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Listen Up Philip

The terrific cast all delves into the material full-bore, which contributes to its peculiar resonance. Perry may hate everyone and everything, but in making a…

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Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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The verdict on "Orange Is The New Black: Season 2"; Three masters and their audience; Arthur C. Clarke predicts the Internet; Nathan Rabin on "Blue Steel"; Indie alternatives to "Edge of Tomorrow."

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#174 July 1, 2013

Marie writes: The West Coast is currently experiencing a heat wave and I have no air conditioning. That said, and despite it currently being 80F inside my apartment, at least the humidity is low. Although not so low, that I don't have a fan on my desk and big glass of ice tea at the ready. My apartment thankfully faces East and thus enjoys the shade after the sun has crossed the mid-point overhead. And albeit perverse in its irony, it's because it has been so hot lately that I've been in the mood to watch the following film again and which I highly recommend to anyone with taste and a discerning eye.

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The odds are with the house

I'm fairly certain most Martin Scorsese fans prefer his Robert DeNiro period to the current one with Leonardo DiCaprio. The later entries may include the film that won him the Academy Award for Best Picture ("The Departed") and they've surely displayed signs of greatness, but I don't think any of them can be discussed as pinnacle achievements like his earlier ones.

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#46 January 19, 2011

The Grand Poobah writes: Here's a behind the scenes lookinside our control room! This is where the magic happens.

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The Way Morgan Freeman was

May Contain Spoilers

Legendary movie critic Pauline Kael formally recognized Morgan Freeman's talents in her review: "Morgan Freeman may be the greatest American actor." It's hard to argue with that title now, but it was in 1987 when she wrote her review for "Street Smart."

From the perspective of more than 20 years after its theatrical release in the US, it's rather surprising to think that this small, flawed movie boosted the career of one of the great American actors of our time. It garnered him his first Oscar nomination (he lost to Sean Connery in "The Untouchables") and that was just the start. He has been nominated for an Oscar five times in total and received the Oscar for best supporting actor for "Million Dollar Baby". He is now one of the most formidable actors in Hollywood and is consistently watchable on the screen.

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"I saw a Rohmer film once...": The truth behind the Night Moves meme

Arthur Penn's "Night Moves" (1975) is one of the great movies of the '70s. As a detective picture about a private eye with flawed vision -- in this case, a small-time independent dick and former football player named Harry Moseby (Gene Hackman), who'd like to think he's Sam Spade -- it would make a great double bill with "Chinatown," released the previous year. Yesterday, when the news came of French director Eric Rohmer's death, a lot of people who apparently hadn't even seen "Night Moves" (or, perhaps, a Rohmer movie) were freely quoting Moseby's famous wisecrack in pieces about Rohmer without providing any context for it:

"I saw a Rohmer film once. It was kind of like watching paint dry."

It wasn't long before it even became a Twitter meme: #nightmoves. (See examples below, after jump.)

What some (not all) of the quoters didn't seem to realize or remember is that Harry's remark, as scripted by Alan Sharp, is a brittle homophobic jab at a gay friend of his wife's. (Watch the clip above.) Ellen (Susan Clark) invites Harry to join her and Charles (Ben Archibek -- that's him at the end of the clip) for a movie: Eric Rohmer's classic "My Night at Maud's" (1970), about an engaged man (Jean-Louis Trintignant) who spends a long, memorable night in conversation with a divorcee (Françoise Fabian). Moseby is asserting his macho credentials, and ends the scene by teasing Charles about going bowling again sometime. "You seem to get some weird kind of satisfaction from this sort of thing, don't you?" Charles replies. Later that night, Harry drives by the theater as the movie is letting out and sees something indicating that his wife may be having an affair.

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Buzz proves to be honest guide

PARK CITY, Utah--Now the buzz has taken over, and I am seeing mostly good, sometimes great, films. You open the Sundance catalog on the first day of the festival and choose your films for the first weekend, and after that you go where the buzz sends you, because audiences are always honest.

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Sundance holds great promise

PARK CITY, Utah--I have just spent an hour with the 2003 program for the Sundance Film Festival, and I am churning with eagerness to get at these films. On the basis of track records, this could be the strongest Sundance in some time--and remember, last year's festival kicked off an extraordinary year for indie films.

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No place for political correctness in film

PARK CITY, Utah--The man in the audience was angry. "How could you," he asked the director, his voice trembling with sincerity, "despite your talented cast and great production values, make such a bleak, negative, amoral film? What kind of a portrait is this of Asian Americans? Don't you have a responsibility to paint a more positive and helpful portrait of your community?"

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Movie Answer Man (04/02/1995)

Q. Help me settle something. If Writer A and Writer B both wrote their opinions on a film--both with diligence and pride in their work--what difference in the two pieces would identify Writer A as a Film Critic and Writer B as someone just offering an opinion? Take the weekly feature you see in some papers, where kids review films. At what point do they cross the line, and can be called Critics as opposed to Reviewers? Is there some sort of certification program, like taking the Sally Struthers correspondence course in gun repair? (Andy Ihnatko, Westwood, Mass.)

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