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RogerEbert.com Announces Assistant Editor, Weekly Critic, and Social Media Manager
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
A Farewell from Our Literary Editor, Matt Fagerholm
A Farewell and Tribute to Our Senior Editor, Nick Allen
Senior Editor Nick Allen Moderates Panel of International Awards Contenders
Welcome Robert Daniels, Our New Associate Editor of RogerEbert.com
Meet the Guest Editors of Black Writers Week 2022
Introducing the Editors of RogerEbert.com
Women Film Editors: Shedding the Cloak of Invisibility
New Works Virtual Festival Rescheduled for November, Seeking Editors
Bring the Soul to Life: Oscar-Winning Editor Paul Hirsch on “Planes, Trains and Automobiles,” “Star Wars” and His New Memoir
The Academy and IndieCollect’s Restored Version of Cane River to Screen in LA Friday, November 1st, in Honor of Late Editor Debra Moore
IDA Open Call for Documentary Magazine Editorial Fellows
Happy One Year Anniversary to Our First Female Editor, Nell Minow
A Distinctive Clash: Editors Leslie Simmer, David E. Simpson and Alanna Schmelter on America to Me
Meet Our Assistant Editors, Nick Allen and Matt Fagerholm
RogerEbert.com welcomes new Assistant Editor
A Kiss is Still a Kiss: Editor Donna Martin Recalls Working with Roger Ebert
PRESS RELEASE: RogerEbert.com Announces Editor-in-Chief and Advisory Board; Pulitzer-nominated film critic Matt Zoller Seitz to curate content for site; Advisory Board Named
Meet the new editor of RogerEbert.com: Matt Zoller Seitz
Death and life of an editor: Karen Schmeer, 1970-2010
Home Entertainment Guide June 2026: Hoppers, Crime 101, The Mastermind, More
Happy Heavenly Birthday, Roger Ebert: June 18, 1942 – April 4, 2013
The Legend of Us: Expanding the Chosen One
Intro to Black Writers Week 2026
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
60th Karlovy Vary Film Festival Announces Official Selection and Juries
Home Entertainment Guide May 2026: The Bride!, Wuthering Heights, Sentimental Value, More
Cannes 2026 Video #9: Critics Roundtable
Cannes 2026: Maverick: The Epic Adventures of David Lean, Dernsie: The Amazing Life of Bruce Dern
Cannes 2026: I See Buildings Fall Like Lightning, Diary of a Chambermaid, La Perra
Cannes 2026 Video #6: Club Kid, Paper Tiger, Clarissa
Cannes 2026 Video #3: Nagi Notes, Camp Miasma, Werner Herzog
Notes from the Red Carpet of the 2026 Chicago Critics Film Festival
An Essential Showcase in a Difficult Time: Cannes Film Festival 2026 Preview
Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!
The Unloved, Part 149: Oh… Rosalinda!!
‘The Last Dance’ Ends a Beautiful, Impactful Run for the Long-time Roger Ebert Film Festival
Hope-Core: Daniel Pemberton on Composing “Project Hail Mary”
The Unloved, Part 148: High-Rise
Home Entertainment Guide March 2026: Anaconda, The Housemaid, Killers of the Flower Moon, More
Shuffling and Whittling and Experimenting: Austin Keeling and Lam T. Nguyen on Editing the Told-on-Screens Film “Mercy”
The Unloved, Part 147: The House Bunny & Observe and Report
Introduction to Women Writers Week 2026
Christy Lemire Bids a Fond Farewell to RogerEbert.com
The Eye of a Camera: Frederick Wiseman (1930-2026)
I Will See You In Dreams: Akinola Davies Jr. on “My Father’s Shadow”
Female Filmmakers in Focus: Amanda Kramer on “By Design”
Sundance 2026: The Lake, Nuisance Bear, Seized, Public Access
Sundance 2026: American Doctor, American Pachuco, Barbara Forever
Sundance 2026: Aanikoobijigan [ancestor/great-grandparent/great-grandchild], Ghost in the Machine, TheyDream
Home Entertainment Guide January 2026: “One Battle After Another,” “Tron: Ares,” “Wicked: For Good,” More
Sundance 2026: If I Go Will They Miss Me, Night Nurse, Jaripeo
Time is Very Precious: Hlynur Pálmason and Julius Krebs Damsbo on “The Love That Remains”
A Tribute to Former FCC Chair and Media Champion Newton Minow
Female Filmmakers in Focus: Rebecca Zlotowski on “A Private Life”
Poetry in the Abyss: Béla Tarr (1955-2026)
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Craft of 2025
The Ten Best Films of 2025
Female Filmmakers in Focus: Tamara Kotevska on “The Tale of Silyan”
Join Chaz Ebert at the Critic’s Cut 2025 Event at FACETS
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Short Films in Focus: Off the Face of the Earth (with Michael Pantozzi)
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
We Live in Time: Joachim Trier on “Sentimental Value”
“My Undesirable Friends: Part I – Last Air in Moscow” Announced as Winner of the 2025 Indie Film Site Network Advocate Award
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
TIFF 2025: Hamnet, Driver’s Ed, EPiC: Elvis Presley in Concert
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Mile End Kicks, Maddie’s Secret, Poetic License
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
Peacock’s “The Paper” Shuffles “The Office”‘s Formula To A Funny, Worthy Spinoff
Telluride Film Festival 2025: The Cycle of Love, H is for Hawk, La Grazia
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
Meet the Writers: Peyton Robinson
Locarno Film Festival 2025: Preview
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
SDCC 2025: Celebrating ALL the Popular Arts