The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
Kinan Azmeh
Himself
Himself Movie Reviews
Blog Posts That Mention Himself
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
David Krumholtz Wants to Reintroduce Himself to You
AMC’s Kevin Can F*** Himself Experiments with Sitcom Form to Mixed Results
Joss Whedon Practically Plagiarizes Himself in the Uneven The Nevers
Roger Ebert should be ashamed of himself
Kubrick defends himself
Jeremy Irons acquits himself well with stretch to von Bulow
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Voice of Hind Rajab, Unidentified, The Fence
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
TIFF 2025: Mile End Kicks, Maddie’s Secret, Poetic License
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
TIFF 2025: Obsession, Honey Bunch, Whitetail
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
TIFF 2025: Hamlet, Rose of Nevada, No Other Choice
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Peacock’s “The Paper” Shuffles “The Office”‘s Formula To A Funny, Worthy Spinoff
Venice Film Festival 2025: Remake, Nuestra Tierra, Kim Novak’s Vertigo
An Ode to the Unanswered Questions in “Agnes of God”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
The Most Significant Movie Ever Made
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
One Final Look: Terence Stamp (1938-2025)
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
Effective Second Season of “Peacemaker” Proves the Future of the DCU’s TV Slate is Bright
“Mafia: The Old Country” is One of 2025’s Most Cinematic Games
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
FX’s “Alien: Earth” Shatters Already High Expectations
Locarno Film Festival 2025: Preview
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
San Diego Comic-Con 2025: Aliens and Activations
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
Life is Like a Piano: Tom Lehrer (1928-2025)
SDCC 2025: Celebrating ALL the Popular Arts
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
The Fire in Your Eyes: Ozzy Osbourne (1948-2025)
One of Us: Malcolm-Jamal Warner (1970-2025)
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
KVIFF 2025: Awards and Wrap-Up
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
MGM+ Adaptation of Stephen King’s “The Institute” Won’t Keep Students Awake
KVIFF 2025: Broken Voices, Out of Love, Don’t Call Me Mama
From “Bosch” to “Ballard”: New Spinoff Tackles LA’s Cold Cases
American Badass: Michael Madsen (1957-2025)
The Best TV of 2025 (So Far)
Netflix’s “The Sandman” Finally Shoots For The Stars With Volume 1 of Final Season
Short Films in Focus: Q&A with “Living Reality” Director Philip Thompson
Light the Fuse: Lalo Schifrin (1932-2025)
Sex and Threads: The Major Works of Takashi Miike
We’re All In This Together: “Brazil” at 40
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
The Glorious Year of Morgan Freeman
Transformative Third Season of HBO’s “The Gilded Age” Dazzles and Delights
50 Years Later, Cooley High Is Still Alive
On the Renewed and Continuing Necessity of “Exterminate All the Brutes”
Tribeca Film Festival 2025: The Narrative Features
Tribeca Film Festival 2025: The Documentaries
You Do Not Encourage a Dodo to Fly: Harris Yulin (1937-2025)
Michael Douglas to Present Newly Restored “One Flew Over the Cuckoo’s Nest” at Karlovy Vary International Film Festival
I Love You For Who You Are: Sly Stone (1943-2025)
Cannes 2025 Video #9: Wrap Up
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Cannes 2025: Put Your Soul on Your Hand and Walk, Militantropos, Imago
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: The Mastermind, Young Mothers
Cannes 2025: Un Poeta, Teste O Croce?
We Relate: Andrew DeYoung on “Friendship”
Cannes 2025: It Was Just an Accident, Alpha
Cannes 2025: Exit 8, Eleanor the Great, Fuori
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Lookin’s Free: Joe Don Baker (1936-2025)
Cannes 2025: The Chronology of Water, Urchin
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky
