We Do What We Can to Endure: On Memory and Time in David Lowery’s Films
A feature on the five works of David Lowery and the themes that connect them.
A feature on the five works of David Lowery and the themes that connect them.
An appreciation of the five films of Leos Carax that led him to this week’s Annette.
A closer look at Pig.
An essay by Elizabeth Cantwell about American Gigolo, as excerpted from the latest issue of Bright Wall/Dark Room.
A summary and recap of major events from this month’s virtual San Diego Comic-Con, with video clips.
A counterpoint on Roadrunner: A Film About Anthony Bourdain from a hardcore Bourdain fan.
A celebration of Brian De Palma’s Blow Out, released on July 24, 1981.
A presentation of the short film H.A.G.S., and interview with director Sean Wang.
Two fans of Martin Scorsese’s 1999 urban thriller talk about its relevance to the pandemic.
Aaron Aradillas looks back at the military comedy that made a star of Bill Murray.
It might have been morning in America, but it was permanently midnight in these films.
The best film ever set in Texas, with the deepest understanding of Texas.
An essay by Cody Benjamin about Moneyball, as excerpted from the latest issue of Bright Wall/Dark Room.
A writer watches every movie starring Nicolas Cage and emerges a changed man.
A review of a new volume about films that never happened.
A preview of the next seven months of musicals hitting theaters and streaming services in 2021.
If the best comedy is essentially very serious, or has a very serious basis, then that explains the career of Charles Grodin.