Arabian Nights: Volume 2, The Desolate One
Editor
Editor Movie Reviews
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RogerEbert.com Announces Assistant Editor, Weekly Critic, and Social Media Manager
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
A Farewell from Our Literary Editor, Matt Fagerholm
A Farewell and Tribute to Our Senior Editor, Nick Allen
Senior Editor Nick Allen Moderates Panel of International Awards Contenders
Welcome Robert Daniels, Our New Associate Editor of RogerEbert.com
Meet the Guest Editors of Black Writers Week 2022
Introducing the Editors of RogerEbert.com
Women Film Editors: Shedding the Cloak of Invisibility
New Works Virtual Festival Rescheduled for November, Seeking Editors
Bring the Soul to Life: Oscar-Winning Editor Paul Hirsch on “Planes, Trains and Automobiles,” “Star Wars” and His New Memoir
The Academy and IndieCollect’s Restored Version of Cane River to Screen in LA Friday, November 1st, in Honor of Late Editor Debra Moore
IDA Open Call for Documentary Magazine Editorial Fellows
Happy One Year Anniversary to Our First Female Editor, Nell Minow
A Distinctive Clash: Editors Leslie Simmer, David E. Simpson and Alanna Schmelter on America to Me
Meet Our Assistant Editors, Nick Allen and Matt Fagerholm
RogerEbert.com welcomes new Assistant Editor
A Kiss is Still a Kiss: Editor Donna Martin Recalls Working with Roger Ebert
PRESS RELEASE: RogerEbert.com Announces Editor-in-Chief and Advisory Board; Pulitzer-nominated film critic Matt Zoller Seitz to curate content for site; Advisory Board Named
Meet the new editor of RogerEbert.com: Matt Zoller Seitz
Death and life of an editor: Karen Schmeer, 1970-2010
I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
TIFF 2025: Hamnet, Driver’s Ed, EPiC: Elvis Presley in Concert
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Mile End Kicks, Maddie’s Secret, Poetic License
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
Peacock’s “The Paper” Shuffles “The Office”‘s Formula To A Funny, Worthy Spinoff
Telluride Film Festival 2025: The Cycle of Love, H is for Hawk, La Grazia
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
Meet the Writers: Peyton Robinson
Locarno Film Festival 2025: Preview
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
SDCC 2025: Celebrating ALL the Popular Arts
Book Excerpt: That Very Witch: Fear, Feminism, and the American Witch Film by Payton McCarty-Simas
Meet the Writers: Cortlyn Kelly
KVIFF 2025: Awards and Wrap-Up
Ari Aster Talks with Chaz Ebert About “Eddington” at Music Box
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
I Am a Writer: “Wonder Boys” Turns 25
It’s One Louder: “This is Spinal Tap” Turns 41
59th Karlovy Vary International Film Festival to Honor Stellan Skarsgård, Vicky Krieps, Dakota Johnson and Peter Sarsgaard
We’re All In This Together: “Brazil” at 40
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
“Zola,” “Anora,” and the DEI Mirage
Dancing With Death: Mike Flanagan on “The Life of Chuck”
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025: Table of Contents
We Relate: Andrew DeYoung on “Friendship”
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
Cannes 2025 Video #3: Robert Daniels on Urchin, Renoir, Die My Love, and More
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Highlights from the 2025 MUBI Fest Chicago
Your Guide to Ebertfest 2025: Day 4, April 26th
Your Guide to Ebertfest 2025: Day 3, April 25th
Your Guide to Ebertfest 2025: Day 2, April 24th
Your Guide to Ebertfest 2025: Day 1, April 23rd
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
Short Films in Focus: Incident
13 Reviews by Roger Ebert for the 2025 Day4Empathy
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
The Ebert Fellows on True/False 2025
Ambient Comedy: Carson Lund on “Eephus”
Movies for the Freaks: Mark Anthony Green on “Opus”
Poetically in Love: Three Declarations of Love in Verse
Women Develop New Models of Heroism in Festival Docs
Intro to Women Writers Week
True/False 2025: The Track, Writing Hawa, Make It Look Real
Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host
Life, the Movie: Why Documentary Filmmaking Should Return to, You Know, Documenting Stuff
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance 2025: The Librarians, Middletown, Speak.
Sundance 2025: Mad Bills to Pay, Rains Over Babel, Serious People
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
Sundance 2025: Bunnylovr, Atropia, Love, Brooklyn
Meet the Writers: Zachary Lee
Dream of Death: Robert Eggers on “Nosferatu”
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
