Freddy Got Fingered
Written by
Green
Green Movie Reviews
Blog Posts That Mention Green
Movies for the Freaks: Mark Anthony Green on “Opus”
Sundance 2025: Sunfish (and Other Stories on Green Lake), Plainclothes
Lou Weisbach Hired by Hollywood Movie Corp. to Exclusively Represent Upcoming Film, The Jerry Greenberg Story
TIFF 2023: The Beast, Evil Does Not Exist, Shoshana, Green Border
Vincent Cassel, Eva Green Waste Time on Dull Spycraft in Apple TV+’s Liaison
Bright Wall/Dark Room November 2021: Why You Want to Leave Me? by Steph Green
Video Interview: Zora Howard and Rashaad Ernesto Green on Premature
Telluride 2019: Kitty Green on Her Pre-#MeToo Thriller, The Assistant
2019 Oscar Winners Include Green Book, Rami Malek, Olivia Colman, Ruth Carter, Spike Lee
Green Book, Bohemian Rhapsody Win Big at 76th Golden Globe Awards: A Complete List of Winners
TIFF 2018: Green Book, First Man, Hotel Mumbai
Bright Wall/Dark Room April 2018: The Force that Through the Green Fuse Drives the Flower: On A Little Princess and The Secret Garden by Corbin Dewitt
Put ‘Em In the Stew: Jeremy Saulnier on “Green Room”
Roger’s Favorites: David Gordon Green and Jeff Nichols
TIFF 2015: “Green Room”
Cannes 2015: “Hitchcock/Truffaut,” “Green Room,” “Love”
Observations of an Awards Season Skeptic, Part 4: Green Card Blues
No Safety Net: Eugenia Yuan on “Revenge of the Green Dragons”
TIFF 2014 Interview: Al Pacino & David Gordon Green on “Manglehorn”
Interview: Dave Green and Teo Halm on “Earth to Echo”
David Gordon Green & Tye Sheridan on the Creative Volatility of “Joe”
Sundance Report: “The Green Prince” and “R100.”
David Gordon Green’s Traveling Movie Circus
Colorless green ideas “Sleep Furiously”
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
SDCC 2025: Celebrating ALL the Popular Arts
Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing
I Am a Writer: “Wonder Boys” Turns 25
The Great and Magical Creation of This Reality: Mariana Treviño on “Stick”
Cure Your Insomnia with Prime Video’s “Countdown”
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Just Wasn’t Made for These Times: Brian Wilson (1942-2025)
The 20 Best Films of 2025 So Far
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025: Sentimental Value, Romería, The History of Sound
Apple TV+’s “Murderbot” Functions Along Mission Parameters, But Needs To Work Out Some Bugs
The Florida Film Festival: An Oasis for Creative Souls
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Netflix’s “Devil May Cry” Adapts Hit Video Game Series with Artistic Flair
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
Ambient Comedy: Carson Lund on “Eephus”
Short Films in Focus: David and Sam Cutler-Kreutz on “A Lien”
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
True/False 2025: Seeds, River of Grass, How Deep Is Your Love
I Think Of Them As The Work: Gene Hackman (1930-2025)
Taylor Sheridan’s “1923” Returns with Same Degree of Self-Proclaimed Grandeur
30 Minutes On: “Watership Down”
A Look at Every Oscar-Nominated Short This Year
Sundance 2025: Table of Contents
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
Sundance 2025: The Wedding Banquet, Kiss of the Spider Woman
Sundance 2025: 2000 Meters from Andriivka, Cutting Through Rocks, Khartoum
Sundance 2025: Brides, Where the Wind Comes From, Two Women
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Have a Great Day: David Lynch (1946-2025)
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
The Wicked Witch Is Dead: The Double-Bind of the Villainess’s Backstory
The Great Craft of 2024
The Great Performances of 2024, Part One
The 10 Best Horror Films of 2024
Two Thumbs Up! The Individual Top Tens of 2024
