Comedy Is Not Pretty: The Parade Of Not-Necessarily-Likable Genius In Kliph Nesteroff’s “The Comedians”
A review of Kliph Nesteroff’s book “The Comedians: Drunks, Thieves, Scoundrels and the History of American Comedy.”
A review of Kliph Nesteroff’s book “The Comedians: Drunks, Thieves, Scoundrels and the History of American Comedy.”
Valerie Weiss on “A Light Beneath Their Feet”; Death of the video store; Stephen Cone on “Home for the Holidays”; Chatting with Kartemquin’s Gordon Quinn; “Mustang” director Deniz Gamze Ergüven.
A chronological commentary celebrating the performances of Gena Rowlands.
The greatest actor alive: Max Von Sydow; Conversations with ISIS fighters; There are Christian terrorists; Greg Berlanti’s DC Comics TV shows; Why Othello is black.
A celebration of Wim Wenders’ 1991 epic “Until the End of the World,” of which a new 295-minute cut will be screening at the Gene Siskel Film Center on November 20 and 21.
The film that Fox packaged with “Star Wars” to get theaters to play a little space opera no one had heard of was “The Other Side of Midnight.” Jessica Ritchey looks back at a surefire hit that became a trivia answer.
An excerpt from Jason Bailey’s book “Richard Pryor: American Id.”
Deborah Kampmeier on “SPLit”; How the Bushes misunderstood Cheney; First 10 minutes of 500 movies; Daisy Ridley chats with Carrie Fisher; Fear the chick flick.
Undocumented dreamers; Karl Glusman on “Love”; John Sayles on “Eight Men Out”; Massive hacking of prisoner phone calls; The horror of “Room.”
A response to Noah Gittell’s piece on Nick Hornby.
How the female co-stars of Arnold Schwarzenegger’s hit films of the ’80s helped change the genre.
How Nick Hornby became one of the most valuable writers for women in Hollywood.
An excerpt about “Vertigo” from the November issue of “Bright Wall/Dark Room.”
A piece on David Lynch’s unique filmmaking in light of “Mulholland Dr.’s” recent Criterion release.
Why comic books are radical; How Franklin was born; The Monkees’s “Head”; Burt Reynolds has some regrets; The “Ishtar” effect.
Why Tarantino shouldn’t apologize; Gender-flipped “Ocean’s Eleven”; “Mulholland Dr.” is a movie and a TV show; Trumbo sisters are proud of their father; Why old women are the face of evil.
An interview with “World of Tomorrow” director Don Hertzfeldt.
Nighthawks at the cinema; Rebecca Parrish on “Radical Grace”; Suicide harder to read than murder; John Carpenter on “Vampires”; “Sicario” not yet a reality.
An overview of Ralph Bakshi’s masterful career in animation.
Assistant Editor Nick Allen tackles the Movie Love Questionnaire.