Darkest Hour stands apart from more routine historical dramas.
Steve Erickson lives in New York, where he writes for The Village Voice, Sight and Sound, Gay City News, Fandor, Film Comment, the Nashville Scene, Studio Daily and other publications. He has made four short films. His website is Chronicle of a Passion.
An interview with the actor/director of "Joan Didion: The Center Will Not Hold".
An interview with the director of "Beach Rats" and "It Felt Like Love."
An interview with filmmaker and critic Bertrand Tavernier about his new film, "My Journey Through French Cinema."
Fellini's major but overlooked "Roma" has received an excellent restoration by the Criterion Collection.
Robert Drew is not a household word, but he should be; all modern documentary cinema comes from 1960s innovations by him and his collaborators.
A look at the devolving marketplace in America for foreign language films.
A piece on Wim Wenders' "The American Friend," released on Blu-ray by Criterion tomorrow.
A review of "Agnès Varda in California," the new box set from Criterion and Eclipse.
An appreciation of Stephen Frears' "My Beautiful Laundrette" after its Criterion release.
An interview with Laura Nix, Andy Bichlbaum and Mike Bonanno of "The Yes Men."