Meet the Writers: Odie Henderson
Writer Odie Henderson responds to our Movie Love Questionnaire.
Writer Odie Henderson responds to our Movie Love Questionnaire.
An ending to Roger’s “The Thinking Molecules of Titan” by Brett Grayson.
An ending to Roger’s “The Thinking Molecules of Titan” by Taylor Bettinson.
The World 3-D Film Expo III, running Sept. 6–15 at the Egyptian Theater in Hollywood, may be the last chance to see some great 1950s 3-D films projected the way they were intended to be.
Brian Tallerico muses (groan) on how “Sons of Anarchy” has shifted from Shakespearean tragedy to classical tragedy as a model.
When a rape joke snowballs into bullying; Batman’s lesbian wedding ‘prohibited’ by DC Comics; what happened to The Onion; what the The Royal Tenenbaums means to a child of alcoholics; Fran Leibowitz is Fran Leibowitz.
Triceratops never existed; Coppola and DePalma betwixt passions; 8 books every educated person should read; the Syrian rebel problem; The Last Temptation of Christ revisited; Herzog + Morris.
Tommaso Tocci reports on the screenings of “The Canyons,” “Tracks” and “Joe” at the Venice Film Festival.
The minds behind the FX channel are ready to double down with their new channel FXX.
For serious cinema fans, romantic comedy have become dirty words in the post-Meg Ryan era. That’s what makes the films of Seattle-based indie writer-director Lynn Shelton so refreshing: They’re romantic and comedic without ever being formulaic.
In the new book “Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses,” Chris Nashawaty tells the story of the amazing life and career of Roger Corman through a collection of interviews, which Nashawaty has put together into a blow-by-blow collage account.
Penny Lane, the director of the documentary “Our Nixon,” talks about the complexity of Richard Nixon, and the ongoing battle to define his image.
The Telluride Film Festival, which Roger loved dearly, is dedicated, in part, to him.
Paramount is offering “World War Z” and “Star Trek Into Darkness” as a single-ticket double feature. The wave of the future? Or a stunt?
Katherine Tulich sits down with “Austenland” star Keri Russell, writer/director Jerusha Hess, and author Stephenie Meyer, whose company, Fickle Fish Films, produced the film.
Brian Tallerico finds the parallels between “It’s Always Sunny in Philadelphia” and “Seinfeld” instructive as to how shows about unlikeable characters can endure for nine seasons.
Tommaso Tocci reports on “Gravity,” the opening night film of the 70th Venice Film Festival.