With its single setting and real-time story, The Guilty is a brilliant genre exercise, a cinematic study in tension, sound design, and how to make…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the excellent GLOW, on Netflix.
Matt writes: In honor of last weekend's crowd-pleasing hit, "Black Panther," the eagerly anticipated Marvel blockbuster helmed by "Creed" director Ryan Coogler, we have gathered three articles about the picture that is sure to delight fans of all ages. First up are Nell Minow's in-depth interviews with Coogler as well as costume designer Ruth Carter. We also have a beautiful four-star review penned by our critic Odie Henderson, who writes, “The numerous battle sequences that are staples of the genre are present, but they float on the surface of a deep ocean of character development and attention to details both grandiose and minute.”
An article about this year's nominees for the Film Independent Spirit Awards.
A report on new films from Armando Iannucci, Aaron Sorkin, and Lynn Shelton.
A preview of the 2017 Toronto International Film Festival, which starts tomorrow.
A guide to the latest on Blu-ray and DVD, including "The Tale of the Princess Kaguya," "St. Vincent," and four fantastic Criterion releases.
Sam Fragoso talks to Lynn Shelton about improvisation, her first time directing a script written by someone else
Sam Fragoso battles mix-ups and traffic, but does get to see "Infinitely Polar Bear".
For serious cinema fans, romantic comedy have become dirty words in the post-Meg Ryan era. That's what makes the films of Seattle-based indie writer-director Lynn Shelton so refreshing: They're romantic and comedic without ever being formulaic.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Marie writes: As some of you may know, it was Roger's 70th birthday on June 18 and while I wasn't able to give the Grand Poobah what I suspect he'd enjoy most...
Siskel & Ebert fight over a toy train (1988)
Marie writes: I recently heard from an ex-coworker named Athena aka the production manager on an animated series I'd painted digital backgrounds for. She sent me some great photos she'd found on various sites. More than few made me smile and thus inspired, I thought I'd share them with club members. I've added captions for fun but if you can come up with something better, feel free to submit your wit by way of posted comment. Note: I don't know who the photographers are; doesn't say. (Click pics to enlarge.)
"I want a peanut for every photo you took of me..."
Based on his show-stopping speech at Saturday night's Independent Spirit Awards, if Mickey Rourke wins an Oscar on Sunday night the Oscarcast is going to be a lollapalooza. As his comeback film "The Wrestler" won for best film, male actor and cinematography, Rourke brought the show to a halt and the audience to its feet with an acceptance speech that was classic Mickey. The Indie Spirits are telecast live and unbleeped, which added considerably to the speech's charm.