Good Times
Sonny and Cher
Themselves
Themselves
Themselves Movie Reviews
Blog Posts That Mention Themselves
RogerEbert.com Supercut: Actors Playing Themselves in Movies
Movies don’t stream themselves
This Is Not Art, This Is Life: Ross McElwee on “Remake” and “Sherman’s March”
Home Entertainment Guide June 2026: Hoppers, Crime 101, The Mastermind, More
Two Incredible 4K Box Sets Target Loyal Fan Bases
The Element of Risk: Olivia Wilde on “The Invite”
Satirizing and Saluting: Mel Brooks’ “Silent Movie” At 50
What is the State of the Black Movie Star?
When Sci-fi Was Horny: “Logan’s Run” at 50
The Legend of Us: Expanding the Chosen One
Can the New Anti-Heroine Heal My Inner Black Girl?
To Make People Aware of Something is Great: A Conversation with Maya Cade
From My Block to Wakanda: Movies and Black Travel
Deborah Nadoolman Landis Pays Tribute to Costume Design Legend Albert Wolsky
The 20 Best Films of 2026 So Far
Humor Is a Weapon: A Conversation with John Waters
Short Films in Focus: Patient (with Director Lori Felker)
Cannes 2026: La Gradiva, Dora, Gabin
Cannes 2026: I See Buildings Fall Like Lightning, Diary of a Chambermaid, La Perra
Cannes 2026: The Black Ball, Bitter Christmas
Cannes 2026 Video #7: Festival Dispatch with Jason Gorber
Cannes 2026 Video #5: Festival Dispatch with Ben Kenigsberg
This Year’s Ebert Fellows Reflect on the 2026 True/False Film Festival
Cannes 2026 Video #4: Festival Dispatch with Zachary Lee
Cannes 2026: All of a Sudden, Think Good
Netflix Turns Up the “Heat” With Its Own “Power” in Hokey Crime Thriller “Nemesis”
Prime Video’s “Off Campus” is Big on Romance, Music, and Spice
An Essential Showcase in a Difficult Time: Cannes Film Festival 2026 Preview
Michael Sheen and David Tennant’s Emotional Connection Grounds a Bittersweet “Good Omens” Finale
A Fond Farewell to Our Critic Monica Castillo
Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!
BritBox’s Delightful “The Other Bennet Sister” Is a Romance About Learning to Love Yourself
“The Chestnut Man: Hide and Seek” is a Serviceably Grim Nordic Noir Thriller
The Unloved, Part 149: Oh… Rosalinda!!
Prime Video’s Lush, Ambitious “The House of the Spirits” Does Right By Isabel Allende’s Masterpiece
Male Directors Can’t Stop Making Movies About Female Pop Stars
Love’s in Need of Love Today: Reflections on EbertFest, Cinema, and Empathy
Female Filmmakers in Focus: Sophy Romvari on “Blue Heron”
Netflix’s “Beef” Returns with a Season as Twisted and Hysterical as the First
“Jury Duty: Company Retreat”‘s Unsuspecting Hero On Life After Rockin’ Grandmas
Peacock’s “The Miniature Wife” is Big on Feelings, and That’s Not Nothing
Short Films in Focus: Trapped (with Sam Cutler-Kreutz)
“The Boys” Remains the Most Pressing Superhero Show of Our Time With Electric Final Season
Hulu’s “The Testaments” Returns to Gilead For Another Timely Tale About Privilege and Complicity
“It Became a Dark Place”: Chief Geoffrey Standing Bear on “Killers of the Flower Moon”
“Help Me To Find Kokumo”: A Guide To Beyond Chicago
Home Entertainment Guide March 2026: Anaconda, The Housemaid, Killers of the Flower Moon, More
Apple TV’s “For All Mankind” Takes Bold New Leaps in Space and Scope in Its Fifth Season
“Daredevil: Born Again” Stays Blind to the Cultural Moment in Season 2
SXSW 2026: baby/girls, Manhood, Drift
SXSW 2025: Beast Race (Corrida Dos Bichos), Campeón Gabacho, Grind
