Blog Posts That Mention Green
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
Marya E. Gates
Do You Hear Your Trees? They’re Crying: Graham Greene (1952—2025)
Kaiya Shunyata
Movies for the Freaks: Mark Anthony Green on “Opus”
Zachary Lee
Sundance 2025: Sunfish (and Other Stories on Green Lake), Plainclothes
Brian Tallerico
Lou Weisbach Hired by Hollywood Movie Corp. to Exclusively Represent Upcoming Film, The Jerry Greenberg Story
The Editors
TIFF 2023: The Beast, Evil Does Not Exist, Shoshana, Green Border
Brian Tallerico
Vincent Cassel, Eva Green Waste Time on Dull Spycraft in Apple TV+’s Liaison
Clint Worthington
Bright Wall/Dark Room November 2021: Why You Want to Leave Me? by Steph Green
The Editors
Video Interview: Zora Howard and Rashaad Ernesto Green on Premature
Scout Tafoya
Telluride 2019: Kitty Green on Her Pre-#MeToo Thriller, The Assistant
Tomris Laffly
2019 Oscar Winners Include Green Book, Rami Malek, Olivia Colman, Ruth Carter, Spike Lee
Nick Allen
Green Book, Bohemian Rhapsody Win Big at 76th Golden Globe Awards: A Complete List of Winners
Nick Allen
TIFF 2018: Green Book, First Man, Hotel Mumbai
Brian Tallerico
Bright Wall/Dark Room April 2018: The Force that Through the Green Fuse Drives the Flower: On A Little Princess and The Secret Garden by Corbin Dewitt
The Editors
Put ‘Em In the Stew: Jeremy Saulnier on “Green Room”
Nick Allen
Roger’s Favorites: David Gordon Green and Jeff Nichols
The Editors
TIFF 2015: “Green Room”
Brian Tallerico
Cannes 2015: “Hitchcock/Truffaut,” “Green Room,” “Love”
Ben Kenigsberg
Observations of an Awards Season Skeptic, Part 4: Green Card Blues
Glenn Kenny
No Safety Net: Eugenia Yuan on “Revenge of the Green Dragons”
Michał Oleszczyk
TIFF 2014 Interview: Al Pacino & David Gordon Green on “Manglehorn”
Sam Fragoso
Interview: Dave Green and Teo Halm on “Earth to Echo”
Matt Fagerholm
David Gordon Green & Tye Sheridan on the Creative Volatility of “Joe”
Brian Tallerico
Sundance Report: “The Green Prince” and “R100.”
Simon Abrams
David Gordon Green’s Traveling Movie Circus
Christy Lemire
Colorless green ideas “Sleep Furiously”
Odie Henderson
TIFF 2025: Bad Apples, Eternity, Sacrifice
Brian Tallerico
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
Brian Tallerico
TIFF 2025: 20 World Premieres We Can’t Wait to See
Brian Tallerico
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
Glenn Kenny
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
Robert Daniels
USA’s “The Rainmaker” is a Traditional TV Legal Drama
Cristina Escobar
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
Kaiya Shunyata
SDCC 2025: Celebrating ALL the Popular Arts
Nell Minow
Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing
Richard Roeper
I Am a Writer: “Wonder Boys” Turns 25
Paul Risker
The Great and Magical Creation of This Reality: Mariana Treviño on “Stick”
Nell Minow
Cure Your Insomnia with Prime Video’s “Countdown”
Nandini Balial
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Brian Tallerico
Just Wasn’t Made for These Times: Brian Wilson (1942-2025)
Chris Vognar
The 20 Best Films of 2025 So Far
The Editors
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Marya E. Gates
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Isaac Feldberg
Cannes 2025: Sentimental Value, Romería, The History of Sound
Robert Daniels
Apple TV+’s “Murderbot” Functions Along Mission Parameters, But Needs To Work Out Some Bugs
Clint Worthington
The Florida Film Festival: An Oasis for Creative Souls
Brian Tallerico
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Zachary Lee
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
Clint Worthington
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Isaac Feldberg
Netflix’s “Devil May Cry” Adapts Hit Video Game Series with Artistic Flair
Rendy Jones
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
Robert Daniels
Ambient Comedy: Carson Lund on “Eephus”
Isaac Feldberg
Short Films in Focus: David and Sam Cutler-Kreutz on “A Lien”
Collin Souter
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
Nandini Balial
The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”
Hannah and Cailin Loesch
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Marya E. Gates
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
The Editors
True/False 2025: Seeds, River of Grass, How Deep Is Your Love
Robert Daniels
I Think Of Them As The Work: Gene Hackman (1930-2025)
Scout Tafoya
Taylor Sheridan’s “1923” Returns with Same Degree of Self-Proclaimed Grandeur
Brian Tallerico
30 Minutes On: “Watership Down”
Matt Zoller Seitz
A Look at Every Oscar-Nominated Short This Year
Collin Souter
Sundance 2025: Table of Contents
The Editors
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
Robert Daniels
Sundance 2025: The Wedding Banquet, Kiss of the Spider Woman
Brian Tallerico
Sundance 2025: 2000 Meters from Andriivka, Cutting Through Rocks, Khartoum
Marya E. Gates
Sundance 2025: Brides, Where the Wind Comes From, Two Women
Marya E. Gates
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Brian Tallerico
Have a Great Day: David Lynch (1946-2025)
Brian Tallerico
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
The Editors
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