The Plot Against Harry
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Young Movie Reviews
Blog Posts That Mention Young
Cannes 2025: The Mastermind, Young Mothers
“Star Wars: Skeleton Crew” Takes Aim at Younger Viewers
TIFF 2024: Young Werther, Addition, My Fathers’ Daughter
Short Films in Focus: Young People, Old People and Nothing In Between
I’ve Got A Way With Young People: 25 Years of Dick
Young Love Makes for a Powerful Family Portrait
Cannes 2022: Holy Spider, Forever Young, Aftersun
Abe Lincoln No Malice Awards Celebrate Young Filmmakers At Shakespeare Theater
Emerald Fennell on Promising Young Woman, Responses to the Film, and More
NBC’s Young Rock and Kenan Sitcoms are Energetic, Familiar
Abraham Lincoln Presidential Library and the Ebert Foundation Sponsor the No Malice Film Contest for Children and Young Adults Across Illinois to Promote Racial Healing
On the Disempowerment of Promising Young Woman
The Mundane Horror in Being Young: Richard Tanne on Chemical Hearts
Escape with Young Adult Drama Outer Banks on Netflix
A Roller Coaster in the Dark: Carey Mulligan and Bo Burnham on Promising Young Woman
Nicolas Winding Refn Delivers Distinct Vision of Too Old to Die Young
Cannes 2019: Young Ahmed, Portrait of a Lady on Fire, Adam
Cannes 2019: Too Old to Die Young, Zombi Child
The Best Strange: The Young Actors of Mid90s on Starring in Jonah Hill’s Directorial Debut
NYFF 2018: The Slows, In My Room, Sorry Angel, Too Late to Die Young
“Step” to Inspire Young Filmmakers at DePaul on December 16th
I Made it For the Young Women in It: Amanda Lipitz on “Step”
HBO’s “The Young Pope” Offers Unique Television Homily
New Voices: Ebert Young Writers Program for the Arts Covers HIFF 2016
A Family Thing: Omar Epps & DC Young Fly on “Almost Christmas”
Young Debbie Edwards, Found: Lana Wood on “The Searchers”
Venice Film Festival 2016: “The Young Pope”
Young at Heart: Sally Field on “Hello, My Name is Doris”
“The African Americans: Many Rivers to Cross, Part I”: A Review by Messiah Young
“Dear White People”: A Review by Messiah Young
RogerEbert.com Partners with Chicago Urban League and Columbia Links to Mentor Young Critics
Helena Bonham Carter on “The Young and Prodigious T.S. Spivet”
The Young Person’s Guide To Max Von Sydow, Part Two
Netflix Misfires with Young Adult Sci-fi Adventure of “Between”
Acting Their Age: Noah Baumbach on “While We’re Young”
Chaz Ebert Invites Young Critics to Cover Black History Month Film Festival
Tonight is What It Means To Be Young: “Streets of Fire” at 30
TIFF 2014: The Cult of Personality with “Welcome to Me,” “While We’re Young”
Regarding R.W. Fassbinder: Letter to a Young Cinephile
Second Day of Ebertfest Ends with Poignant, Hilarious “Young Adult”
RogerEbert.com partners with Chicago Urban League to mentor young critics during Black History Month
Roger Ebert Scholarship Program for Young Critics Goes to Sundance
Love Yourself — Powerfully: Lessons to My Younger Self
Chan-wook Park’s Stoker: Young girl meets Oldboy
What’s too young for “Hugo?”
The death of a young paparazzo
The directness and clarity of a young generation
Go Inland, young woman!
“They’re young, they’re in love, and they kill people”
The Moth Diaries: Young hearts aflutter
A gigantic owl wins a young filmmaker his visit to Cannes
“King of the Hill” Slides Right Back into Confidently Funny Rhythms
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
The Fire in Your Eyes: Ozzy Osbourne (1948-2025)
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
One of Us: Malcolm-Jamal Warner (1970-2025)
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
Everywhere You Go Has Valet: “Clueless” at 30 (Or Whatever)
Meet the Writers: Cortlyn Kelly
KVIFF 2025: Awards and Wrap-Up
Our 10 Most Anticipated Films of the 2025 Fantasia Film Festival
MGM+ Adaptation of Stephen King’s “The Institute” Won’t Keep Students Awake
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
KVIFF 2025: Broken Voices, Out of Love, Don’t Call Me Mama
I Am a Writer: “Wonder Boys” Turns 25
The 10 Best Oasis Needle Drops
The Best TV of 2025 (So Far)
Sex and Threads: The Major Works of Takashi Miike
59th Karlovy Vary International Film Festival to Honor Stellan Skarsgård, Vicky Krieps, Dakota Johnson and Peter Sarsgaard
We’re All In This Together: “Brazil” at 40
Netflix’s Third Season of “Squid Game” Limps Its Way To Its Bleak, Cynical Finish Line
The Great and Magical Creation of This Reality: Mariana Treviño on “Stick”
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Then They Will Learn: The Truth Behind Juneteenth
50 Years Later, Cooley High Is Still Alive
Tribeca Film Festival 2025: The Narrative Features
The 20 Best Films of 2025 So Far
Syfy’s “Revival” Resurrects the Small-Town Zombie Craze In Suitably Morbid Fashion
