Minute to minute, one of the most repellent, mean-spirited gross-out comedies it’s ever been my squirmy displeasure to sit through.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An FFC reviews "The Motel Life", which just played at Ebertfest.
An excerpt from "Film Firsts" about the production and influence of "The Blair Witch Project."
For serious cinema fans, romantic comedy have become dirty words in the post-Meg Ryan era. That's what makes the films of Seattle-based indie writer-director Lynn Shelton so refreshing: They're romantic and comedic without ever being formulaic.
Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels. Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour! (click image to enlarge.)
Marie writes: Once upon a time when I was little, I spent an afternoon playing "Winne the Pooh" outside. I took my toys into the backyard and aided by a extraordinary one-of-a-kind custom-built device requiring no batteries (aka: artistic imagination) pretended that I was playing with my pals - Winnie the Pooh and Tigger too - and that there was honey nearby; the bumble bees buzzing in the flowerbeds, only too happy to participate in the illusion. And although it didn't have a door, we too had a tree - very much like the one you see and from which hung a tire. A happy memory that, and which came flooding back upon catching sight of these - the animation backgrounds from the new Winnie the Pooh; thank God I was born when I was. :-)
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From the Grand Poobah: Here in Michigan Oink's ice cream parlor exerts a magnetic pull on helpless citizens for miles around. I can no longer sample their countless flavors, but not log ago I took Kim Severson there. She is a New York Times writer doing a piece on The Pot. Oink's is run by my friend Roger Vink, who says, "May the Oink be with you."
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Eduardo Sanchez is working as a bartender and Dan Myrick is driving a blueprint truck and they're out of film school in Florida and going nowhere fast, and Ed says, "We've got that woods movie. We gotta do that woods movie." Nothing else was happening for them.