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Ayo Edebiri
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Ayo Edebiri Movie Reviews
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SXSW 2024: Omni Loop, Desert Road, Things Will Be Different
Cannes 2026: Clarissa, Atonement, Butterfly Jam
“Sinners,” “Bel-Air” Lead NAACP Image Award Nominees
HBO’s Zennial Comedy “I Love LA” Lets Rachel Sennott Navigate Life, Love, and Influence
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
The Best TV of 2025 (So Far)
FX’s “The Bear” Serves Another Course Of Dreamlike Intensity in Season Four
Movies for the Freaks: Mark Anthony Green on “Opus”
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
The 25 Best TV Series of 2024
2025 Sundance Film Festival Announces Ambitious Program
The Ouray Film Festival Creates Encouraging Space for Art
The Best Show on TV is Back in the Third Season of FX’s The Bear
2023: The Year of the Teacher
The 29th Critics Choice Awards Honor a Wide Variety of Film and TV
Oppenheimer, Poor Things Big Winners at the 2024 Golden Globes
Where’s My Black Girlhood?: The Whitewashing of the Femme Boom
The Great Performances of 2023
The 25 Best TV Series of 2023
NYFF 2023: AGGRO DR1FT, The Sweet East, Ryuichi Sakamoto: Opus
FX’s The Bear Continues to Reach for Greatness
SXSW 2023: Bottoms, Self Reliance, Flamin’ Hot
Sundance 2023: Theater Camp, Kim’s Video
The Stars Shine at the 2023 Critics Choice Awards
The 25 Best TV Series of 2022
Stars Shine Brightly at the 5th CCA Black Celebration of Cinema and Television
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
FX’s The Bear Feels Like a New Chicago Classic
