Art Makes You Evolve: Stanley Nelson on Miles Davis: Birth of the Cool, Opening Friday, October 4th, at Chicago’s Gene Siskel Film Center Matt Fagerholm
Lightening the Load: Miles Teller, Jason Hall & Adam Schumann on “Thank You For Your Service” Nick Allen
Cannes 2026: Maverick: The Epic Adventures of David Lean, Dernsie: The Amazing Life of Bruce Dern Brian Tallerico
“It Became a Dark Place”: Chief Geoffrey Standing Bear on “Killers of the Flower Moon” Clint Worthington
Apple TV’s “For All Mankind” Takes Bold New Leaps in Space and Scope in Its Fifth Season Clint Worthington
In Taylor Sheridan’s “The Madison,” Michelle Pfeiffer and Kurt Russell Weather an Urban-Rural Romance Richard Roeper
Sundance 2026: Knife: The Attempted Murder of Salman Rushdie, To Hold a Mountain, Gail Daughtry and the Celebrity Sex Pass Brian Tallerico
It’s Stephen King’s World: How the Writer Became the King of Hollywood Again in 2025 Jourdain Searles
Tokyo Film Festival 2025: “Mother Bhumi,” “Morte Cucina,” “We Are the Fruits of the First,” “Tunnels: Sun in the Dark” Katie Rife
Lauren Melinda Receives the Inaugural Chaz Ebert Phenomenal Person in Film Award Rebecca Martin Fagerholm
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)” Marya E. Gates
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey” Marya E. Gates
What’s gone can never be replaced: thoughts on Los Angeles, disasters, and the present moment Matt Zoller Seitz