Lynn Shelton

Reviews

Sword of Trust (2019)
Half the Picture (2018)
Outside In (2018)
Laggies (2014)
Lucky Them (2014)
Touchy Feely (2013)
Prince Avalanche (2013)
Humpday (2009)

Blog Posts

Ebert Club

#381 May 26, 2020

Matt writes: Steve James' acclaimed 2014 documentary "Life Itself," chronicling the life and legacy of our site's co-founder, Pulitzer Prize-winning film critic Roger Ebert, premiered in virtual cinemas this past Friday as part of Magnolia Pictures' new screening series entitled, "A Few of Our Favorite Docs." Each of the films will have a virtual Q&A on the Wednesday following their premiere, while ten percent of the ticket sales will be donated to a charity of the filmmakers' choice. One of the subjects in "Life Itself", RogerEbert.com publisher Chaz Ebert, will take part in a virtual Q&A with Steve James TOMORROW, May 27th.

Ebert Club

#322 February 20, 2018

Matt writes: In honor of last weekend's crowd-pleasing hit, "Black Panther," the eagerly anticipated Marvel blockbuster helmed by "Creed" director Ryan Coogler, we have gathered three articles about the picture that is sure to delight fans of all ages. First up are Nell Minow's in-depth interviews with Coogler as well as costume designer Ruth Carter. We also have a beautiful four-star review penned by our critic Odie Henderson, who writes, “The numerous battle sequences that are staples of the genre are present, but they float on the surface of a deep ocean of character development and attention to details both grandiose and minute.”

Features

Lynn Shelton: Reclaiming the Rom-Com

For serious cinema fans, romantic comedy have become dirty words in the post-Meg Ryan era. That's what makes the films of Seattle-based indie writer-director Lynn Shelton so refreshing: They're romantic and comedic without ever being formulaic.

Ebert Club

#172 June 19, 2013

Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...

Ebert Club

#120 June 20, 2012

Marie writes: As some of you may know, it was Roger's 70th birthday on June 18 and while I wasn't able to give the Grand Poobah what I suspect he'd enjoy most...

Siskel & Ebert fight over a toy train (1988)

Ebert Club

#112 April 25, 2012

Marie writes: I recently heard from an ex-coworker named Athena aka the production manager on an animated series I'd painted digital backgrounds for. She sent me some great photos she'd found on various sites. More than few made me smile and thus inspired, I thought I'd share them with club members. I've added captions for fun but if you can come up with something better, feel free to submit your wit by way of posted comment. Note: I don't know who the photographers are; doesn't say. (Click pics to enlarge.)

"I want a peanut for every photo you took of me..."

Roger Ebert

Mickey Rourke lets his Indie Spirit fly

Based on his show-stopping speech at Saturday night's Independent Spirit Awards, if Mickey Rourke wins an Oscar on Sunday night the Oscarcast is going to be a lollapalooza. As his comeback film "The Wrestler" won for best film, male actor and cinematography, Rourke brought the show to a halt and the audience to its feet with an acceptance speech that was classic Mickey. The Indie Spirits are telecast live and unbleeped, which added considerably to the speech's charm.