Akilla’s Escape
Composer
3D
3D Movie Reviews
Blog Posts That Mention 3D
Jean-Luc Godard’s “Goodbye to Language 3D” to Open Ebertfest
Replies to Walter Murch on the end of 3D as we know it
Alien in “3D”: Just one frame
Avatar 3D headaches: Look at this! Don’t look at this!
After 3D, here is the future of film
Why 3D doesn’t work and never will. Case closed.
Do we NEED to see “Tintin” in 3D?
“Pokemon: Legends Z-A” is Several Steps Forward, Several Steps Back
Sterlin Harjo Aims High, Does Not Miss with FX’s “The Lowdown”
“Gears of War: Reloaded” Writes a New Chapter in the Console Wars
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
SDCC 2025: Celebrating ALL the Popular Arts
Our Minds Have Been Colonized: Ari Aster on “Eddington”
Defined In Isolation: Ryan Coogler on “Sinners”
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Prime Video’s “The Bondsman” Takes Kevin Bacon on a Drab Trip to Hell and Back
“Your Friendly Neighborhood Spider-Man” Brings Marvel’s Web-Slinger Down to Street Level
Film Independent President Josh Welsh Dies at 62
“Arcane” Makes Triumphant Return to Netflix
Eddie Redmayne, Lashana Lynch Bring Gravity to “The Day of the Jackal”
Let the Game Begin: “Saw” at 20
His Own Way: John Amos (1940-2024)
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
Short Films in Focus: Welcome to the Enclave
Home Entertainment Guide: July 2024
Animation Is Slow Motion: Pablo Berger on Robot Dreams
Cannes 2024 Diary 2: International Genre Picks
Ned Benson, Lucy Boynton, and Justin H. Min Want to Play The Greatest Hits for You
The Future of the Movies, Part 3: Fathom Events CEO Ray Nutt
Oscars 2024: The View from the Room
2023: The Year The World Finally Recognized The Brilliance Of Lily Gladstone
Feeling Seen by Sometimes I Think About Dying
