Lisa
Screenplay by
Sherman
Sherman Movie Reviews
Blog Posts That Mention Sherman
“Al and I called him ‘Ziggy’”: Producer Sam Sherman Remembers The Early Days Of Vilmos Zsigmond
Sherman Torgan: In Memory
What to Watch on Netflix: June 2025
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Prime’s Magnetic “Étoile” Is Guaranteed To Be Your Spring TV Obsession
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
Time Bandits Offers a Fun Summer Diversion
The 10 Best Documentary Love Stories
MGM+’s Messy The Emperor of Ocean Park Rules Over Convoluted Empire
Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home
Cannes 2024: The Apprentice, The Shrouds
The Movies That Underwent Major Changes After Their Festival Premiere
You’re Naked Without Us: A Report from the Costume Designers Guild
The People Who Never Stopped Loving Tenet
Goodbye to a TV Pioneer: Norman Lear (1922-2023)
Home Entertainment Guide: May 2023
The Marvelous Mrs. Maisel Figures It Out in Smart Final Season
My Year with Disney
CIFF 2022: King of Kings: Chasing Edward Jones, Art and Pep, The Big Payback
Serious Oscar Contenders Dazzle at 2022 BendFilm Festival
A Difficult Journey: Why I Flew Across the Country to See Lawrence of Arabia
The Space Left on the Screen is For You to Fill: Scott Ryan on Fire Walk With Me: Your Laura Disappeared
Just Another Step on the Journey, Man!: 1983’s Underrated NYE Comedy, Get Crazy
Bright Wall/Dark Room December 2021: I’ve Had a Rough Year, Dad: The Unbearable, Beautiful Messiness of One Line in The Royal Tenenbaums by Matt Chambless
Netflix’s Ginny & Georgia Never Finds Its Own Identity
Sundance 2021: The Sparks Brothers, Amy Tan: Unintended Memoir, Rita Moreno: Just A Girl Who Decided to Go For It, Ailey
You Don’t Think the Future Knows How to Cross A Bridge: Relighting The Bonfire of the Vanities
Shudder Launches Clever Series About the Legacy of Cursed Films
The Best Films of the 2020 Sundance Film Festival
Sundance 2020: Charm City Kings, Save Yourselves!, Blast Beat
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
What to Watch for Indigenous Peoples’ Day
Thumbnails 9/23/19
Preview of Noir City Chicago 2019
Showtime’s The Loudest Voice is a Fascinating, Frustrating Take on Roger Ailes and Fox News
Born This Way: Why 1954’s A Star Is Born Is Still The Best
Why Mary Poppins Returns is Disney’s Best Reimagining to Date
Matt Fagerholm’s Top Ten Films of 2018
The Marvelous Mrs. Maisel Maintains its Wonder in Season Two
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
Tom Wolfe: 1931-2018
The Best TV Shows of 2017
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
CIFF 2017: Vanessa Redgrave on “Sea Sorrow” and “Blow-Up”
“A Wrinkle in Time,” “Mary Poppins Returns,” “Star Wars: The Last Jedi” and More at D23 Expo 2017
Home Entertainment Consumer Guide: February 9, 2017
Comic-Con 2016: “Floyd Norman: An Animated Life”
Favorite Uplifting Movies
Living with Our Common Humanity: A Few Words with Norman Lear
Marvel, Star Wars Highlights and More From D23
“Gilmore Girls” Reunion Anchors ATX Television Festival
Home Entertainment Consumer Guide: February 25, 2014
Film Independent Directors Close-Ups: Ava DuVernay
Thumbnails 12/8/14
New York Comic-Con: “Penguins of Madagascar” and “Home”
