A Seat at the Table: The State of International Horror in 2020
A look at the changes in the horror world in 2020, most notably how the pandemic and rise of streaming services allowed a greater audience for international horror.
A look at the changes in the horror world in 2020, most notably how the pandemic and rise of streaming services allowed a greater audience for international horror.
An essay by Lainey Wood about Pride & Prejudice and hands, as excerpted from the latest issue of Bright Wall/Dark Room.
An entertaining and stimulating look at the Bond pictures that might have been.
The best films of 2020, according to each individual contributor.
A personal piece about the sanctuary of the drive-in movie theater.
In Angus’ cinema she sees the past. I see the future.
A feature on the 30th anniversary of Misery and how it predicted the toxic fandom of today.
To watch John G. Avildsen’s 1970 film now is to revel in movie mischief unrepeatable, wrapped in political soothsaying that still stings.
An interview with directors Will McCormack and Michael Govier about their animated Netflix short.
The career-spanning retrospective opens November 25 and will be available nationwide.
An ode to Baz Luhrmann’s Romeo + Juliet.
A look at the latest from the great Don Hertzfeldt, and an interview with the filmmaker.
A review of the new companion book to Cartoon Saloon’s acclaimed Wolfwalkers.
A piece on The Cabinet of Dr. Caligari, which just turned 100.
Our editorial endorsement for the President and Vice President of the United States.
A feature that connects Abel Ferrara’s The Driller Killer to his recent trilogy: Pasolini, Tomasso, and Siberia.
A feature on the dark roles of Harrison Ford’s career, and how they led to What Lies Beneath.
An essay on Ellen Ripley and Aliens, as excerpted from the latest issue of the online magazine Bright Wall/Dark Room.
A feature on the lasting power of Charles Laughton’s Night of the Hunter and what it says about dangerous reflections of faith, then and now.