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Jones Movie Reviews
Blog Posts That Mention Jones
AMC’s “Nautilus” Gives Us Indiana-Jones Worthy Adventure with Imperialist Villains
“Indiana Jones and the Great Circle” is the Antidote to Modern Big-Budget Game Fatigue
Nothing Left to Prove: Quincy Jones (1933-2024)
Everything the Light Touches: James Earl Jones (1931-2024)
Cannes 2023: The Idol, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon
Cannes 2023: Indiana Jones and the Dial of Destiny
CIFF 2022: King of Kings: Chasing Edward Jones, Art and Pep, The Big Payback
Creative Expression: Theodore Witcher on the Legacy of Love Jones
Our Favorite Roger Reviews: Love Jones
Words of Love: Shailene Woodley and Felicity Jones on The Last Letter From Your Lover
Terry Jones: 1942-2020
Krysten Ritter is a Powerhouse in Final Season of Jessica Jones
Music, Life, and Everything Between: Quincy Jones and Alan Hicks on Quincy
KVIFF 2018: Caleb Landry Jones and Peter Brunner on To the Night
Moodier, Slower Second Season of Marvel’s Jessica Jones
Songs from a Marriage: Zoe Lister-Jones on “Band Aid”
AFI Fest 2016: Otto Preminger’s “Carmen Jones”
Chuck Jones Meets “Sunset Boulevard”: On Robert Zemeckis’ “Death Becomes Her”
Starting Over Every Single Time: Barbara Kopple on “Miss Sharon Jones!”
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
“Marvel’s Jessica Jones” Pushes Against Expectations of the Superhero Show
TIFF 2015: “Our Last Tango,” “Hitchcock/Truffaut,” “Miss Sharon Jones!”
NYFF 2014 Video Interview: Kent Jones, Director of the New York Film Festival
Jones, Jonze, Spike & Co.
Chuck Jones: That’s not all, folks!
The Tommy Lee Jones I knew
Tommy Lee Jones plays his hometown
Whiplash: Indiana Jones and the Lowered Expectations
Mr. Jones’ review…
Jones, July, Jarmusch & Cannes gold
Tommy Lee Jones: Good at acting bad
L.Q. Jones: The Real Star is the Dog
The Element of Risk: Olivia Wilde on “The Invite”
Tribeca 2026: The Documentaries
Uncomfortable Truths: “Set It Off,” “Girl 6,” and “Naked Acts” at 30
Robert Daniels & Odie Henderson Talk “Baby Boy” at 25
Radical Whimsy: Exploring the Creative Mind of Boots Riley
When Sci-fi Was Horny: “Logan’s Run” at 50
I Am Telling You: Dreamgirls at 20
Through My Lens: The Accidental Archivist of ‘90s Howard University
Intro to Black Writers Week 2026
250 Years Later and Blacks Are Still Politically and Racially Enslaved
The 20 Best Films of 2026 So Far
AMC Turns “Interview With a Vampire” Into the Delicious, Malicious “The Vampire Lestat”
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
The Night I Danced On Stage With Michael Jackson
Peacock Takes Us Back to Miami for “M.I.A” Vice and Vengeance
BritBox’s Delightful “The Other Bennet Sister” Is a Romance About Learning to Love Yourself
Home Entertainment Guide April 2026: Send Help, 28 Years Later: The Bone Temple, Highest 2 Lowest, More
“Get Out” Star Betty Gabriel and “Nuremberg” Director James Vanderbilt to Attend Ebertfest 2026
‘The Last Dance’ Ends a Beautiful, Impactful Run for the Long-time Roger Ebert Film Festival
Peacock’s “The Miniature Wife” is Big on Feelings, and That’s Not Nothing
Full Schedule for Ebertfest 2026 Released and Individual Tickets Now On Sale
“Daredevil: Born Again” Stays Blind to the Cultural Moment in Season 2
Ebertfest Announces Expanded Lineup, Special Guests, and Final Festival Programming for “The Last Dance” Edition
To the Film Industry in Crisis, A Look Back At Hollywood In 1926
How “The Testament of Ann Lee” Subverts Cinema’s Lineage of Cult Leaders
A Case of Identity Crisis: “Young Sherlock” Suffers From Too Many Ideas
Home Entertainment Guide February 2026: “Predator: Badlands,” “Song Song Blue,” “A Little Prayer,” More
Love and Monsters: Three Films to Enjoy on Valentine’s Day
Willing Participants: Harry Lighton and Harry Melling on “Pillion”
Sundance 2026: Levitating, Kikuyu Land, Sentient
![Sundance 2026: Aanikoobijigan [ancestor/great-grandparent/great-grandchild], Ghost in the Machine, TheyDream](https://www.rogerebert.com/wp-content/uploads/2026/01/Aanikoobijigan_ancestor_great_grandparent_great_grandchild-Still_1-256x144.jpg)
Sundance 2026: Aanikoobijigan [ancestor/great-grandparent/great-grandchild], Ghost in the Machine, TheyDream
Home Entertainment Guide January 2026: “One Battle After Another,” “Tron: Ares,” “Wicked: For Good,” More
Sundance 2026: Once Upon a Time in Harlem, Wicker, The Gallerist
Sundance 2026: The Shitheads, The History of Concrete, The Invite
The 17 Best Movies About Radio, Ranked
2026 Sundance Preview: 20 Films We Can’t Wait to See
The Thrills Can’t Be Stopped in “Hijack” Season 2
“Sinners,” “Bel-Air” Lead NAACP Image Award Nominees
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Craft of 2025
The Great Performances of 2025
The 25 Best TV Shows of 2025
Two Thumbs Up! The Individual Top Tens of 2025
Sundance Film Festival Announces 2026 Line-Up
Palm Springs Film Festival Announces 2026 Lineup
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Their Show Cracked Open the World: Siskel & Ebert Memories
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
NYFF 2025: Late Fame, What Does That Nature Say to You, Barrio Triste
What Really Matters is What You Like: “High Fidelity” at 25
Criterion’s “The Wes Anderson Archive” is the Blu-ray Box Set of the Year
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
The Golden Boy: 11 of Our Favorite Robert Redford Performances
Apple TV+’s “The Morning Show” Piles On More Oscar Winners As The Show Loses Steam
11 Baseball Movies that Hit it Out of the Park from Make Me Commissioner’s Jane Leavy
TIFF 2025: The Tale of Silyan, Love+War, The Balloonists
TIFF 2025: Motor City, I Swear, Canceled: The Paula Deen Story
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Something Wretched This Way Comes in the Second Half of “Wednesday” Season Two
How I Spent My Summer Vacation At The Drive-In
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
Netflix’s “Hostage” Fails to Hold the Audience Captive
“Mafia: The Old Country” is One of 2025’s Most Cinematic Games
