Great Movies
Chaz's Journal
Our Favorite Roger Reviews: Love Jones
A reprint of Roger Ebert's review of Love Jones, with an introduction from Kahil El'Zabar.
A reprint of Roger Ebert's review of Love Jones, with an introduction from Kahil El'Zabar.
A feature on some of the best representations of female friendship in movie history.
An article about "Jojo Rabbit" winning the TIFF Grolsch People's Choice Award and its director Taika Waititi wins the Ebert Director Award at the 2019 Toronto International Film Festival.
A tribute to the late Penny Marshall, TV star and trailblazing director of Big, A League of Their Own and more.
Writers at RogerEbert.com offers their recommendations for Christmas movies.
Chaz Ebert reveals her list of movies from 2018 to see before awards season 2019.
Matt writes: The 2018 Cannes Film Festival is in full swing, and RogerEbert.com publisher Chaz Ebert is there to cover all the highlights. Check our site's official Cannes page where you will find all the coverage penned by Barbara Scharres, Ben Kenigsberg and Lisa Nesselson, as well as video dispatches from Chaz. Embedded below is her first from this year, which provides a breakdown of the jury as well as various enticing selections from filmmakers such as Asghar Farhadi, Spike Lee and Jean-Luc Godard.
A video preview of the 2018 Cannes Film Festival!
A preview of this year's Black Harvest Film Festival in Chicago.
The staff reveals their individual picks for the best films of 2016.
RogerEbert.com picks the best films of 2016.
A report from TIFF on three Cannes films that have recreated their rapturous French responses in Canada.
A report from day three of the 2016 Cannes Film Festival, with reviews of three new films including the latest from Bruno Dumont and Maren Ade.
Scorsese, De Niro reuniting on a new gangster film; Zadie Smith on life, death, Warhol; Spike Lee speaks; our ancestors didn't sleep like us; Van Sant to headline a LGBT film fest in St. Petersburg.
PARK CITY, Utah I saw a group of interesting films about African Americans at this year's Sundance Film Festival, the big annual showcase for new independent films. And as I sat down to write about them, I realized that black films in America have long been "independent." Only recently, with a new generation of stars, have they moved into the studio mainstream.
