The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
Kinan Azmeh
Himself
Himself Movie Reviews
Blog Posts That Mention Himself
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
David Krumholtz Wants to Reintroduce Himself to You
AMC’s Kevin Can F*** Himself Experiments with Sitcom Form to Mixed Results
Joss Whedon Practically Plagiarizes Himself in the Uneven The Nevers
Roger Ebert should be ashamed of himself
Kubrick defends himself
Jeremy Irons acquits himself well with stretch to von Bulow
As You Wish: Rob Reiner (1947-2025)
A Multifaceted Conversation About Faith: Rian Johnson on “Wake Up Dead Man”
Sundance Film Festival Announces 2026 Line-Up
The Ten Best Films of 2025
Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”
Netflix’s “The Abandons” Leaves Its Capable Stars Behind in a Weak, Weary Western
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Starz Returns to Form With Brutal and Brilliant Spin-Off “Spartacus: House of Ashur”
What I Know is What I Am: Jimmy Cliff (1944-2025)
“Stranger Things” Sets Up Its Endgame with Quartet of New Episodes
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
No Good Deed Will Go Unpunished: Kleber Mendonça Filho and Wagner Moura on “The Secret Agent”
Swan Song: Udo Kier (1944-2025)
Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
“Landman” Might Be the Dumbest Fracking Show on TV
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
Tokyo Film Festival 2025: “Sato and Sato,” “Blue Boy Trial,” “Poca Pon,” “Blonde”
Tokyo Film Festival 2025: “Mother Bhumi,” “Morte Cucina,” “We Are the Fruits of the First,” “Tunnels: Sun in the Dark”
Hard Places: Max Walker-Silverman on “Rebuilding”
NBC Mockumentary Sitcom “Stumble” is a Flipping Good Time
“The Witcher” Changes Its Face and Loses Some Of Its Magic in Season 4
The Real Monsters: How True Crime Has Shaped the Horror TV Genre
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
11 Times That D’Angelo Made a Movie Better with his Music
I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
The Darkest Samurai Film Ever Made: Toshio Matsumoto’s “Shura”
You Play Well: Diane Keaton (1946-2025)
NYFF 2025: Late Fame, What Does That Nature Say to You, Barrio Triste
What Really Matters is What You Like: “High Fidelity” at 25
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Hulu’s “Chad Powers” Wastes Talents of Glen Powell
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
Season 3 of “Tulsa King” Features Boomers, Bullets, and Bourbon, Oh My
The Golden Boy: 11 of Our Favorite Robert Redford Performances
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Fuze, Glenrothan, The Last Viking
TIFF 2025: The Voice of Hind Rajab, Unidentified, The Fence
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
TIFF 2025: Mile End Kicks, Maddie’s Secret, Poetic License
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
TIFF 2025: Obsession, Honey Bunch, Whitetail
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
TIFF 2025: Hamlet, Rose of Nevada, No Other Choice
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Peacock’s “The Paper” Shuffles “The Office”‘s Formula To A Funny, Worthy Spinoff
Venice Film Festival 2025: Remake, Nuestra Tierra, Kim Novak’s Vertigo
An Ode to the Unanswered Questions in “Agnes of God”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
The Most Significant Movie Ever Made
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
One Final Look: Terence Stamp (1938-2025)
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
Effective Second Season of “Peacemaker” Proves the Future of the DCU’s TV Slate is Bright
“Mafia: The Old Country” is One of 2025’s Most Cinematic Games
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
FX’s “Alien: Earth” Shatters Already High Expectations
Locarno Film Festival 2025: Preview
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
San Diego Comic-Con 2025: Aliens and Activations
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
Life is Like a Piano: Tom Lehrer (1928-2025)
SDCC 2025: Celebrating ALL the Popular Arts
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
The Fire in Your Eyes: Ozzy Osbourne (1948-2025)
One of Us: Malcolm-Jamal Warner (1970-2025)
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
KVIFF 2025: Awards and Wrap-Up
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
