The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
Kinan Azmeh
Himself
Himself Movie Reviews
Blog Posts That Mention Himself
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
David Krumholtz Wants to Reintroduce Himself to You
AMC’s Kevin Can F*** Himself Experiments with Sitcom Form to Mixed Results
Joss Whedon Practically Plagiarizes Himself in the Uneven The Nevers
Roger Ebert should be ashamed of himself
Kubrick defends himself
Jeremy Irons acquits himself well with stretch to von Bulow
You Do Not Encourage a Dodo to Fly: Harris Yulin (1937-2025)
Michael Douglas to Present Newly Restored “One Flew Over the Cuckoo’s Nest” at Karlovy Vary International Film Festival
I Love You For Who You Are: Sly Stone (1943-2025)
Cannes 2025 Video #9: Wrap Up
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Cannes 2025: Put Your Soul on Your Hand and Walk, Militantropos, Imago
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: The Mastermind, Young Mothers
Cannes 2025: Un Poeta, Teste O Croce?
We Relate: Andrew DeYoung on “Friendship”
Cannes 2025: It Was Just an Accident, Alpha
Cannes 2025: Exit 8, Eleanor the Great, Fuori
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Lookin’s Free: Joe Don Baker (1936-2025)
Cannes 2025: The Chronology of Water, Urchin
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky
Cannes 2025: Sound of Falling, Reedland
Tom Segura’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing
Remembering Jan Dawson, My Mother-in-Law (Twice)
“Cookie’s Fortune”: A Little Southern Comedy
Chicago Critics Film Festival 2025 Preview
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Highlights from the 2025 MUBI Fest Chicago
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
Your Guide to Ebertfest 2025: Day 3, April 25th
Robert Daniels & Odie Henderson Talk Sinners
Netflix’s “You” Gives Us a Better Ending Than We Deserve
The Second Season of “Andor” Stands Tall
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Big Blocks of Fun: A Minecraft Movie
In Season 2 of HBO’s “The Rehearsal,” Nathan Fielder Tries to Save Lives
There’s No Catharsis: David Cronenberg on “The Shrouds”
Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities
The Day James Bond Movies Died
Chicago Critics Film Festival Announces Full Schedule, Special Guests
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
13 Reviews by Roger Ebert for the 2025 Day4Empathy
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Class Critique In Apple TV+’s “Your Friends and Neighbors” Lacks Bite, But Still Entertains
The Unloved, Part 135: Adoration
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
Seth Rogen’s Clever “The Studio” Skewers Hollywood with Love
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
How the One-Take Approach of “Adolescence” Traps Us in Tragedy
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
SXSW Film Festival 2025: Are We Good?, I’m Carl Lewis!, Strange Journey: The Story of Rocky Horror
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
SXSW Film Festival 2025: Ghost Boy, The Secret of Me, Take No Prisoners
Red Meat: Steak ‘n Shake Goes Nazi
The Idealist’s Journey
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
A Look at the Rich Tapestry of Films Coming from South Africa
“Daredevil: Born Again” is an Imperfect Interrogation of Our Current Moment
International and Indie Cinema on the Rise: A Report from the 97th Academy Awards
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
True/False 2025: The Track, Writing Hawa, Make It Look Real
I Think Of Them As The Work: Gene Hackman (1930-2025)
Fantastical Season 3 of AMC’s “Dark Winds” Is an Electrifying Series Best
A Preview of the 2025 Rendez-Vous with French Cinema
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Movies to Watch if You Love Bad Bunny
Ebertfest Adds Barbara Kopple’s Academy Award Winner “Harlan County U.S.A.”
Pixar’s Charming but Compromised “Win or Lose” Catches A Few Foul Balls
Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”
Hulu’s Bold “A Thousand Blows” Is the Most Riveting Series of the Year
In the Name of Friendship: Matthew Rankin on “Universal Language”
Book Excerpt: An Anthony Mann Reader by Scout Tafoya
Sundance 2025: It’s Never Over, Jeff Buckley; Heightened Scrutiny; Third Act
Sundance 2025: Life After, Sugar Babies, Seeds
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance 2025: Mad Bills to Pay, Rains Over Babel, Serious People
“Your Friendly Neighborhood Spider-Man” Brings Marvel’s Web-Slinger Down to Street Level
Sundance 2025: Lurker; Free Leonard Peltier; Oh, Hi
Sundance 2025: Big Swings Pay Off in the Episodic Program
Sundance 2025: Sunfish (and Other Stories on Green Lake), Plainclothes
Sundance 2025: If I Had Legs I’d Kick You, The Thing with Feathers, Rabbit Trap
Ten Shocking Omissions from the 2025 Oscar Nominations
“The Night Agent” Raises the Stakes and Reinvents Itself In Season Two
Oscar Nominations Predictions 2025
