
Jean-Pierre Jeunet Isn’t Anything Like Amélie, but He’s Trying
As the French director’s most beloved movie returns to theaters, he talks about being a pessimist and why he never gets tired of rewatching his films.
As the French director’s most beloved movie returns to theaters, he talks about being a pessimist and why he never gets tired of rewatching his films.
An article about Colman Domingo, who will be named Best Actor at the 15th annual African American Film Critics Association (AAFCA) Awards on Wednesday, February 21st.
On three premieres from Berlin, including new films starring Cillian Murphy and Hunter Schafer.
Director Dan Partland discusses his disturbing film God & Country and explains why he thinks the left needs to do more to align with thoughtful religious conservatives, even if they disagree with some of their beliefs.
Now streaming on Netflix after years of being hard to find, the pop singer’s infamous 2002 film remains hokey and cheesy. So why does it play differently today?
Our Associate Editor previews the Berlin Film Festival.
On this year’s Oscar-nominated shorts.
An interview with the director of this week’s Monolith.
RogerEbert.com Literary Editor Matt Fagerholm bids farewell while celebrating his tenth anniversary at the site.
Amazon Prime continues to confuse customers in a manner that feels increasingly frustrating and misleading.
From Bob Dylan to the Black Woodstock, here are the concert films and behind-the-scenes portraits that go to 11.
An article honoring comedy icon and filmmaker Harold Ramis on the tenth anniversary of his passing.
A review of the latest spin-off of The Walking Dead.
An interview with Bill Bradley, subject of a new documentary.
A feature on the savvy media management of Dakota Johnson.
A look at the Mel Brooks comedy classic on its 50th anniversary, from a different angle.
Some off-the-radar romantic movies for you this week.
An interview with the director of Glory, Legends of the Fall, and many more.
Why we need to stop letting businesses destroy art.