Jurassic World: Fallen Kingdom
This is a movie that’s annoying in part because it doesn’t care if you’re annoyed by it. It doesn’t need you, the individual viewer, to…
Seongyong Cho was born in Jeon-ju, South Korea. He did graduate work at the Korean Advanced Institute of Science
and Technology (KAIST) in Dae-jeon. His passion
for good movies continues its primitive rampage, which includes weekly pilgrimages
to the local multiplex. He started his blog in 2008 and writes nuumerous reviews. In the midst of that, he manages to find time for
books, music, exercise (usually treadmill and swimming), and corresponding
with other bloggers.
A Far Flung Correspondent takes a closer look at Kogonada's 'Columbus.'
A review of the classic 1979 film, "Being There" by a Far-Flung Correspondent.
A gritty but electrifying mix of character study and crime drama.
“The Sweet Hereafter” is superlative in its uncompromising but undeniably compassionate depiction of a bleak human condition.
A study of the 1965 film "The War Game" and its relevance a half-century later.
Far flung correspondent Seongyong Cho writes about a warm contemporary romance drama from South Korea.
Far flung correspondent Seongyong Cho celebrates one of the best South Korean films from last year, "The World of Us."
FFC Seongyong Cho looks at Park Chan-wook's "The Handmaiden," which will be playing this Thursday at Ebertfest.
A look back at Kasi Lemmons' 1997 film, "Eve's Bayou."
FFC Seongyong Cho explores Frederick Wiseman's 2014 documentary, "National Gallery."