Zombieland: Double Tap
The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.
Rodrigo Prieto
-
The Irishman (2019)
—
Cinematographer
Matt Zoller Seitz -
Silence (2016)
—
Cinematographer
Matt Zoller Seitz -
Passengers (2016)
—
Cinematographer
Glenn Kenny -
The Homesman (2014)
—
Cinematography
Sheila O'Malley -
21 Grams (2003)
—
Photographed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Join Project Involve As We Celebrate Jon M. Chu of "Crazy Rich Asians" on September 22nd
An article about Project Involve's 25th anniversary fundraiser on Saturday, September 22nd, honoring "Crazy Rich Asians" director Jon M. Chu and others from the entertainment industry.
Project Involve Paves A Path to Inclusive Storytelling on its 25th Anniversary on September 22nd
An article about Project Involve's inclusive storytelling in the Hollywood landscape as it celebrates its 25th anniversary with a fundraiser on Saturday, September 22nd.
Translating into Poetry: Boots Riley on Sorry to Bother You
An interview with writer/director Boots Riley about his incendiary new film, "Sorry to Bother You."
"Moonlight," "La La Land" and "Manchester by the Sea" Lead 2016 CFCA Nominees
The nominees for the 2016 Chicago Film Critics Association's annual awards have been announced.
Recap of the 2016 Los Cabos International Film Festival
A recap of the fifth annual Los Cabos International Film Festival, including reviews of select titles.
A great love story: "Brokeback Mountain"
May contain spoilersWhat's the last great love story you've seen on film? I don't mean your typical "rom-coms" with contrived meet-cutes that rely heavily on celebrity star power. I'm talking about a genuine romance between two richly defined characters. If your mind draws a blank, you're not alone. Hollywood, along with much of the filmmaking world, seems to have either forgotten how to portray love affairs in ways that once made us swoon. Whatever the reason, be it due to our changing times or priorities, we might not see any significant ones for some time.
Chicago critics choose "Crash"
Chicago’s film critics Monday named "Crash" as their No. 1 movie of 2005, beating out tough contenders "Brokeback Mountain," "Good Night, and Good Luck," "A History of Violence," and "King Kong" (2005).
