Timeless Horror: The 25th Anniversary of “The Silence of the Lambs”
An appreciation of Jonathan Demme’s “The Silence of the Lambs” on its 25th anniversary.
An appreciation of Jonathan Demme’s “The Silence of the Lambs” on its 25th anniversary.
An article about Cinefamily’s upcoming John Sayles retrospective.
Why “The Revenant” was hard for me; Joanna Coates and Daniel Metz on “Amorous”; Scorsese’s “The Age of Innocence”; Horror films are scarier than in the past; Teaching VR filmmaking.
A brief consideration of “Taxi Driver,” still Scorsese’s masterpiece.
An excerpt from the February 2016 issue of Bright Wall/Dark Room about Keanu Reeves.
A peculiar film, poised somewhere between satire and dream logic.
Billy Wilder’s groundbreaking comedy-drama still has the power to wound.
So tired of slave movies; Abuses in NYC ticketing industry; Rosenbaum on “La belle noiseuse”; Hollywood’s Westmore family; Studios push for digital screeners.
An article detailing the theatrical roll-out of “Sembene!”
An interview with experimental filmmaker Mark Rappaport.
Jessica Ritchey’s poetic remembrance of the final months of her father’s life, through the movies she saw.
A celebration of actresses Jane Birkin and Charlotte Gainsbourg in anticipation of an upcoming series at the Film Society of Lincoln Center in NYC.
A review of the 2016 Oscar-nominated short films.
Remembering “The Last of the Mohicans”; Daniel Radcliffe’s farting corpse; The most recalcitrant “ism” of all; László Nemes and Géza Röhrig on “Son of Saul”; Roger Deakins on “Hail, Caesar!”
Being black and gay in Hollywood; Phil Joanou on “The Veil”; When white actors play other races; Bold risks taken by filmmakers last year; How abortions on TV don’t reflect reality.
The shaming of Robert De Niro; Disappointment invades “The 5th Wave”; Christopher Jason Bell on “The Winds That Scatter”; Why the #OscarsSoWhite fuss matters; Boxing’s greatest muse.
Stakes high in “Chi-Raq”; Problem with “Danish Girl”; K.K. Barrett teams with Kid Koala; Malick remains elusive; Emma Thompson on Alan Rickman.
With “The Hateful Eight,” Quentin Tarantino betrays the female fans he’s until-now supported.
Stephen Cone on being his own editor; Deniz Gamze Ergüven on “Mustang”; Guy Maddin’s “The Forbidden Room”; What causes terrorism against the West; Trusting women to write super-men.