Hustlers
Seeing Lopez’s best screen work since her early heyday of Selena and Out of Sight isn’t the only reason to check out writer/director Lorene Scafaria’s…
Whitney Houston
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Whitney (2018)
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Herself (archive footage)
Susan Wloszczyna -
Sparkle (2012)
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Emma
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The Preacher's Wife (1996)
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Julia Biggs
Roger Ebert -
Waiting To Exhale (1995)
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Savannah
Roger Ebert -
The Bodyguard (1992)
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Rachel Marron
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Sundance 2019: David Crosby: Remember My Name, Marianne & Leonard: Words of Love, Love Antosha
On three bio-docs from Sundance about David Crosby, Leonard Cohen, and Anton Yelchin.
Penny Marshall: 1943-2018
A tribute to the late Penny Marshall, TV star and trailblazing director of Big, A League of Their Own and more.
Christmas Movie Recommendations from Our Writers
Writers at RogerEbert.com offers their recommendations for Christmas movies.
My List of Movies to See Before the End of 2018
Chaz Ebert reveals her list of movies from 2018 to see before awards season 2019.
Natural Woman: A Tribute to Aretha Franklin
A tribute to Aretha Franklin.
#328 May 15, 2018
Matt writes: The 2018 Cannes Film Festival is in full swing, and RogerEbert.com publisher Chaz Ebert is there to cover all the highlights. Check our site's official Cannes page where you will find all the coverage penned by Barbara Scharres, Ben Kenigsberg and Lisa Nesselson, as well as video dispatches from Chaz. Embedded below is her first from this year, which provides a breakdown of the jury as well as various enticing selections from filmmakers such as Asghar Farhadi, Spike Lee and Jean-Luc Godard.
Cannes 2018 Video #1: Preview
A video preview of the 2018 Cannes Film Festival!
2017 Black Harvest Film Festival Preview
A preview of this year's Black Harvest Film Festival in Chicago.
Hot Docs 2017: “Whitney: Can I Be Me,” “You’re Soaking in It,” “A Bastard Child,” “Shingal, Where Are You?”
Reviews of "Whitney: Can I Be Me," "You're Soaking in It," "A Bastard Child" and "Shingal, Where Are You?" at Hot Docs 2017.
If We Picked the Winners 2017: Best Foreign Language Film
The RogerEbert.com staff's Oscar pick for Best Foreign Language Film.
The Great Performances of 2016
Some of our favorite performances of 2016.
The Individual Top Tens of 2016
The staff reveals their individual picks for the best films of 2016.
The Ten Best Films of 2016
RogerEbert.com picks the best films of 2016.
Outstanding, Black Music: Raphael Saadiq on "Underground," "Insecure"
An interview composer Raphael Saadiq about making the music for "Underground," "Insecure" and more.
TIFF 2016: “Toni Erdmann,” “Things To Come,” “Elle”
A report from TIFF on three Cannes films that have recreated their rapturous French responses in Canada.
Cannes 2016: "Slack Bay," "The Student," "Toni Erdmann"
A report from day three of the 2016 Cannes Film Festival, with reviews of three new films including the latest from Bruno Dumont and Maren Ade.
Thumbnails 11/21/2013
Scorsese, De Niro reuniting on a new gangster film; Zadie Smith on life, death, Warhol; Spike Lee speaks; our ancestors didn't sleep like us; Van Sant to headline a LGBT film fest in St. Petersburg.
Sundance standouts reflect black indie tradition
PARK CITY, Utah I saw a group of interesting films about African Americans at this year's Sundance Film Festival, the big annual showcase for new independent films. And as I sat down to write about them, I realized that black films in America have long been "independent." Only recently, with a new generation of stars, have they moved into the studio mainstream.
They're no angels
Q. What are angels?
Who'll Be Up for Oscars?
The ballots have all been returned and counted, and at 7:30 a.m. tomorrow this year's Academy Awards nominations will be announced at a press conference to be telecast, so they say, around the world. It will no doubt be an Oscar year like all years, filled with surprises and injustices, nominations deserved and undeserved.
