Making the Specific Feel Universal: Lorene Scafaria on “The Meddler”
Writer/director Lorene Scafaria on “The Meddler.”
Writer/director Lorene Scafaria on “The Meddler.”
A report from a panel at Los Angeles Asian Pacific Film Festival about diversity in the light of the 2015 Oscar ceremony.
Reflections on a marriage, and what came after.
FFC Seongyong Cho on Paul Weitz’s “Grandma.”
A restoration of Eagle Pennell’s 1983 film “Last Night at the Alamo” will screen this week at L.A.’s Cinefamily.
A piece on two recent Dario Argento re-releases, “Deep Red” and “Tenebrae.”
An essay on Prince’s masculinity, artistry and blackness.
A guide to the latest on Blu-ray, including “The Texas Chainsaw Massacre 2” and “Only Angels Have Wings” (the first time those two movies have ever been in a sentence together).
The staff of RogerEbert.com shares their memories of Prince.
A review of the new seasons of HBO’s “Silicon Valley” and “Veep.”
Fans, fiction and representation; Emer Kinsella on a life in music; Glenn Kenny on “The Girlfriend Experience”; LAPD officer performs a rescue; Why we grieve artists we haven’t met.
A review of two docs from Tribeca, “Burden” and “Contemporary Color”
An interview with “Cult Movies” author Danny Peary.
An interview with the writer and director of “Once” and “Sing Street.”
A report by Ebert Fellow Shalayne Pulia on Saturday’s screening of “Radical Grace” at Ebertfest.
A table of contents with all of our Tribeca 2016 coverage.
A tribute to the late Israeli actress and filmmaker Ronit Elkabetz.
A review from Tribeca 2016 of Taika Waititi’s “Hunt for the Wilderpeople.”
A review of AMC’s “The Night Manager,” starring Tom Hiddleston, Hugh Laurie, Tom Hollander, Olivia Colman, and Elizabeth Debicki.