
Video: Roger Ebert Accepts an Honorary Degree at the 2004 AFI Commencement Ceremonies
Roger Ebert’s 2004 speech at the AFI commencement ceremonies, where he received an honorary degree.
Roger Ebert’s 2004 speech at the AFI commencement ceremonies, where he received an honorary degree.
This special edition of Thumbnails features articles and videos republished in honor of Roger Ebert’s birthday.
A piece on how the history of Amerasian children born after the Vietnamese War is reflected in Spike Lee’s Da 5 Bloods.
A look back at John Williams’ iconic score for Steven Spielberg’s Jaws.
An excerpt from the ebook When the Fire Nation Attacked: Illustrated Insights on Avatar: The Last Airbender.
Connecting to early work by a lost master, Johann Johannsson.
Kasi Lemmons on white Americans; Halina Dyrschka on Hilma af Klint; Recommended books on racism; Wisdom of James Baldwin; Lesli Linka Glatter on David Lynch.
An essay about the film “Hot Rod,” as excerpted from the May edition of Bright Wall/Dark Room.
An interview with the director of the documentary “Lowland Kids,” and a presentation of the short film.
In his latest video essay about maligned masterpieces, Scout Tafoya celebrates Edward Zwick’s 1998 film, The Siege.
A celebration of Disney’s innovative film Dinosaur, which turns 20 years old this month.
On revisiting Gus Van Sant’s Good Will Hunting in 2020.
An interview with the writer/director of “Crude Oil,” and a presentation of the short film.
An article about the free online screening on May 5th, 2020, of a documentary about Chicago architect Benjamin Marshall.
The latest in Scout Tafoya’s series focuses on a 2015 Ron Howard epic.
A feature on the new Square Enix hit, Final Fantasy VII Remake.
An article celebrating our Ebert Fellows during this period of Quarantine.
An essay about Wes Anderson’s Fantastic Mr. Fox, as excerpted from the latest edition of Bright Wall/Dark Room.
An article about the release of Tayarisha Poe’s film “Selah and the Spades” on Amazon Prime Video this Friday, April 17th.
The similarities between Miyazaki and the Star Wars sequel trilogy run deep, whether you’re talking about how the films look, feel, or what they’re really about.