A Screenwriter’s Dream—and Nightmare: Drew Goddard on “Project Hail Mary”
SXSW 2026: Wishful Thinking, The Saviors
SXSW 2026: Beyond the Duplex Planet, Cornbread Mafia, My Brother’s Killer
If We Picked the Winners: The 98th Academy Awards
Hulu’s “Sunny Nights” Offers Split Sides, Spray Tans, and Botched Schemes
Highlights of the 2026 True/False Film Festival Include “Tropical Park,” “Bucks Harbor,” “Landscapes of Memory”
To the Film Industry in Crisis, A Look Back At Hollywood In 1926
I’ve Started Seeing Somebody: The Monstrous-Masculine in Larry Fessenden’s “Habit”
A New Cup of Tea: The Best Murder Mysteries You Haven’t Seen
Apple TV’s Tedious “The Hunt” Should Have Stayed on the Shelf
Across 50 Seasons, “Survivor” Reflects Evolving Views of American Women
An Anatomy of a Fleece: Why “Heated Rivalry” Fans Have Latched Onto its Very Canadian Jacket
Berlinale 2026: A Politicized Festival with Great Political Cinema
Twisty, Funny HBO’s “DTF St. Louis” is an Addictive Watch
All’s Well that Ends Well in Part Two of “Bridgerton”’s Fourth Season
Christy Lemire Bids a Fond Farewell to RogerEbert.com
Highlights of Roger Ebert on Black Filmmakers for Black History Month
The Eye of a Camera: Frederick Wiseman (1930-2026)
Something Lasting and Unforgettable: Robert Duvall (1931-2026)
Short Films in Focus: The 2026 Oscar-Nominated Shorts
Willing Participants: Harry Lighton and Harry Melling on “Pillion”
I Will See You In Dreams: Akinola Davies Jr. on “My Father’s Shadow”
Jump Into the Abyss: Óliver Laxe and Sergi López on “Sirât”
The Belle of Absurdity: Catherine O’Hara (1954-2026)
Sundance 2026: The Lake, Nuisance Bear, Seized, Public Access
Sundance 2026: Levitating, Kikuyu Land, Sentient
Sundance 2026: The Oldest Person in the World, Give Me the Ball!, The Last First: Winter K2
Sundance 2026: Shame and Money, Lady, Everybody to Kenmure Street
![Sundance 2026: Aanikoobijigan [ancestor/great-grandparent/great-grandchild], Ghost in the Machine, TheyDream](https://www.rogerebert.com/wp-content/uploads/2026/01/Aanikoobijigan_ancestor_great_grandparent_great_grandchild-Still_1-256x144.jpg)
Sundance 2026: Aanikoobijigan [ancestor/great-grandparent/great-grandchild], Ghost in the Machine, TheyDream
Sundance 2026: Extra Geography, Filipiñana, The Huntress
Sundance 2026: If I Go Will They Miss Me, Night Nurse, Jaripeo
Can “Bridgerton”‘s New Cinderella in Silver Rekindle the Fairytale in Season 4?
The Archaic Mother’s Embrace: How “If I Had Legs I’d Kick You” and “Die My Love” Reframe the Monstrous
Time is Very Precious: Hlynur Pálmason and Julius Krebs Damsbo on “The Love That Remains”
Sundance 2026: Leviticus, Buddy, Mum I’m Alien Pregnant
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
Lightning in a Bottle: Angus MacLachlan on “A Little Prayer”
Apple TV’s Excellent “Shrinking” Continues to Find Humor in the Heartache
“Agatha Christie’s Seven Dials” Will Send Your Snooze Button Into Overdrive
The Many Reasons Women Are Watching “Heated Rivalry”
Long Awaited Second Season of “The Night Manager” Is More Gripping Than Ever
“A Thousand Blows” Lands Another One-Two Punch of Victorian Intrigue in Season 2
To Love Each Other: Jean-Pierre and Luc Dardenne on “Young Mothers”
40 Shows We Can’t Wait to Watch in 2026
Panahi & Kiarostami: Two Masters
The 9 Best Video Games of 2025
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
“Stranger Things” Hurtles to Its Series Finale with Second Volume of Fifth Season
