I can report that it enraptured and delighted, and most importantly, made quiet, the houseful of little kids and their nannies with which I watched…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A preview of the new network offerings for Fall 2016.
An interview with the one and only Norman Lear.
The best television programs of 2015.
A review of season two of FX's "Fargo."
A history of movies not directly based on comic books but definitely inspired by them.
Sam Fragoso on two films at the Sundance Film Festival.
Marie writes: Summer is now officially over. The berries have been picked, the jam has been made, lawn-chairs put away for another year. In return, nature consoles us with the best show on Earth; the changing of the leaves! I found these at one of my favorites sites and where you can see additional ones and more...
Q. It recently came to my attention that there is a ghost in "Three Men and a Baby." If you start the tape at 1:01:13, the camera pans across a window behind Ted Danson and Celeste Holm, who are walking into a room, and at a spot by the window curtains, the rifle that was presumably used in the killing of a young boy may be clearly seen, with the barrel pointing down.
Q. Many have remarked on the Columbia Logo Lady's striking resemblance to Annette Bening. Did my eyes play a trick when the logo came up before "What Planet Are You From?," or was she changed to actually be Annette Bening? Let me cast my vote solidly in favor of studios that allow filmmakers to play with the logo in such a manner; it's often the most creative moment in the film. (Steven P. Senski, Plover WI)
NEW YORK It's a tradition of the celebrity roasts at the Friar's Club that everything goes - that no joke is in such bad taste that it cannot be told. Friday, that tradition may have ended, as a roast for Whoopi Goldberg turned into such a tasteless display that some audience members hid their faces in their hands, and others left.