Top Tens of 2024
2025 Sundance Film Festival Announces Ambitious Program
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
Kyle Mooney and Evan Winter Go Back in Time with “Y2K”
Female Filmmakers in Focus: Marielle Heller on “Nightbitch”
Short Films in Focus: The Big Wait
Home Entertainment Guide: November 2024
Sharp, Propulsive “The Agency” Should Appeal to Fans of Spy Fiction
Solid Acting Saves the Familiar Premise of “Get Millie Black”
“Call of Duty: Black Ops 6” is Best Installment in the Franchise in Years
Love Is Political: Payal Kapadia on “All We Imagine as Light”
Tokyo International Film Festival 2024: Daihachi Yoshida on Prize-Winning “Teki Cometh”
J-Horror Lives: Introducing “Missing Child Videotape” Director Ryota Kondo
