Venice Film Festival Update: “Locke”
Tommaso Tocci reports on the screening of “Locke” at the Venice Film Festival.
Tommaso Tocci reports on the screening of “Locke” at the Venice Film Festival.
Tommaso Tocci reports on the screenings of “The Canyons,” “Tracks” and “Joe” at the Venice Film Festival.
Tommaso Tocci reports on “Gravity,” the opening night film of the 70th Venice Film Festival.
Nell Minow reports from the “Divergent ” panel at Comic-Con 2013 in San Diego.
At Comic-Con 2013, Jana Monji reports in on the Godzilla Encounter.
Leonard Maltin talks B-movies on a panel at Comic-Con.
Jana Monji, reporting from Comic-Con 2013 in San Diego, recounts the wonders of waiting (and waiting, and waiting) in line for “Psych: The Musical.”
Harrison Ford and the rest of the cast of “Ender’s Game” just want to talk about their movie, but at the Comic-Con press conference, other topics inevitably came up.
Now that the Cannes Film Festival is over, critics Ben Kenigsberg and Michał Oleszczyk take a look back over the festival.
Ben Kenigsberg recaps Cannes’s post-awards press conferences and closing-night party.
Barbara Scharres reports on the winners at the Cannes Film Festival.
Michał Oleszczyk talks with director James Gray about “The Immigrant.”
Ben Kenigsberg makes his predictions for Sunday night’s Cannes awards.
Roman Polanski’s “Venus in Furs” served as a perfect closing movie of this year’s Main Competition at Cannes.
It’s time once again fro Barbara Scharres’ annual award for Best Feline Performance of the Cannes Film Festival.
Will Michael Douglas take home a Best Actor prize from Cannes for his turn as Liberace in “Behind the Candelabra”?
James Gray’s “The Immigrant” maintains a tight focus on the Ellis Island experience, and Mohammad Rasoulof’s “Manuscripts Don’t Burn” dramatizes the inside of the cruel Iranian secret service.
Bruce Dern and Will Forte reminisce about their father-son road trip in Alexander Payne’s “Nebraska.”