The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
Kinan Azmeh
Himself
Himself Movie Reviews
Blog Posts That Mention Himself
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
David Krumholtz Wants to Reintroduce Himself to You
AMC’s Kevin Can F*** Himself Experiments with Sitcom Form to Mixed Results
Joss Whedon Practically Plagiarizes Himself in the Uneven The Nevers
Roger Ebert should be ashamed of himself
Kubrick defends himself
Jeremy Irons acquits himself well with stretch to von Bulow
Effective Second Season of “Peacemaker” Proves the Future of the DCU’s TV Slate is Bright
“Mafia: The Old Country” is One of 2025’s Most Cinematic Games
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
FX’s “Alien: Earth” Shatters Already High Expectations
Locarno Film Festival 2025: Preview
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
San Diego Comic-Con 2025: Aliens and Activations
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
Life is Like a Piano: Tom Lehrer (1928-2025)
SDCC 2025: Celebrating ALL the Popular Arts
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
The Fire in Your Eyes: Ozzy Osbourne (1948-2025)
One of Us: Malcolm-Jamal Warner (1970-2025)
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
KVIFF 2025: Awards and Wrap-Up
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
MGM+ Adaptation of Stephen King’s “The Institute” Won’t Keep Students Awake
KVIFF 2025: Broken Voices, Out of Love, Don’t Call Me Mama
From “Bosch” to “Ballard”: New Spinoff Tackles LA’s Cold Cases
American Badass: Michael Madsen (1957-2025)
The Best TV of 2025 (So Far)
Netflix’s “The Sandman” Finally Shoots For The Stars With Volume 1 of Final Season
Short Films in Focus: Q&A with “Living Reality” Director Philip Thompson
Light the Fuse: Lalo Schifrin (1932-2025)
Sex and Threads: The Major Works of Takashi Miike
We’re All In This Together: “Brazil” at 40
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
The Glorious Year of Morgan Freeman
Transformative Third Season of HBO’s “The Gilded Age” Dazzles and Delights
50 Years Later, Cooley High Is Still Alive
On the Renewed and Continuing Necessity of “Exterminate All the Brutes”
Tribeca Film Festival 2025: The Narrative Features
Tribeca Film Festival 2025: The Documentaries
You Do Not Encourage a Dodo to Fly: Harris Yulin (1937-2025)
Michael Douglas to Present Newly Restored “One Flew Over the Cuckoo’s Nest” at Karlovy Vary International Film Festival
I Love You For Who You Are: Sly Stone (1943-2025)
Cannes 2025 Video #9: Wrap Up
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Cannes 2025: Put Your Soul on Your Hand and Walk, Militantropos, Imago
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: The Mastermind, Young Mothers
Cannes 2025: Un Poeta, Teste O Croce?
We Relate: Andrew DeYoung on “Friendship”
Cannes 2025: It Was Just an Accident, Alpha
Cannes 2025: Exit 8, Eleanor the Great, Fuori
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Lookin’s Free: Joe Don Baker (1936-2025)
Cannes 2025: The Chronology of Water, Urchin
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky
Cannes 2025: Sound of Falling, Reedland
Tom Segura’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing
Remembering Jan Dawson, My Mother-in-Law (Twice)
“Cookie’s Fortune”: A Little Southern Comedy
Chicago Critics Film Festival 2025 Preview
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Highlights from the 2025 MUBI Fest Chicago
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
Your Guide to Ebertfest 2025: Day 3, April 25th
Robert Daniels & Odie Henderson Talk Sinners
Netflix’s “You” Gives Us a Better Ending Than We Deserve
The Second Season of “Andor” Stands Tall
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Big Blocks of Fun: A Minecraft Movie
In Season 2 of HBO’s “The Rehearsal,” Nathan Fielder Tries to Save Lives
There’s No Catharsis: David Cronenberg on “The Shrouds”
Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities
The Day James Bond Movies Died
Chicago Critics Film Festival Announces Full Schedule, Special Guests
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
13 Reviews by Roger Ebert for the 2025 Day4Empathy
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Class Critique In Apple TV+’s “Your Friends and Neighbors” Lacks Bite, But Still Entertains
The Unloved, Part 135: Adoration
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
