Haunting Magic: On “Eve’s Bayou,” 20 Years Later
A look back at Kasi Lemmons’ 1997 film, “Eve’s Bayou.”
A look back at Kasi Lemmons’ 1997 film, “Eve’s Bayou.”
A report on Asian-American responses to “Iron Fist,” “Power Rangers” and “Ghost in the Shell.”
A piece on the prescience and impact of George Orwell’s “1984” and the film version, which returns to theaters next week.
When will Asian Americans be considered American enough and when will Asians matter in the racial conundrum that is the United States?
Jana Monji journeys to the legendary Disney vaults to learn more about the creation of Disney’s “Pinocchio.”
Four honorees were celebrated during a special luncheon preceding the African American Film Critics Association awards on February 8.
PBS will soon be airing two documentaries that provide introductions to lesser known activists who believed in nonviolent civil disobedience.
A preview of the new PBS series “Spy in the Wild,” which puts animatronic cameras among wild animals big and small.
FFC Seongyong Cho explores Frederick Wiseman’s 2014 documentary, “National Gallery.”
The forces behind San Diego Comic-Con have launched a new con-centric channel, featuring “Kings of Con,” “Con Man” and “Mark Hamill’s Pop Culture Quest.”
If we really want to resolve racism and prejudice in our neighborhoods or in the movies, we have to be willing to be honest and act with integrity in our conversations.
Remember Pearl Harbor and remember how prejudice shaped history.
A review of the new documentary, “Magicians: Life in the Impossible.”
FFC Pablo Villaça explores the themes at the heart of Denis Villeneuve’s sci-fi film “Arrival.”
A report on the “The Science Behind Pixar” exhibit, which is now in Los Angeles.
FFC Seongyong Cho on watching 2006’s dystopian thriller “Children of Men” ten years later.
A review of Destined from the Chicago International Film Festival.
In light of Polish director Andrzej Wajda’s recent passing, an alphabetical list of his ten best films.
A comparison between the recent version of “Ben-Hur” and the classic 1959 version by William Wyler.
A table of contents for Omer M. Mozaffar’s four-part essay series on Islam in Western cinema.