As long as the focus is on Mia and Elliot, the film is involving and moving.
This week, all of our content on the site is written by women. We'll update this table of contents page with links to new pieces as they go up.
Welcome to Women Writers Week 2018 by Chaz Ebert
Walking a Tightrope: A Defense of "The Greatest Showman" by Elena Lazic
Return of "Roseanne" Marked by Notable Highs and Lows by Allison Shoemaker
The C-Section in American Movies by Violet LeVoit
How to Create Sex Scene that Women Will Enjoy as Much as Men by Olivia Collette
How ABC's "The Good Doctor" is Changing Television by Jana Monji
FX's "The Americans" Keeps with Series' Strengths in Final Season by Allison Shoemaker
It Takes an Army by Carrie Rickey
Disability Theater Access in 2018 by Kristen Lopez
Phantom Thread, Jane Eyre and the Power Dynamics of Hetero Romance by Shelley Farmer
The Life of a Woman, Directed by Women by Emma Piper-Burket
For Women in Film, 2017 Produced a Bloom of Optimism on the Horizon by Jennifer Merin
Looking Back at Searching for Debra Winger Through the #MeToo Lens by Olivia Collette
On the Representation of Disabled Women in Cinema by Kristen Lopez
Tempest in a #MeToo Pot by Joyce Kulhawik
"Acrimony" by Monica Castillo
"Birthmarked" by Tomris Laffly
"The China Hustle" by Tina Hassannia
"Finding Your Feet" by Susan Wloszczyna
"First Match" by Jessica Ritchey
"Gemini" by Justine Smith
"God's Not Dead: A Light in Darkness" by Sheila O'Malley
"King in the Wilderness" by Arielle Bernstein
"The Last Movie Star" by Sheila O'Malley
"Love After Love" by Nell Minow
"Outside In" by Allison Shoemaker
"Ready Player One" by Christy Lemire
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Mike Flanagan's new horror series based on the Shirley Jackson novel, The Haunting of Hill House.
A look back at one of the best films of all time.
Peter Bogdanovich, film historian and filmmaker, talks about Buster Keaton, the subject of his new documentary.