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Kelly Movie Reviews
Blog Posts That Mention Kelly
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
Venice Film Festival 2025: Ghost Elephants, Jay Kelly, Bugonia, Cover-Up, After the Hunt
Meet the Writers: Cortlyn Kelly
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
I Believe in Me: Alex Thompson and Kelly O’Sullivan on Ghostlight
Bright Wall/Dark Room January 2024: Making Peace With Our Distractions: On Kelly Reichardt’s Showing Up
Quietly Revolutionary: Abby Ryder Fortson and Kelly Fremon Craig on Are You There God? It’s Me, Margaret.
Female Filmmakers in Focus: Kelly Reichardt on Showing Up
Live at Mister Kelly’s to Have American Premiere at the Gene Siskel Film Center
The Meaning of Magic: Carlos López Estrada and Kelly Marie Tran on Summertime
Live at Mister Kelly’s Documentary to Have Sneak Preview on WTTW This Thursday, May 27th
Bright Wall/Dark Room February 2021: Who Could Ask for Anything More?: Watching Gene Kelly From a Child’s-Eye View by Ethan Warren
Book Excerpt: Roads to nowhere: Kelly Reichardt’s broken American Dreams
The Strongest Person in the Room: George MacKay on True History of the Kelly Gang
Just in the Minuscule Things That Happen in a Day: Kelly Reichardt on First Cow
Jay Roach on Bombshell, the Appeal of Polarizing Figures, Turning Charlize Theron into Megyn Kelly and More
TIFF 2019: Jungleland, True History of the Kelly Gang
Where the Scene Lives: Alex Thompson and Kelly O’Sullivan on Saint Frances
Sundance 2016 Completes Lineup with New Films from Werner Herzog, Kelly Reichardt and More
His own man: Jim Kelly, 1946-2013
Kelly Made a Lasting Splash
Female Filmmakers in Focus: Milagros Mumenthaler on “The Currents”
Cannes 2026: Everytime, Ben’Imana, Titanic Ocean
“Dutton Ranch” Keeps the Barn Doors Open for the “Yellowstone” Franchise
How “In a Lonely Place” Changed Noir’s Direction
Milwaukee Film Festival 2026: Making Waves, With Movies, Along the Shores of Lake Michigan
HBO’s “Euphoria” Feels as Lost as Its Characters in Riveting, Infuriating Third Season
RogerEbert.com Contributor, Renowned Film and Television Journalist Richard Roeper Joins the NBC News 5 Team
Apple TV’s “For All Mankind” Takes Bold New Leaps in Space and Scope in Its Fifth Season
Netflix’s “Jo Nesbø’s Detective Hole” Feels A Bit Overstuffed
If We Picked the Winners: The 98th Academy Awards
Women Writers Week 2026: Table of Contents
Milestones of 1956: Looking Back at Hollywood 70 Years Ago
HBO’s “Rooster” is Almost an Endearing Comedy
Berlinale 2026: A Politicized Festival with Great Political Cinema
Remembering the Forgotten Movies of the 2026 Oscar Season
Short Films in Focus: The 2026 Oscar-Nominated Shorts
FX’s “Love Story: JFK Jr. and Carolyn Bessette” Is A Stunning Exploration of Public and Private Life
Sundance 2026: The Best Summer, Saccharine, Rock Springs
Sundance 2026: Leviticus, Buddy, Mum I’m Alien Pregnant
2026 Oscar Nominations Predictions in the Major Categories
“Sinners,” “Bel-Air” Lead NAACP Image Award Nominees
Female Filmmakers in Focus: Rebecca Zlotowski on “A Private Life”
40 Shows We Can’t Wait to Watch in 2026
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Craft of 2025
The Great Performances of 2025
Two Thumbs Up! The Individual Top Tens of 2025
Sundance Film Festival Announces 2026 Line-Up
Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
Adaptation is About Subtraction: James Vanderbilt on “Nuremberg”
CIFF 2025: Silent Friend, Calle Malaga, Belén
11 Times That D’Angelo Made a Movie Better with his Music
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
SDCC 2025: Celebrating ALL the Popular Arts
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
Intro to Our Juneteenth Edition of Black Writers Week 2025
The 20 Best Films of 2025 So Far
Dancing With Death: Mike Flanagan on “The Life of Chuck”
Cannes 2025 Video #7: Critics’ Roundtable
Excellent Cast Struggles to Hold Together Plodding “Dept. Q”
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: The Mastermind, Young Mothers
Cannes 2025: Un Poeta, Teste O Croce?
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Lookin’s Free: Joe Don Baker (1936-2025)
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
“North of North” Carefully Balances Darkness and Charm
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
SXSW Film Festival 2025: Redux Redux, Descendent, The Surrender
SXSW Film Festival 2025: Forge, Slanted, The True Beauty of Being Bitten by a Tick
Women Writers Week 2025: Table of Contents
The Idealist’s Journey
Intro to Women Writers Week
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
True/False 2025: Seeds, River of Grass, How Deep Is Your Love
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
10 Great Performances from Sundance 2025
Sundance 2025: The Wedding Banquet, Kiss of the Spider Woman
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
14 Underrated Movies of 2024
The Great Craft of 2024
The Great Performances of 2024, Part Two
The Great Performances of 2024, Part One
My Night at the Critics Choice Celebration of Black Cinema and Television
Two Thumbs Up! The Individual Top Tens of 2024
2025 Sundance Film Festival Announces Ambitious Program
Don’t Miss IndieCollect’s RescueFest This Weekend
Female Filmmakers in Focus: Hannah Peterson on “The Graduates”
Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”
